Trio for two Flutes (Flute and Violin) and Basso continuo

Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Clarinet Saxophone Brass and Violin editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three flutes - with or without accompaniment May alsobe used with matching arrangements in Book 2 editions of this series for Clarinet Saxophone Brass or Violin Optional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use

Thirty easy trios for flute using familiar melodies arranged in classical folk and jazz styles. This book can be used with matching arrangements of the same material in Junior Book A- Clarinet Violin Saxophone Brass. An Optional Piano Accompaniment book with guitar chords is available- PM221765R

Arrangeur: Shelley Collins. Par KROMMER FRANZ. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel's String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes./ Répertoire / 3 Flûtes Traversières

7 Canzons ? Tarquinio Merula
Sonata concertate, from Libro terzo, op. 12
for 2 recorders (violins) and b.c.
Edited by Joachim Arndt and Claudia Schweitzer, score and parts
Perfectly structured and joyful chamber music of Early Italian Baroque
/ Partitions classique / Bois / Flûte à bec / MIEROPRINT

Mit Fassung für zwei Violinen-Particulièrement appréciée et souvent interprétée la sonate en trio BWV 1039 fut également adaptée par Bach pour viole de gambe et clavecin et constitue la seule sonate en trio dont l?authenticité est absolument certifiée excepté celle de l?Offrande musicale et les sonates en trio pour orgue. Afin d?en permettre une interprétation alternative pour deux violons l?éditeur propose les variantes authentiques correspondantes en petites notes.

First Part-Also suitable for three violins (or other suitable like-instruments)This unique 18th-century collection of pieces for flute by James Hook has been completely revised and edited for intermediate to advanced levelinstrumentalists. Each is a three-movement work in typical fast-slow-fast Baroque format. Suitable for contest concert or church performance these pieces appear on several state contest lists.

2 Violins (or 2 Flutes) and Cello. Sheet Music and CD Play-along Pack available: see Q 4972 / Flûte Traversière(S) Et Autres Instruments

For two Alto Flutes Bass Flute Violin Viola Cello. Composed and published 2015. Walled Garden for String and Flute trios is a set of three pieces designed to be interleaved with Mala punica a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015 by Daniel Pioro (Violin) Robert Ames (Viola) Oliver Coates (Cello) Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes.

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

from RECUEIL DE DOUZE SONATES (1712) pour 2 Violons (flutes/oboes), Basse pour la Viole avec Basse chiffrée. Rebel was very important for the French violin school and the development of the sonata. These trio-sonatas No. 1-7 for 2 violins, bass gamba

A variety of combinations of instruments can play trios with these books. With the exception of the basses, any three like-instruments such as three flutes, three clarinets, three cornets, three trombones, three bassoons, and so on can play together in three-part harmony. Numerous mixed-instruments such as violin, trumpet, and tuba also may perform all of the trios in these books. Basses must play the bottom line only, but the music is arranged so that they have the melody from time to time. Any number of instrumentalists may play together in three-part harmony. Thus, directors can rehearse the music with large ensembles an assign trios of players or groups of players to practice and perform together.

A variety of combinations of instruments can play trios with these books. With the exception of the basses, any three like-instruments such as three flutes, three clarinets, three cornets, three trombones, three bassoons, and so on can play together in three-part harmony. Numerous mixed-instruments such as violin, trumpet, and tuba also may perform all of the trios in these books. Basses must play the bottom line only, but the music is arranged so that they have the melody from time to time. Any number of instrumentalists may play together in three-part harmony. Thus, directors can rehearse the music with large ensembles and assign trios of players or groups of players to practice and perform together. / Tout Instrument