Time Out: The Dave Brubeck Quartet

The Dave Brubeck Quartet's 1959 album Time Out changed the sound of jazz and American music. Brubeck's experimentation with meter, harmony and even Turkish rhythms eventually earned him the cover of Time Magazine- the first jazz musician to achieve such a feat. Saxophonist Paul Desmond's composition 'Take Five' went on to become the first million-selling jazz instrumental single on the Billboard Hot 100. This folio celebrates the album's 50th anniversary with full-color artwork from the original record, and a 10 page write-up from jazz historian Ted Gioia. All seven compositions from the monumental recording have been carefully arranged for Easy Piano. / Piano

1959 est une année charnière dans le Jazz, mais aucun autre album n'a su retenir l'attention du publique autant que l'album Time Out de Dave Brubeck.



Take Five, le hit radio surprise issu de cet album Time Out, va entrer dans le livre des records en étant le premier disque de Jazz à dépasser le million d'exemplaires vendus au classement référence du Billboard Hot 100, et Blue Rondo à la Turk sera lui immédiatement considéré comme un classique du genre.



Cette 50th Anniversary Edition célèbre les cinquante ans avec une présentation agréable de la musique, les partitions pour Piano Facile des 7 morceaux de l'album original et 12 pages de superbes photos en couleur d'époque.



A posséder absolument !



/ Jazz / Partition /

Premier album de jazz instrumental à atteindre le million d'exemplaires vendus Time Out du pianiste de jazz Dave Brubeck réunit sept pièces aux rythmiques inhabituelles dont le 9/8 du célèbre Blue Rondo a la Turk. Le titre fait référence au triple métissage de la pièce : Blue comme les blue notes du jazz ; Rondo parce que la trame alterne un refrain et plusieurs couplets ; a la Turk parce qu'il utilise un rythme typique de la musique turque le karsilama.

Partitions pour piano facile (notes et symboles d'accords) de l'album Time Out du Dave Brubeck Quartet. Inclus un historique de l'album en anglais et de superbes photos en couleur du quartet (12 pages). Titres : Blue Rondo à la Turk Strange Meadow Lark Take Five Three To Get Ready Kathy's Waltz Everybody's Jumpin' Pick Up Sticks

Par BRUBECK DAVE. The classic jazz number Take Five was first recorded by the Dave Brubeck Quartet and released on its 1959 album Time Out. Composed by Paul Desmond, the group's saxophonist, it became famous for its distinctive, catchy melody and use of quintuple time, from which the piece got its name. This brass band arrangement, by Steve Sykes, captures the jaunty slant of the original. Brass Band Grade 4: Advanced Youth and 3rd Section. Duration: 4 minutes./ Répertoire / Brass Band

Story Of Jazz As Told By The Men Who Made It. Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. ? Charlie Parker What is jazz? The rhythm ? the feeling. ? Coleman Hawkins The best sound usually comes the first time you do something. If it's spontaneous, it's going to be rough, not clean, but it's going to have the spirit which is the essence of jazz. ? Dave Brubeck Here, in their own words, such famous jazz musicians as Louis Armstrong, King Oliver, Fletcher Henderson, Bunk Johnson, Duke Ellington, Fats Waller, Clarence Williams, Jo Jones, Jelly Roll Morton, Mezz Mezzrow, Billie Holiday, and many others recall the birth, growth, and changes in jazz over the years. From its beginnings at the turn of the twentieth century in the red-light district in New Orleans (or Storyville, as it came to be known), to Chicago's Downtown section and the Original Dixieland Jazz Band and Chicago's South Side to jam sessions in Kansas City to Harlem during the Depression years, the West Coast and modern developments, the story of jazz is vividly and colorfully documented in hundreds of personal interviews, letters, tape recorded and telephone conversations, and excerpts from previously printed articles that appeared in books and magazines. There is no more fascinating and lively history of jazz than this firsthand telling by the men who made it. It should be read and re-read by all jazz enthusiasts, musicians, students of music and culture, students of American history, and other readers. A lively book bearing the stamp of honesty and naturalness. ? Library Journal. A work of considerable substance. ? The New Yorker. Some of the quotations are a bit racy but they give the book a wonderful flavor. ? San Francisco Chronicle.

Despite the rich and lively repertoire there are only few compositions for flute and piano which can truly be called 'jazz-inspired'. This gap is now closed by Jeremy Norris with his 'Jazz Suite'. Its musical language is characterized by syncopated and swing rhythms as well as by blues-inspired harmonies and melodies. The instrumental setting is vaguely reminiscent of the music by Earl Hines Benny Goodman or Dave Brubeck. Immerse yourself into Fantasy' 'Piano bar blues' 'La parisienne' 'Déj vue' and 'Time out'.

The New Real Book 2 - Eb Version. The long-awaited sequel to The New Real Book Volume 1, this spiral-bound songbook for Eb instruments includes (where applicable) separate Bass parts; Keyboard parts; harmony parts; sample Bass parts and Drum figures, with accurate melody and chord changes throughout. The New Real Book Volume 2 features 216 songs, including 80 jazz classics, 65 Contemporary Jazz and Jazz-Fusion favourites, 14 Brazilian pieces and 57 Standards.