All 12 tracks from Third Day's first collection of all-original worship songs: Father of Lights · He Is Alive · I Know You Can · In Jesus Name · Lead Us Back · Maker · The One I Love · Our Deliverer · Soul on Fire · Spirit · Victorious · Your Words.
SKU: WD.080689652172
UPC: 080689652172.
Easter is a time for celebration and rejoicing! It is also a time when we can gather our children together to tell them the story of God’s great love and His plan of salvation…He sent His Son to be our Savior, to die on the cross for the sins of the world, and then, on the third day, He rose to life again! What Good News! And what better way to bring your congregation together on Easter Sunday than having your kids choir participate in your Easter services, leading your congregation in a special time of worship and celebration with Hosanna, He Lives!, the new 3-song micro-mini musical for Easter. With your children’s ministry in mind, Hosanna, He Lives! is specially designed to train and encourage young worship leaders while leading your congregation in a celebration of our risen Savior. Featuring three popular worship songs and hymns your kids will love to sing, you can use this resource as an Easter Sunday presentation, or as a collection of worship songs your children’s ministry can enjoy throughout the year! This versatile and adaptable resource contains a worship leader script which can be done with almost any number of kids—from 1 to several! Hosanna, He Lives! is perfect for encouraging your kids to discover a passion for leading worship!
SKU: GI.G-CD-925
UPC: 785147092520.
THIS IS THE THIRD SET OF RECORDINGS FROM LEAD ME, GUIDE ME—SECOND EDITION It includes the CD set titled Lectionary Psalms. This collection of recordings is designed to enhance the exploration of Lead Me, Guide Me—Second Edition and to be of help to parishes in the learning of new music. There are three distinct CD sets. The first, Rites, Psalms, and Service Music, contains music for the Liturgy of the Hours and rites of the church along with recordings of new and revised Mass settings. The second, Hymns, includes over 160 selections of newly composed music, recently authored texts, and lesser-known hymns and songs that are appear- ing for the first time in Lead Me, Guide Me—Second Edition. Lastly, the third CD set, Lectionary Psalms, recorded by M. Roger Holland II and a group of professional singers from New York has 48 psalms from the final section of the hymnal. These psalms use texts from The Revised Grail Psalms set by some of today’s finest African American composers. The recorded tracks in these three CD sets follow the order of the hymnal and are numbered using the actual hymnal numbers. The recordings are a compilation of tracks recorded specifically for this project and of existing tracks drawn from previous projects that are, nonetheless, fully compatible with this one. In all, we have recorded approximately 300 of the items in Lead Me, Guide Me—Second Edition.
SKU: AP.48228
UPC: 038081557342. English.
Night and Day arranged by Scott Ragsdale is a great Cole Porter standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombone solo lead parts for flexibility. Vocal range is from low F below middle C to B third line treble clef. Excellent chart! (3:15).
SKU: AP.48228S
UPC: 038081557359. English.
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.