Format : Sheet music
SKU: BT.DHP-1084506-401
ISBN 9789043129220. 9x12 inches. English-German-French-Dutch.
This mega-value bumper book contains 50 top hits from the past 50 years. There is something for everyone in this 256 page folio. Each song is clearly printed with piano part, vocal line and guitar tab. Includes hits by: Elvis Presley, Nora Jones,Abba, Sting, Jimi Hendrix, Eric Clapton, U2, The Beatles, Prince, Oasis and many many more. Met een boek vol bladmuziek uit de Top 2000 van Radio 2 is voor veel liefhebbers een langverwachte wens in vervulling gegaan. Er is een selectie gemaakt van vijftig hits uit verschillende poptijdperken. De arrangementen zijn zo geschrevendat zegeschikt zijn voor zangers, pianisten, gitaristen en basgitaristen. Als gitarist kun je spelen aan de hand van de akkoordsymbolen en/of akkoorddiagrammen.Inhoud: Against All Odds (Phil Collins) ? Angels (Robbie Williams) ? Candle in the Wind 97 (Elton John) ? Dancing Queen (ABBA) ? Everything I Do (I Do It for You) (Bryan Adams) ? Hey Jude (The Beatles) ? I Shot the Sheriff (Eric Clapton) ? KillingMe Softly (Roberta Flack) ? Morning Has Broken (Cat Stevens) ? Purple Rain (Prince and The Revolution) ? The Best (Tina Turner) ? Up Where We Belong (Joe Cocker and Jennifer Warnes) ? Sweet Home Alabama (Lynyrd Skynyrd) ? Time After Time (Cyndi Lauper)e.v.a.Top 2000 Songbook: das sind 50 Tophits in einem Buch für Gesang mit Begleitungen für Klavier und Gitarre (mit Akkorddiagrammen).
Inhalt: Against All Odds ? Angels ? Candle in the Wind ??97 ? Dancing Queen ? Everything I Do (I Do It for You) ? Hey Jude ? I Shot the Sheriff ? Killing Me Softly ? Morning Has Broken ? Purple Rain ? The Best ? Up Where We Belong ? Sweet HomeAlabama ? Time after Time ? Great Balls of Fire ? Imagine ? Our House ? Torn ? Wonderwall ? Like a Rollin Stone u. v. m. Top 2000 Songbook : une compilation des 50 plus grands succès musicaux des 50 dernières années, dans une version arrangée pour Piano, Voix et Guitare (grilles d´accords incluses).
Sommaire : Against All Odds ? Angels ? Candle in the Wind ??97 ? Dancing Queen ? Everything I Do (I Do It for You) ? Hey Jude ? I Shot the Sheriff ? Killing Me Softly ? Morning Has Broken ? Purple Rain ? The Best ? Up Where We Belong ? SweetHome Alabama ? Time after Time ? Great Balls of Fire ? Imagine ? Our House ? Torn ? Wonderwall ? Like a Rollin Stone...
SKU: HL.14031568
UPC: 888680702090. 9.0x12.75x0.045 inches.
Sting's Message In A Bottle arranged by Helmut Jasbar.
SKU: CF.CM9625
ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.
The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.
