The New Weissenborn Method for Bassoon

For well over a century students all over the world have learned to play the bassoon using Julius Weissenborn's Practical Bassoon Method. At long last The New Weissenborn Method for Bassoon presents the complete 1887 publication in an updated user-friendly version. With over 50 photographs modern fingering charts and in-depth instruction on performance basics instrument care and reeds The New Weissenborn Method is a must-have for all bassoon students.Features:? Carefully researched and edited from the original 1887 edition? All lessons and exercises re-engraved? New notes techniques and terminology introduced before each lesson? Weissenborn's original sections ontenor clef and the ?speaker? keys restored and expanded? Original ornamentation chapter restored with added modern performance practices? Supplementary scale exercises now include all major and minor keys

Par VEIT ANSELMA. Brings aspiring bassonists from Adam and Eve to Mozart. Completely revised and happily optimized edition, fully packed with great bassoon pieces. - Slow and steady wins the bassoon race! The beautiful little pieces are progressing slowly but continuously for an effortless learning experience. - lovely and tasty exercises, etudes and duets that delight childrens' (and big childrens') ears - pitch range book 1: F-g + bb, f#, eb, c# ab, E-C (bass register) - original music from various renaissance and baroque composers, Anselma Veit and Julius Weissenborn - traditional pieces and entertaining music are combined for enjoyment and variety - in many duets both parts can be mastered by the student - chapters with rhythm only exercises for gettin' the groove - chapters with study pieces to apply and train newly introduced notes and rhythms - chapters with sight reading tests to see what sticks Humorously illustrated by the amazing Fritz Kotrba, who even made a google search for 'stylish girl's hairstyle” for a special contemporary look and artwork. A bassoon method that makes progress easy and learning fun and effortlessly. The new standard method! / Méthode / Basson

Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E). German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E)./ Répertoire / Clarinette Basse et Piano