The Holly and the Ivy - SATB

Deck The Halls With Boughs Of Holly is composer Adrian Lucas' arrangement of the traditional Welsh Christmas carol for SATB Choir and Piano.A review in the September 2016 issue of Organist's Review calls this piece 'a gratifyingly swashbuckling trip through this robust Welsh tune' that will 'bring a smile of happiness to musicians and congregation or audience alike.'

The Holly And The Ivy is a work by Julian Marshall for Unaccompanied SATB Choir. A setting of the traditional poem a performance lasts around 2 and a half minutes. 'Not an arrangement but a newly composed tune to familiar words this is fun. With its jazzy rhythms and blue notes choirs and audiences will enjoy this setting – but in order for it to sound effortless and natural much preparation will need to be given to the details not least the chromaticism starting in the first bar!' 'Sunday By Sunday' December 2017

The vocal score for Stuart Thompson's carol The Holly And The Ivy scored for SATB choir with Organ accompaniment. The words come from a traditional song from the 17th or 18th century and Thompson's setting of them won him the joint first prize for The Times Carol Competition 2011.

Quelques-uns des morceaux les plus originaux de compositeurs contemporains de musique sacrée sont rassemblés ici, dans cette superbe collection. Ils sont plus particulièrement dirigés vers les directeurs de chorales qui cherchent à interpréter des morceaux spéciaux pour Noël. Dix-sept chants - dans des versions "a capella" et accompagné. Inclus entre autres "The Lamb" (Tavener), "I Sing Of A Maiden" (Berkeley), "The Holly And The Ivy" (Lutoslawski), "Jesus Christ The Apple Tree" (Poston) et "One Star At Last" (Maxwell Davies). / [Chester Book Of Carols] / Classique / Partition /

A jolly Christmas carol-This lively carol was commissioned in 2005 by Lichfield Cathedral Special Choir (now called the Cathedral Chorus) to celebrate the birth of Hannah Scriven and Holly Mason the daughters of the two cathedral organists at that time. The words were specially written by Tony Barnard the then Canon Chancellor at Lichfield and a member of the choir. This carol whilst not entirely foreign to my normal style touches more ‘country and western’/popular buttons than I am in the habit of touching. But I wanted to write a tuneful piece which swayed and danced and reflected the colourful imagery of Tony Barnard’s text. Recommended recording: Comeout Lazar – The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College Cambridge and Claire Innes-Hopkins (organ) directed by Sarah MacDonald. Text: This child of God who’s born on Christmas day whom shepherds view to whom kings homage pay is called to be a shepherd and a king. Sing alleluias praise this wondrous thing. This child of God is shepherd born to lead through pastures green by banks of golden reed; nor left nor right but ever on the way which leads to Calvary and endless day. This child of God this Son of David’s line is root of tree a shoot a fruitful vine it shelter gives to all who see the way which leads them to the cross and Easter day. This child of God this many spangled star is light’ning flash which dazzles near and far; bright light to guide our feet along the way that leads to Calvary and endless day. This child of God is called to save mankind to open eye and ear the heart and mind; to heal and make the lame man leap and play along the road that leads to Easter Day. This child of God let angel voices praise. Give God the glory live his loving ways. Let peace on earth o’er come our worldly strife through all who walk his road throughout their life. Tony Barnard

Jazz-flavored harmonies and distinctive choral textures are the hallmark of this contemporary setting of the treasured 18th century English carol. The well-crafted accompaniment perfectly supports the vocal lines with style and grace. This version has been arranged for SATB by Doug Andrews and a BonusTrax CD is also available. Performance Time: Approx. 3:30.

For unaccompanied SATB chorus. Commissioned by the Friends of All Saints’ Music Northampton for Lee Dunleavy and the Choirs of All Saints’ Church Northampton in memory of Miss Valerie Travis (1918-2008). First performed by the Choirs of All Saints’ Church Northampton conducted by Lee Dunleavy on 19 December 2010.

Celtic music is enjoying a well-deserved revival. This revival may have been inspired by historical Hollywood epics by popular dance acts such as ”Riverdance” by Michael Flatley or purely by the emotional power of Celtic melodies. The songs all tell stories that have been passed down through successive generations with more facets than any other kind of traditional music: some are melancholy dirges some playful and lively dance tunes. This book brings together 20 of these traditional melodies in contemporary modern arrangements for mixed chorus. In them you will find homophonic movements sweeping melodic lines vocal imitations of Celtic instruments and rousingrhythms. The irresistible charm of this music will leave no choral singer unmoved and is bound to find favour with audiences.

Instrumentation : SATB a cappella The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers - Jonathan Rathbone, Ben Parry & Mark Williams - were long-standing members of the Swingle Singers. Content : Deck the Halls; I Saw Three Ships; We Wish You a Merry Christmas; The Holly and the Ivy; The First Nowell; Past 3 O'Clock Duration : 3 min

“Oh by gosh by golly!” 'Tis the season to be jolly and you'll do just that with this holiday favorite recorded famously by Frank Sinatra. You will love how easily your choir learns this arrangement and even youraudience will be humming along! Duration: ca. 2:25. Available separately: SATB SAB SSA and ShowTrax CD.

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known editions. By means of parallel passages, editorial additions attempt to make Verdi's intentions clearer through the judicious use of diacritical markings. A clearly organized disposition of the engraved music makes the full score and vocal score easy to read. Outstanding legibility of the parts. With an excellently playable vocal score by Paul Horn in tried and true quality. As a reasonably-priced alternative, a choral score is also available. With a foreword in three languages and a critical report. Among Verdi's many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Alessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi's tonal language wholly in the service of a dramatized liturgy./ Répertoire / Choeur Mixte (SATB) et Orchestre

Arranged for SATB, here are five all-time classic Christmas songs with a warm and nostalgic feeling.O Holy Night and Silent Night both originated in 19th century Europe while Have Yourself A Merry Little Christmas was introduced by Judy Garland in a 1944 Hollywood musical. Silver Bells was a 1950 Livingston-Evans pop hit but surely the most famous of them all is Irving Berlin's White Christmas, the 1940 song for which its composer had high hopes the moment he completed it. Conceived as a nostalgic number, White Christmas was a slow starter but went on to become a huge success and, for many, the ultimate Christmas song.These arrangements lend themselves to being performed separately or in seamless succession for a Classic Christmas recital audiences will love. / Choeur Mixte (SATB) Et Piano

Choral Medley-For over 75 years The Wizard of Oz has been one of Hollywood's most memorable films with timeless songs that have taken a prominent place in popular culture.Choirs and audiences will love the celebration of these classics in an easily-learned 7.5-minute medley which includes: Ding-Dong! The Witch Is Dead Follow the Yellow Brick Road If I Only Had a Brain If I Only Had a Heart If I Only Had the Nerve If I Were King of the Forest The Merry Old Land of Oz Munchkinland Optimistic Voices Over the Rainbow and We're Off to See the Wizard

Christmas Carol: Christmas trees and boughs of holly. Par RUTTER JOHN. / Feuillet / SATB, Piano, Orgue