Format : DVD
SKU: PR.11441684S
UPC: 680160625253. 9 x 12 inches.
On the occasion of its 30th anniversary, the ensemble Music From China commissioned Chen Yi for a new work, which became Three Dances from China South, scored for Chinese instruments. Its three descriptive movements (Lions Playing Ball, Bamboo Dance, Lusheng Dance) are each inspired by folk dances from the southeastern provinces of China.My chamber ensemble work Three Dances From China South is commissioned by Music From China tocelebrate its 30th anniversary, and scored for Chinese traditional instruments dizi, erhu, pipa, and zheng. The commission has been made possible by the Chamber Music America Classical CommissioningProgram, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund. The world premiere is given at Weill Recital Hall in Carnegie Hall in New York City, on November 21, 2014. My Three Dances From China South is dedicated to Susan Cheng, the founder and Executive Director of Music From China, to celebrate the 30th anniversary of MFC. There are three movements in my Three Dances From China South for dizi, erhu, pipa, and zheng. Thematerial in the first movement Lions Playing Ball is drawn from a folk tune played in the accompanyingensemble for the folk dance under the same title in Chaozhou region in Guangdong province. The image of the folk dance is vivid and entertaining. The movement includes several variations on the theme. The variation methods are inspired by the various rhythmic patterns used in the traditional ensemble playing. The melodic material features a special mode with a tritone interval taken from the folk tune. There are also lyrical sections with polyphonic layers in the variations.The music in the second movement is inspired by the folk Bamboo Dance, which is popular in Li minoritypeople from Hainan Island in the south. The aged old folk dance is for ritual ceremony and harvest celebration in the history, in which there are pairs of people holding the ends of the long bamboo rods and clapping them loudly in stable pulse, for groups of dancers to dance between the bamboo shapes on the floor, in musical rhythms and ensemble patterns. A musical motive with a jumping interval and articulation is used throughout the movement.The third movement is called Lusheng Dance. I have witnessed the folk dance performance of the Dong minority people in Guangxi province in the 1980’s. The exciting scene inspired me to imitate the large lusheng ensemble playing style in my ensemble of four Chinese instrumental musicians without using the sheng (a wind instrument with metal pipes that is popular in concert music, and similar to the folk lusheng). On top of the rhythmic patterns, I imitated a two--voice folk song of Zhuang minority people in the same province. The melody is played by the leading erhu and dizi.—Chen Yi.
SKU: PR.114418250
UPC: 680160640959. 9 x 12 inches.
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.
SKU: PR.11441825S
UPC: 680160643745. 9 x 12 inches.
SKU: HL.14025900
0.453 inches.
Herrmann wanted to write a musical portrait of his friend and colleague Alfred Hitchcok, so choose motifs from the movie The Trouble With Harry, one of Hitchcock's more personal and humorous films. This single-movement work for Orchestra employs some of the more familiar elements of Herrmann's compositional style: short musical phrases repeated and then repeated again in other positions, sharp use of dynamics among them. From the first note, the creepiness begins.Bernard Herrmann was among the very greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composercreated soundtracks includes Citizen Kane, The Man Who Knew Too Much, Vertigo, Jason and Argonauts, Fahrenheit 451, Obsession and Taxi Driver. He had a long and fertile association with Alfred Hitchcock during the most productive period of Hitchcock's career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world, Herrmann wrote concert pieces, including a symphony, opera and cantata.
SKU: BR.PB-5579-07
ISBN 9790004213896. 6.5 x 9 inches.
In the summer of 1939, Bela Bartok traveled to Switzerland to compose the Divertimento for String Orchestra within the two weeks in which he enjoyed the hospitality of his patron Paul Sacher. Inspired by the convivial atmosphere there, he felt like an old-world musician. The Divertimento is Bartok's highly original contribution to this traditionally entertaining genre of music. The title and three-part structure with two dance-like, vital outer movements allude to Mozart's time, whereas the cheerful alternation between solo group and tutti in the final movement tie up with the Baroque concerto grosso principle. Only the burnished glow of the middle movement suggests that Bartok found little of comfort in the world of his time just a few days before the outbreak of World War II.The Breitkopf Urtext edition is based on Bartok' autograph and the first edition of the score, which he meticulously revised. Subsequent emendations noted by Bartok in his personal copy were taken into account.The Breitkopf Urtext edition is based on Bartok's autograph and the first edition of the score, which he meticulously revised..
SKU: HL.49047040
ISBN 9783795711436. UPC: 196288116332. 9.0x12.0x0.535 inches.
This volume from the popular Cellissimo series contains 30 entertaining recital pieces, mostly from the Romantic period. In additionto three original serenades by Jacques Offenbach, Nikolai Rimsky-Korsakov and the French composer Mel Bonis, the volume contains beautiful character pieces, mostly one-movement forms such as berceuse, elegy, humoresque, meditation, melody, nocturne, romance, tarantella, valse de concert and much more . Expressive lyrical pieces are represented as well as cheerful and virtuoso works. In addition to original works, there are numerous arrangements of popular works, including Schumann's Traumerei, Grieg's Anitras Tanz, Fauré's Après un rêve, Elgar's Salut d'amour or Rachmaninoff's Vocalise - all pieces that are well suited as concert and encore pieces . The volume also contains rarities and new discoveries, including original works by cello virtuosos such as Dotzauer, Offenbach, Goltermann, van Goens and Trowell, as well as works by composers Mel Bonis, Juliette Dantin, Ethel Harraden and Claudine Smidt. The level of difficulty is demanding and is aimed at advanced cellists. Many pieces use the 5th-7th position, others have passages in a simple thumb position, sometimes also with high harmonics. They are therefore very good practice examples for advanced users who want to apply sophisticated techniques to beautiful examples of literature. Last but not least, the requirements for expression and design offer plenty of room for cellist and musical development.
SKU: CY.CC2898
There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically. He directs the performers to follow on to the next section, indicating that these movements were intended as a whole. From a mood of delicate expression, through eloquent and lively, to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work.This version has been skillfully arranged for Euphonium and Piano by Ralph Sauer, retired Principal Trombonist of the Los Angeles Philharmonic and is appropriate for advanced performers.
SKU: AP.12-0571518907
ISBN 9780571518906. English.
Superduets Book 2 provides a wonderful new repertoire of original and entertaining duets for beginner violinists. It is designed to build on techniques that have been learned in Supeduets Book 1 and can be started as soon as players have mastered octave scale in D and G. Consolidating skills such as rhythmic confidence and aural perceprtion, and exploring a wide range of techniques, sound effects and movements, Mary Cohen's 'Superduets' are ideal for developing solid technique in the context of ensemble work. These delightful pieces serve as a unique introduction to the joys of social music-making. The violin books are also compatible with the cello books opening up possibilities for mixed ensemble playing.