Ten Chorale Improvisations, Set 4

The complete edition of Bunk?s Organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition prepared by the composer?s grandson is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword a Critical Commentary and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk?s Liebe zur Orgel. Thisreference book by the late Romantic composer which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of Organ building and Organ playing in Germany during the first half of the 20th century has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk?s Organ works.- Edited by the composer?s grandson.- Detailed foreword and Critical Commentary for each volume (Ger/Eng).- Many facsimiles and illustrations.Contents:?Wilhelmus van Nassouwe en Choral? ?Nun danket alle Gott?.?Kleine Fantasie über C.H.D.B.? for Organ or Piano.Chorale prelude ?Wachet auf ruft uns die Stimme? (trio for 2 manuals and pedals).37 short chorale improvisations for liturgical use.

Pianist/Conductor's score featuring the transcription of Ola Gjeilo's Piano improvisation over his Ubi Caritas (SATB version/08501631) as performed by the composer and the Central Washington University Chamber Choir in their popular 2011 YouTube video.

Pentatonix has released their own unique rendition of the beloved Austrian carol “Silent Night ” with fresh harmonies and contemporary vocal improvisations. Choirs and ensembles will love recreating the special sounds of this popular vocal group!  This arrangement by Roger Emerson is for SATBB with optional Piano accompaniment.

Call-and-response vocals a gospel-inspired accompaniment and blues improvisations combine to create a spiritual setting that is a jubilant expression of joy for hoped-for freedom and social justice which is to come. Available: 2-Part. Performance Time: Approx. 2:15.

Now available for mixed choirs! Call-and-response vocals a gospel-inspired accompaniment and blues improvisations combine to create a spiritual setting that is a jubilant expression of joy for hoped-for freedom and social justice which is to come.

White Keys - Black Keys ' a été écrit par Barbara Heller, en décembre 2003, pour un pianiste qui aime à improviser et aime une certaine liberté dans un ouvrage. Bien qu'une ordonnance des parties est prédéterminée dans sa composition, tous les articles peuvent bien être combinés dans un ordre différent. La chorale courte peut être suivie d'une improvisation libre qui rend également utiliser - ad libitum - de la jouer dans les chaînes. / Piano

Combinatoire Harmony - concepts et les techniques de composition et improvisation est un système unique et complète pour explorer les possibilités musicales infinies dans n'importe quel style. Ce livre est un must pour le musicien contemporain. En dépit d'être un livre guitare conviviale avec une cartographie complète de la manche, le livre est aussi utile pour les improvisateurs, arrangeurs, compositeurs, théoriciens et étudiants intéressés par l'approche combinatoire de la musique. Environ 1.000 différentes harmonisations dans toutes les positions et les gouttes sont présentés, y compris Complete 3-note et voicings 4 notes avec des diagrammes de guitare spécialement conçus. Le livre comprend également tous triade paires (hexatonics) et leurs combinaisons dans les exercices mélodiques. Combinatoire Harmony présente nouvelle marque 'combinatoire conduite des voix', pour le 21ème écriture chorale siècle et contrapuntique explorer pour tout instrument ou d'un arrangement. En 312 pages, le livre offre un vaste magasin de matériel pour usage de composition et d'improvisation./ Méthode / Guitare

A thorough and comprehensive exploration of the disciplines of improvisation for confident Keyboard players looking to develop their skills in playing 'by ear'. Beginning with simple progressions and basic chorale-style melodies Kenneth Simpson's step-by-step tutorial introduces more keys cadences and approches. Suspensions inversions figures and moving basslines are also covered leading to a full understanding of the construction of Keyboard works in the early Classical canon.

Par DUCKETT RICHARD. 'Equipe Brass ' est fermement établi que la série Best-seller de tuteurs de laiton. Il présente un cours flexible qui peuvent être adapté en fonction de chaque élève, idéal pour le groupe individuel et de frais de scolarité - y compris les médailles de musique ABRSM de la classe. Les livres de la série contiennent beaucoup de musique soigneusement classée dans un large éventail de styles, des époques Baroque et classique de film, de folk, de jazz et d'Amérique latine. La série encourage ensemble jouant avec un répertoire varié pour les deux orchestrale et instruments de la fanfare et développe des compétences aural liées à l'instrument, d'improvisation et de composition. Sont inclus des échelles et des arpèges et un CD comprenant de plus de 70 choeurs des voies de rendre chaque élève à se sentir comme un interprète star. Tous les livres de la série sont entièrement intégrés permettant aux étudiants à l'aide de ' Equipe Brass ' à jouer dans les ensembles avec les élèves à l'aide de ' Equipe bois ', ' Equipe percussions ', ' Equipe Recorder ' et ' Equipe chaînes './ Recueil / Cor Français

This work is intended for performance on Good Friday during the 'Adoration of the Cross' ceremony of the Roman (Catholic) rite. The pitch of the sung parts is given by a member of the choir who after discreetly obtaining a tone with the aid of a tuning fork (or other such device) intones 'Popule meus' (and later 'Hagios') clearly on the notes indicated in each case. The recited 'Hagios' choruses should be performed as speech on diverse tones but in the natural speaking registers and in compliance with the rhythms and expression marks indicated. When reciting the word 'Sanctus' the consonant 'nc' should dominate.The two speech choruses develop into a 'Miserere nobis' sungon chance (random) tones with fixed time values (durations) the second time however culminating in completely free improvisation. At this point each singer sings 'Miserere nobis' independently of the others. The sentence may be repeated (ad lib.) with new variations until at a sign from the leader each initiated phrase is terminated in a diminuendo.These improvised sections should allow for considerable freedom of expression. They should be a result of spontaneous inspiration but should at all times be characterised by sacral dignity and should conform to the character of the work as a whole. All sections to be performed quasi attacca - keep the intensity.The reproaches are to be recited by a male chorister in his normal speaking register but quasi cantabile.It is left at the discretion of the performers to decide how many of the recited verses in the last section of the work are to be performed. When 'Popule' is sung for the last time the word 'mihi' should be uttered as a sigh.Bernhard Lewkovitch

Matthew Martin's setting of Ecce Concipies was written for Andrew-John Smith and the Choir of St. Peter's Church Eaton Square London.Matthew Martin was educated at Magdalen College Oxford and at the Royal Academy of Music London. He subsequently held positions at New College Oxford and Canterbury Cathedral before moving to Westminster Cathedral as Assistant Master of Music in 2004. He is an active composer organ recitalist improviser and conductor. Recent commissions have come from The Cardinall's Musick Westminster Abbey Westminster Cathedral St. Paul's Cahedral and St John's College Cambridge.This piece is from Faber's Choral Signature Series whichintroduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of licing composers and includes boith lighter and more challenging contemporary works offering a thrilling array of varied styles.

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard.' Features accessible voice leading and some simple scat syllables...but no vocal improvisation. Accessible voice leading. Add the SoundPax parts (horns and rhythm section) for an authentic, small combo sound. / Choeur SAB

Book 5 of the Sing Out! series features wonderful new choral arrangements of five top pop tunes all arranged by renowned Vocal Coach and Choral Director extraordinaire Mark De-Lisser. Each song has been beautifully arranged for SAT chorus the unison harmonies totally reinvigorating these favourite pop songs. From the classic rock anthem of the 1980s in Toto's Africa to the modern pop heartbreaker All Of Me by John Legend these are great songs with even greater arrangements. The unabashed positivity of Nico & Vinz's Am I Wrong makes a fantastic counterpart to the optimism in the faceof pain represented by the arrangement of the traditional gospel song Take My Hand Precious Lord a tune used to wonderfully affecting effect in the recent film 'Selma'. Finally this fresh pop choral setlist is rounded off nicely with Ed Sheeran's Thinking Out Loud a beautiful love song in which the power and emotion of the words will enhance the performance.  Arranged for SAT (Soprano/Alto/Tenor) Choir these songs are designed to be sung to backing tracks but Piano accompaniments and Guitar chord boxes are included for rehearsal purposes or if you wish to perform with a live band. Aside from De-Lisser's incredible arrangements this pack includes an innovative and user-friendly download card with performance backing tracks full demonstrations and individual rehearsal tracks of each Vocal part recorded by members of ACM Gospel Choir. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs. Mark De-Lisser is a celebrated Vocal Coach and Choral Director who has been featured on BBC1's 'Last Choir Standing'. His extensive introduction and notes within this songbook bring a personal touch as De-Lisser really is passionate about getting people singing improvising and most of all enjoying themselves.  The new

This is an easy work for treble voices of any age scored with piano accompaniment. Optional percussion parts are to be improvised at the director's discretion (sounds great with claves tambourine and hand drum) overall a really fun piece!