Format : Part
SKU: HL.49007918
ISBN 9790001084680. 8.25x11.75x1.57 inches.
Premiered in 1992 at Donaueschingen, the 'Sinfonie X' with more than 2 hours duration could be considered an 'Opus terminum'. The movements which can be performed individually are like an historical digest in homage to composers of the 20th century. The piano concerto movement 'Hymnus' for example obviously refers to Oliver Messiaen. But 'Sinfonie X' is far more than just the sum of its parts, the vast scope of the symphony as generic form can be felt in the musique concrete of the 'Stille' sections and in some of the other movements, it's like the design for an Utopia, for a new 'Song of the Earth'.
SKU: BR.OB-14614-27
The study score (Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004343593. 10 x 12.5 inches.
The genesis of Beethoven's 4th symphony came at an extraordinary time for the composer not only regarding productivity: Thus, in 1806 he composed, among other things, the 4th piano concerto, the three Rasumovsky string quartets op. 59, the 32 piano variations in c minor WoO 80, as well as the violin concerto op. 61. The first performance of the B-flat-major symphony occurred in March 1807 at one of the two noteworthy subscription concerts conducted by Beethoven in the Palais Lobkowitz in Vienna. In the course of time, this intellectually-stimulating work- so described by one of the reviewers of the Allgemeine musikalische Zeitung - found ever-increasing appeal. Throughout the entire 19th century this symphony ranked with the best-loved and most frequently performed works; its popularity spread to England where the London Philharmonic Society played it at least 25 times in the period between 1813 and 1850.Extant are only a few drafts of the 4th symphony. The autograph served as the main source for the present edition edited by Prof. Bathia Churgin, likewise editor of the 3rd symphony in the new Beethoven Complete Edition. Consulted as reference sources were copies of the score and orchestral parts as well as the original edition of the parts.
SKU: BR.OB-14614-23
ISBN 9790004343586. 10 x 12.5 inches.
SKU: BR.OB-14614-19
ISBN 9790004343579. 10 x 12.5 inches.
SKU: BR.OB-14614-30
ISBN 9790004343609. 10 x 12.5 inches.
SKU: BR.OB-14614-15
ISBN 9790004343555. 10 x 12.5 inches.
SKU: BR.PB-14614
ISBN 9790004214893. 10 x 12.5 inches.
SKU: BR.OB-14614-16
ISBN 9790004343562. 10 x 12.5 inches.
SKU: BR.OB-4905-16
ISBN 9790004324455. 9 x 12 inches.
The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.
SKU: BR.OB-4905-30
ISBN 9790004324479. 9 x 12 inches.
SKU: BR.OB-4905-15
ISBN 9790004324448. 9 x 12 inches.
SKU: BR.OB-5237-16
ISBN 9790004331583. 10 x 12.5 inches.
Ludwig van Beethoven conceived his Seventh Symphony in the summer of 1811 in the Bohemian spa of Teplitz. The fair copy of the score autograph was made the following year. The work was heard for the first time on 8 December 1813 in the auditorium of the Vienna University, when the Seventh was given its first, enthusiastically applauded audition - together with the programmatic symphony Wellington's Victory or the Battle of Victoria op. 91.The present Urtext edition is the first to be based on the evaluation of all the sources transmitted for the work.The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music. (Kurt Masur, 2006)This is the first new edition of the 7th Symphony for which all surviving sources have been examined. The examination brought up a number of text-critical problems with respect to divergent readings. (Peter Hauschild).
SKU: BR.OB-5237-27
ISBN 9790004331613. 10 x 12.5 inches.
SKU: BR.OB-5237-15
ISBN 9790004331576. 10 x 12.5 inches.
SKU: BR.OB-4905-26
ISBN 9790004324462. 9 x 12 inches.
SKU: BR.OB-5237-30
ISBN 9790004331620. 10 x 12.5 inches.
SKU: BR.PB-4905
The piano versions of the Children's Symphony have been part of Breitkopf's orchestral materials for over a hundred years now. They are not merely piano parts, however, but full-blooded reductions for piano twohands or four-hands.
ISBN 9790004207017. 9 x 12 inches.
The work, originally titled Berchtolsgader-Musik, goes back to the Cassatio ex G by Leopold Mozart, whose movements 3, 4 and 7 are identical to the Kinder-Symphonie [Children's Symphony]. For a long time, the authorship of the work was uncertain. It was attributed to Joseph Haydn and his brother Michael, at times also to Edmund Angerer and Leopold Mozart's pupil Johann Rainprechter. The work probably first received the designation Kinder-Symphonie in 1813 through an edition by the music publisher Hofmeister.In the Children's Symphony, a cuckoo, a quail and other unusual instruments are used in addition to the usual orchestral scoring. These belong to the Berchtesgaden instruments: flutes, whistles and rattles carved from wood, manufactured in the Berchtesgaden region and widely used as children's toys throughout the country. Today, these instruments can also be replaced by flutes, whistles as well as ratchets, rattles or bell trees.
SKU: BR.OB-14617-15
ISBN 9790004344538. 10 x 12.5 inches.
During his Bohemian spa trip in September 1811, Beethoven notated the first sketches for the Seventh Symphony, a work that occupied him until May 1812 - parallel at times with its disparate sister work, the Eighth Symphony in F major. After a non-public rehearsal on 21 April 1813 in Archduke Rudolph's palace, the Seventh was officially premiered on 8 December, together with the programmatic symphony Wellington's Victory or the Battle of Vitoria op. 91. The concert given before 5,000 enthusiastic listeners became Beethoven's greatest success, probably mainly because of the second mentioned work.The present edition from the new Beethoven Complete Edition re-evaluates the complicated source situation, using as the main sources only the autograph and the parts from the premiere. Revealed could be a number of writing errors and misunderstandings in the copying of the parts, leading to changes from previous editions, particularly concerning numerous markings of dynamics and articulation.
SKU: BR.OB-14617-27
ISBN 9790004344576. 10 x 12.5 inches.
SKU: BR.OB-14617-19
ISBN 9790004344552. 10 x 12.5 inches.
SKU: BR.OB-14617-16
ISBN 9790004344545. 10 x 12.5 inches.
SKU: BR.OB-14617-23
ISBN 9790004344569. 10 x 12.5 inches.
SKU: BR.OB-14618-23
ISBN 9790004347270. 10 x 12.5 inches.
Beethoven drafted his Eighth Symphony in F major between autumn 1811 and the winter months of 1812/13, directly after completing his Seventh Symphony; thus, these two symphonies were composed even more closely together than had been the 3rd/4th and 5th/6th as the two previously paired symphonies. The Seventh and Eighth were rehearsed together in April 1813, though for unknown reasons the Eighth was not premiered until February 1814, two and a half months after the Seventh. Since, unlike many of his other works, Beethoven carefully proofread the text of the Eighth's first edition (1817), the print contains comparatively few errors. The engraver's copy by the copyist Diabelli (at that time still a Steiner publishing-house employee) does, however, also contain additions and refinements, whose authorization by the composer is questionable. Within the context of the new Beethoven Complete Edition, editor Ernst Herttrich nevertheless succeeded in presenting a meticulously and carefully crafted music text based on the autograph and the first edition, which, as a definitive edition, has the greatest plausibility and validity.
SKU: BR.OB-14618-16
ISBN 9790004347256. 10 x 12.5 inches.
SKU: BR.OB-14618-15
ISBN 9790004347249. 10 x 12.5 inches.
SKU: BR.OB-14618-27
ISBN 9790004347287. 10 x 12.5 inches.
SKU: HL.51489817
UPC: 840126932782. 6.75x9.5x0.341 inches.
The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty.” The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movements distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance.” Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.
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