Format : Octavo
SKU: HL.14042556
ISBN 9788759881309.
This is the alt.viola part for Summertrio. Score: WH29007B Parts: WH29007A.
SKU: HL.200881
UPC: 888680651893. 5.0x5.0x0.2 inches.
The 1966 pop hit by The Lovin' Spoonful is the iconic summer song! From the gritty refrain to the hushed excitement of the bridge, this selection will unite the generations through music! Fantastic choreography potential for show choirs.
SKU: HL.14012025
8.5x11.75x0.44 inches.
Geoffrey Bush's Summer Serenade is a refreshingly enjoyable work, written on the wing of inspiration, essentially sunny and life-enhancing. The eclectic style is readily diatonic, the harmonies never make one shudder and the rich melodic flow is appealingly direct. The settings of an ingenious selection of verse are in the best traditions of British choral writing. Performance time approx. 20 minutes.
Made up of 7 parts, including Prologue, Madrigal, Scherzo, Dirge, Aubade, Nocturne and Finale.Orchestration varies between theseparts - they are scored for chorus and orchestra, unaccompanied voices or Tenor solo and orchestra.
Geoffrey Bush was a British composer, organist and scholar of 20th-century English music. His compositions include 5 operas, 2 symphonies, choral pieces such as his Christmas Cantata and many songs, generally in the lieder style.
SKU: HL.200849
UPC: 888680651879. 6.75x10.5x0.024 inches.
The 1966 pop hit by the Lovin' Spoonful is the iconic summer song! From the gritty refrain to the hushed excitement of the bridge, this selection will unite the generations through music! Fantastic choreography potential for show choirs.
SKU: FP.FWS11
ISBN 9790570503995.
Eternal Summer is Stephen Wilkinson's sequel to Sunlight on the Garden. It features songs written in the composer's eighties and nineties, elegantly set by recorder virtuoso John Turner. As simply put in a review in the Yorkshire Post, 'In the field of choral music, Stephen Wilkinson is a genius'.
SKU: HL.200845
UPC: 888680651862. 6.75x10.5x0.029 inches.
SKU: HL.48188833
UPC: 888680879747. 10.5x13.5x0.19 inches.
Betsy Jolas: Tales of a Summer Sea (PH316) (Orchestra).
SKU: MB.95552
ISBN 9780786605828. UPC: 796279026826. 8.75 x 11.75 inches.
Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al??s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60??s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society??s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country??s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie??s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.
SKU: AP.CB9532C
UPC: 029156177183. English.
Summertime is one of those special, memorable melodies that finds its way into everyone's lives and is so evident of the genius that is Gershwin. Calvin Custer's silken scoring for concert band presents a great opportunity to teach phrasing, legato and dynamic shadings, and serves as the all-important 'crowd pleaser.' (3:10).
SKU: M7.MF-2065-01
ISBN 9783795790431.
Pink ist wieder da mit neuem Album und dem Party-Hit Blow Me (One Last Kiss), Gusttavo Lima hatte mit Balada (Tchê Tcherere Tchê Tchê) einen der Sommerhits 2012 und mit dem Mitsing-Hit We Are Young schaffte die Band fun. den Durchbruch auch bei unsLana Del Rey konnte mit Summertime Sadness einen eher untypischen Sommerhit landen, dafür haben Simple Plan mit Summer Paradise' richtiges Sunshine-Feeling verbreitet. Der Song 'I Follow Rivers' hat mit Lykki Li und Triggerfinger gleich in zwei Versionen die Hitparaden gestürmt. 2 Hefte in einem: Klavierarrangement sowie Melodieausgabe für Klavier, Keyboard, Gitarre, Gesang, Flöte oder Violine zum Herausnehmen.
SKU: HL.48011040
UPC: 073999573510. 8.5x11.75x0.247 inches.
Contents: On Craig Ddu (SATTBB) * Wanderer's Song (TTBB) * Midsummer Song (SSAATTBB) * Two Songs to be sung of a summer night on the water (SATTBB) * The Splendour falls on Castle Walls (TB and SATB) * Little Birdie (Unison and Piano) * The Streamlet's Slumber song (2-Part and Piano).
SKU: HL.368695
ISBN 9781705141779. UPC: 840126969085. 9.0x12.0x0.289 inches.
This collection of 27 pieces, transcribed and edited by the Howells scholar Jonathan Clinch and published for the first time to coincide with Matthew Schellhorn's recording of the complete piano music by Howells for Naxos, reveals a previously neglected aspect of this celebrated English composer. The pieces chart the musical development of Howells, from his earliest known work “The Arab's Song,” written when he as 16, to the “Petrus Suite,” completed in his 80s, as well as demonstrating his fascination with French music (“Phantasy,” “Harlequin Dreaming”) and the Tudor period (“Pavane” and “Galliard.”) The volume also includes the moving tribute to his friend and fellow composer Finzi. Comprising a wide array of pieces from characterful miniatures to more substantial suites, the collection will appeal to Howells devotees and lovers of 20th century English music, as well as to anyone seeking fresh and distinctive piano repertoire. Includes: The Arab's Song • To a Wild Flower • Romance • Melody • Legend • Summer Idyls: I. Meadow-Rest • II. Summer-Song • III. June-Haze • IV. Down the Hills • V. Quiet Woods • VI. Near Midnight • VII. In the Morning • Phantasy • Harlequin Dreaming • Minuet for Ursula • My Lord Harewood's Galliard • Finzi: His Rest • Siciliana • “Comme le cerf soupire...” • Pavane and Galliard • Petrus Suite: Finnicle's Scherzo • Gavotte • Vagrant Flute • Minuet • 'Sine Nomine' • Bassoonic's Dance • Odd's Minuet • Toccatina.
SKU: CF.FAS102
ISBN 9781491146439. UPC: 680160903931. 9 x 12 inches. Key: G major.
Eternal Summer is like a breath of fresh air in the warm heat of summer. It is a tuneful composition from composer Peter Terry that exhibits all of the elements he has already become known for - fresh harmonic perspectives, driving rhythms, and wonderful scoring.Eternal Summer captures the essence of the early summertime, when all things seem possible and the days are long and filled with promise. This fanfare-like work gives a young orchestra the chance to play strong fanfare figures with accented and staccato articulations as well as longer lyrical lines, most noticeably from mm. 23-34. Create a strong contrast between these articulated fanfares and the legato slurred passages and pay particular attention to the dynamics throughout the piece. Make sure to make the section from m. 54 to the end large and dramatic, but save enough energy to finish with a real fortissimo with a good, full tone from m. 62 on.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.—Peter TerryBluffton, Ohio 2016.
SKU: CF.YAS19
ISBN 9780825854859. UPC: 798408054854. 8.5 X 11 inches. Key: D major.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yetA legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerfulA divisi voicing on beat 3 of m. 63, right before the final chord.Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: BT.AMP-048-010
9x12 inches. English-German-French-Dutch.
The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience. Het werk Summer Isles is afkomstig uit de suite Hymn of the Highlands van Philip Sparke. Het is een dromerig deel voor euphoniumsolo, met als thema een kleine eilandengroep ten noordoosten van Schotland, die beroemdis vanwege de plaatselijke fauna. De warme klank van het euphonium komt in deze muziek prachtig tot zijn recht.Summer Isles erweitert die dreisätzige Suite Hymn of the Highlands, einem viersätzigen Werk von Philip Sparke über verschiedene Orte im schottischen Hochland, um einen weiteren Satz, kann aber auch wunderbar separat gespielt werden. Es handelt sich dabei um ein träumerisches Euphonium-Solo, das nach einer Inselgruppe vor der Nordwestküste Schottlands, die für ihre Tier- und Pflanzenwelt berühmt ist, benannt wurde. Hymn of the Highlands(“Hymne des Highlands”) est une suite en sept mouvements composée la demande du Yorkshire Building Society Band et de son directeur David King. Le mouvement intitulé Summer Isles (du nom d’un ensemble d’îles situées au large des côtes nord-ouest de l’Écosse) est un superbe solo pour euphonium, aérien et fluide, qui célèbre la beauté sauvage de ces îles réputées pour la richesse de la faune et de la flore.
SKU: OT.23140
ISBN 9789655051018. 8.27 x 11.69 inches.
Mike WitkerkSummer in Flanders, Excellent!for Bb Clarinet or Soprano Sax and pianoThe two pieces Summer in Flanders and Excellent! for clarinet or soprano sax and piano capture different moods and places. Summer in Flanders takes us to Belgium, and Excellent! to the exuberance of playing a piece well.OR-TAV's NICE and easy to play series is designed for the musician's pleasure. If you are looking for music for a recital, or just to have fun, you will find interesting material here. Each accessibly priced album includes two new pieces.Mike Witkerk is a South African composer and pianist. Hailing originally from the Republic of Tajikistan, he now lives in Israel. His performances include appearances with Michael Jackson, Chris deBurgh, Stevie Wonder and Cliff Richard. His compositions range from classical jazz to modern. He enjoys creating compositions that present new ideas and sounds.
SKU: PR.114418230
ISBN 9781491109939. UPC: 680160640713. 9x12 inches.
Summer Solstice is a 19-minute concerto in three movements, composed for solo clarinet with a colorfully-textured string orchestra. The piano reduction is comfortably voiced for recital use. Dorff's joy in writing for his own instrument is readily heard in the warm cantabile writing and gracefully idiomatic passagework. Drawing inspiration from the elegance of Mozart's concerto and the rhythmic grit of Copland's, Dorff's concerto is a true hybrid of jazz-inspired language with classical form and counterpoint. The Philadelphia Inquirer has written, Summer Solstice is light without being insubstantial, melodic without being obvious. It has an invariably American sound. Orchestral score and parts are available on rental. Full score is also available for sale as study score (416-41604) or large score (416-41604L)._____________________________________Text from the scanned back cover:Summer Solstice (Concerto for Clarinet and Strings)The Philadelphia Inquirer has written “Summer Solstice is light without being insubstantial, melodic without being obvious. It has an invariably American sound.” SUMMER SOLSTICE is a 19-minute concerto in three movements, composed for solo clarinet with a colorfully-textured string orchestra; the piano reduction is comfortably voiced for recital use. Dorff’s joy in writing for his own instrument is readily heard in the warm cantabile writing and gracefully idiomatic passagework. Drawing inspiration from the elegance of Mozart’s concerto and the rhythmic grit of Copland’s, Dorff’s concerto is a true hybrid of jazz-inspired language with classical form and counterpoint.
SKU: BT.DHP-1064045-140
The Last Rose of Summer is a popular Irish folksong. The original text was written by Thomas Moore (1779-1852) and the melody is a traditional air titled The Groves of Blarney. The German composer Friedrich von Flotow (1812-1883) cleverly used this song in his opera Martha, a light-hearted, successful work that is still regularly performed. The melancholy character of The Last Rose of Summer still appeals to many people in the present day and this arrangement by Wil van der Beek certainly does justice to the beauty of the melody. A wonderful item to change the mood of any performance.The Last Rose of Summer is een geliefd Iers volkslied. De originele tekst is van Thomas Moore (1779-1852) en de melodie is een traditionele air met de titel The Groves of Blarney. De Duitse componist Friedrich von Flotow(1812-1883) gebruikte dit lied op handige wijze in zijn opera Martha, een lichtvoetig, succesvol werk, dat tot op heden repertoire gehouden heeft. Het melancholische karakter van The Last Rose of Summer spreekt ook vandaagde dag nog veel mensen aan. Dit arrangement van Wil van der Beek doet beslist recht aan de schoonheid van de melodie.The Last Rose of Summer ist ein beliebtes irisches Volkslied. Der ursprüngliche Text stammt von Thomas Moore, die Melodie ist ein überliefertes Air mit dem Titel The Groves of Blarney. Der deutsche Komponist Friedrich von Flotow verarbeitete das Lied geschickt in seiner Oper Martha, ein heiteres, erfolgreiches Werk, das heute noch aufgeführt wird. Der melancholische Charakter dieses Liedes hat auch in der Gegenwart nichts von seinem Reiz verloren. Diese Bearbeitung von Wil van der Beek wird Schönheit der Melodie absolut gerecht.The Last Rose of Summer est un des plus célèbres chants traditionnels irlandais. En 1847, le compositeur allemand Friedrich von Flotow (1812-1883) intègre cette mélodie dans son opéra Martha. Le succès est immédiat et l’opéra jouit encore de nos jours d’une immense notoriété. L’arrangement de Wil van der Beek conserve la beauté de la mélodie originale. The Last Rose of Summer è uno dei più celebri canti tradizionali irlandesi. Nel 1847, il compositore tedesco Friedrich von Flotow (1812-1883) include questa melodia nell’opera Martha. Il successo è immediato e gode ancora oggi di immensa notoriet . L’arrangiamento di Wil van der Beek conserva la bellezza della melodia originale.
