Suite Of Piano Duets

A second book of entertaining and enjoyable Piano Duets by the talented Philip Cunningham. All presented and graded in order of difficulty to provide an ongoing challenge and development. These six stylistically diverse pieces compliment completion of the first collection and are ideally suited to students working at Grades 3 - 5 following on smoothly from Book 1. This book also includes a backing CD enabling solo practice of the duets so now you don't need a duet partner everytime!

Music Minus One Piano-Rachmaninov's composition teacher famed Russian composer Anton Arensky wrote these lovely and simple piano duets which run the gamut of emotion in true Russian Romantic style. Stravinsky's wonderful dances round out this charming album with a tongue-in-cheek pair of parts one extremely easy the other a dizzying rhythmic joke! Stravinsky loved these three pieces so much that he later orchestrated them as Nos. 1-3 of his Suite No. 2 for small orchestra. A must-have for the less advanced student who wants to play luscious Russian Romantic music! Includes complete printed music score with both primo and secondo piano parts and a compact disc featuring the duets in twoformats: split-channel stereo with secondo part on the left channel primo on the right so you can play either part and then again with just the secondo part in stereo so you can perform the primo part alongside. Performed by Sondra Bianca piano Accompaniment: Harriet Wingreen piano

This collection of piano duets is brilliantly arranged from the orchestral suite by Constant Lambert.

In this terrific 12-song 11? x 8-1/2? collection Helen Pace has created a group of song-duets for children to sing dramatize and play along with a parent or teacher. The child part is in large very easy-to-playnotation and the accompaniment is at the easy piano level. Featuring glorious full-color illustrations on every page Birthday Suite provides a highly enjoyable adventure for beginners in reading and playing easy music.Perfect for musical fun in the home studio or classroom.

Par SCHMITZ MANFRED. Cette composition attrayante, en quatre volets combine la technique de l'instrument classique avec le sentiment de pop contemporaine et de styles de jazz. Les quatre stylistiquement différents mouvements en font un travail exigeant que musiciens avertis et curieuses pourront profiter d'exécution. Utilisation des articulations et de la fonction de marquages du phrasé pour vous guider dans l'interprétation de différents styles qui vont de méditative à musicale et de jazz baroque à la spontanéité improvisation non conventionnelle en détail. Le niveau de difficulté est avancé. Texte en allemand et en anglais. Une partie de la flûte distinct est incluse. / Niveau : Intermédiaire à Avancé / Pop - Duets / Recueil / Flûte Traversière et Piano

Des morceaux de clavier de deux parties de j. s. Bach forment un important corpus de littérature musicale, mais seulement à l'occasion ont elles été organisées pour les chaînes. Cela transcrit soigneusement collection de duos violoncelles et le volume de ses deux compagnon - duos pour deux violons (MB # 21437) - et duos pour deux altos (MB # 21438) apportent de nombreux ajouts, tirées des suites de Bach, préludes et inventions, au répertoire du joueur de la chaîne. Les instrumentistes intermédiaires et avancés ravira la complexité musicale, dialogue contrapuntique et variété d'ambiances dans ces pièces. Puisque la prosternation et doigté préférences varient considérablement entre les acteurs de la chaîne, marques de rédactionnelles ont été réduites au minimum. Ces arrangements sont un ajout attrayant, précieux aux travaux de chaîne ensemble. / 2 Violoncelles / 52 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5

After the volumes on baroque and classical composers Piano Duets: Romantic Composers is the next instalment in this successful series. The collection includes new editions of celebrated works written for Piano duet (by Brahms Dvorak and Schumann) and attractive new arrangements of orchestral and chamber pieces including a Piano quartet by Mendelssohn and an orchestral suite by Tchaikovsky.To complete its survey of the Romantic age the collection features a Piano study by Liszt and a nocturnal song-without-words by Fanny Mendelssohn. Providing varied accessible and attractive repertoire this volume is ideal for duettists looking for recitalmaterial or for those exploring the medium.Contents:Hector Berlioz: Hungarian March from La Damnation de Faust Op. 24Georges Bizet: 'La toupie' Impromptu from Jeux d'enfantsJohannes Brahms: Waltzes Nos. 1 and 2 Op. 39Anton n Dvo'rák: Slavonic Dance No. 2 Op. 72Franz Liszt: Étude No. 5 'La Chasse' from Grandes études de PaganiniFanny Mendelssohn: Lied No. 3 (Lenau) from Vier Lieder Op. 8Felix Mendelssohn: Intermezzo from Piano Quartet No. 2 Op. 2Robert Schumann: 'Versteckens' No. 10 from 12 Vierhändige Clavierstücke für kleine und grosse Kinder Op. 85Pyotr Ilyich Tchaikovsky: Waltz from Suite No. 2 Op. 53

Charming suite of three tropical-themed pieces include motivating optional teacher duets. The piece remain in middle C position and avoid eighth-note rhythms.

On the basis of the Hindemith Complete Edition Instrument : piano Nombre de Pages : 24 Content : Marsch - Shimmy - Nachtstück - Boston - Ragtime

The publication of Tango Violin Duets was met with such an enthusiastic response that it prompted the release of these arrangements for violin and piano. The timbre of the violin is exceptionally well suited to evoking in sound the musical riches of Argentina's past as well as to making the fascination and glamour of Gardel's tango music come alive again. Some of his most well-known pieces are featured in this volume and Diego Collatti's arrangements retain all the captivating magnetic charms we associate with the Tango. Suitable for violinists of middle-grade standard and beyond.

From the preface: The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark Norway Sweden Finland and theFaroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressivepossibilities of the piano and being good representatives of the rich and atmospheric Nordic musical heritage.When one practises sight-reading on one’s own it is tempting to stop as onegoes along because the desire to playthe correct notes is often given priority at the expense of the rhythm and expression.Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure and thestream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing where the teacher supports the pulse and rhythm.In many other publications of four-handed duets the secundo part is written in two bass clefs and the primo part in twotreble clefs. Reading this untrained combination of clefs along with the stressful fact that the music has never beenseen nor heard before can confuse the pupil.In volumes 1 and 2 the secundo part which is intended for the pupil is therefore notated in a treble clef and bassclef as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied but in mostof the pieces improvisation is an interposed element in the primo part being therefore a good challenge for the pupil.In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point but here too thepupil is encouraged to experiment with for example the shift between major and minor thirds and between the high andlow sixth and seventh