Format : Vocal Score
SKU: BR.OB-5361-16
The authentic text-critical new edition - complete as sales material (the only edition with a choral score and a historically legitimated piano-vocal score by Josef Zubaty)
Awarded the German Music Edition Prize 2005
Have a look into ISBN 9790004337332. 10 x 12.5 inches.
Antonin Dvorak penned his Stabat mater op. 58 in the years 1876 and 1877. The first performance took place in Prague on 23 December 1880. The first edition (score and piano vocal score) was published by Simrock (Berlin) in 1881.Breitkopf & Hartel's Urtext edition comprises the complete performance material including the piano vocal score and choral score. Through the arrangement by Josef Zubaty, the piano vocal score offers the sole authentic and historically legitimated music text, the one that Dvorak himself commissioned for the world premiere.The unique stature of Breitkopf's new edition of Dvorak's Stabat mater can easily be nailed down by three superlatives: * It is the only edition with a historically legitimated piano-vocal score. Josef Zubaty's arrangement is the only authentic reduction, and was commissioned by Dvorak himself for the world premiere. (The composer never made a reduction of this work himself.)* It is the only edition with a choral score.* It is thus the first text-critical edition that goes beyond the source findings presented in the Dvorak Complete Edition and which can be used for performances with a material that can be purchased in its entirety. ,,Guter Druck, gutes Papier, ubersichtlicher Notensatz. Wie immer ein Kompliment an und fur B&H! Die sorgsam aufeinander abgestimmten Teile der Neuausgabe erleichtern die Arbeit. Wenn nicht schon Auffuhrungsmaterial vorhanden ist, so sollte unbedingt zu dieser Ausgabe gegriffen werden. (Kurt-Ludwig Forg, Kirchenmusik)The authentic text-critical new edition - complete as sales material (the only edition with a choral score and a historically legitimated piano-vocal score by Josef Zubaty)Awarded the German Music Edition Prize 2005.
SKU: BR.OB-5361-27
Have a look into ISBN 9790004337363. 10 x 12.5 inches.
SKU: BR.CHB-5312-02
ISBN 9790004412329. 7.5 x 10.5 inches.
SKU: BR.OB-5361-30
Have a look into ISBN 9790004337370. 10 x 12.5 inches.
SKU: BR.OB-5361-15
Have a look into ISBN 9790004337325. 10 x 12.5 inches.
SKU: BR.OB-5361-19
Have a look into ISBN 9790004337349. 10 x 12.5 inches.
SKU: BR.OB-5361-23
Have a look into ISBN 9790004337356. 10 x 12.5 inches.
SKU: BR.PB-5256
ISBN 9790004212141. 6.5 x 9 inches.
In Naples, late in the year 1734, Giovanni Battista Pergolesi obtained a commission from a brotherhood of noblemen to write a new setting of the Stabat mater text in order to replace the work of Alessandro Scarlatti, who had passed away in 1725. This work, too, was to be limited to two vocal parts, which reflects the intimate character of this devotional work. Just a few years after its creation, Pergolesi's Stabat mater setting became known throughout the entire musical world, regardless of all religious boundaries. No other musical work was printed and copied more often in the 18th century than the Stabat mater. The present edition is based on the autograph, which contains corrections and deletions. It seems to have been hastily transcribed from sketches intended for the copyist's use. The publisher thus faced a particularly challenging task here.Besten Dank fur die Bereitstellung von Notenmaterial auf dem letzten Stand fur gerade dieses hervorragende Meisterwerk!(Singende Kirche)Breitkopf stellt zu seiner Ausgabe des Stabat-Maters eine Taschenpartitur zur Verfugung - eine nach den Quellen sorgfaltig erstellte, vorbildliche Ausgabe in ubersichtlichem Druck und ausfuhlichem Vorwort.(Wurttembergische Blatter fur Kirchenmusik).
SKU: BR.CHB-5171-02
ISBN 9790004410950. 7.5 x 10.5 inches.
SKU: BR.PB-5256-07
SKU: CA.5199105
ISBN 9790007186296. Language: Latin.
Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score available separately - see item CA.5199100.
SKU: CA.5199112
ISBN 9790007225537. Language: Latin.
Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and part available separately - see item CA.5199100.
SKU: CA.5199113
ISBN 9790007225544. Language: Latin.
SKU: CA.5199119
ISBN 9790007225568. Language: Latin.
Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and parts available separately - see item CA.5199100.
SKU: CA.5199149
ISBN 9790007225575. Language: Latin.
SKU: CA.5199121
Language: Latin.
SKU: CA.5199109
ISBN 9790007225513. Language: Latin.
SKU: CA.5199111
ISBN 9790007225520. Language: Latin.
SKU: CA.5199103
ISBN 9790007186128. Language: Latin.
SKU: CA.5199122
SKU: CA.5199114
ISBN 9790007225551. Language: Latin.
SKU: CA.5199100
ISBN 9790007181659. Language: Latin.
Joseph Haydn's Stabat Mater, written in 1767, was the first church work the composer wrote after entering the service of Prince Esterhazy in Eisenstadt. Unlike almost all his other sacred works, it soon circulated in numerous copies and established Haydn's reputation as the leading vocal composer of his day. This edition is based on three original copies of parts, which are regarded as being particularly close to the (missing) autograph manuscript because of the date they were made and the reliable transmission of the music text. As so, this great, moving setting of the Stabat Mater is now newly available in a modern, scholarly edition. The complete performance material is available on sale.
SKU: BA.BA05656
ISBN 9790006566433. 31 x 24.3 cm inches. Key: G minor. Text Language: Latin. Preface: Rudolf Faber.
Franz Schubert's “Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.This edition is based on the sole surviving source, the composer’s autograph full score. Unlike its like-named companion piece D 383, Schubert uses the original Latin poem here. In his setting of April 1815 he focuses on the first two lines of the text depicting the Virgin’s motherly sorrows.This edition is based on the Urtext from the “New Schubert Edition”. The original figured bass numerals found in Schubert’s score have been modernised in all performance material and meticulously adapted to meet the demands of today’s performers.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.9700300
ISBN 9790007113124. Language: Latin.
Following his death, Pergolesi's last larger composition, the Stabat Mater of 1736, immediately became one of the most popular sacred works of the late baroque-early classical era. Numerous publications made this icon of Italian sacred music known throughout Europe. It was arranged by, among others, J. S. Bach (Tilge, Hochster, meine Sunden, BWV 1083), J. A. Hiller and Abbe Vogler. The most popular arrangement was the one made around 1800 for the Vienna Court Kapelle, in which Antonio Salieri, Franz Xaver Sussmayr and I. X. Ritter von Seyfried added woodwind instruments and obbligato trombones to the string accompaniment. In addition the 2-part texture of the upper voices in the original was arranged for 4 parts with obbligato soli. It was only in this opulent, sonorous version, which Otto Nicolai and three composer colleagues offered to 19th century Viennese music lovers. The piece is of medium difficulty. In the Viennese version it is a rarity that offers an enrichment to the repertoire for choirs wishing to discover something new.
SKU: BA.BA05547
ISBN 9790006497089. 33.1 x 25.6 cm inches.
SKU: BA.BA10506-01
ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.
Barenreiter's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted. A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume. A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009. Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again. Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'. Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi. Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.
SKU: HL.370494
ISBN 9781705147009. UPC: 840126994025.
The First String Quartet in C major, Op. 37, was written in the autumn of 1917 and earned Szymanowski the first prize in a competition organized by the Ministry of Religious and in a competition organized by the Ministry of Religious and Educational Affairs in January 1922. The First String Quartet is notable for its clar and simple construction. The first movement is in the formof a sonata allegro; the Andantino semplice (in modo iuna canzone) in the middle is a cross between ternary and variation form. The final Scherzando alla burlesca also keeps to the form of a sonata allegro. The combinations and proportions of formal factors and the treatment of thematic material betray a fairly conventional adoption of classical models. Similarly, the expressive and structural use of melodic material shows a respect for traditional norms. Szymanowski created, in other works from the same period, his own individual type of melodic line, which was strongly expressive and achieved its effect chiefly by its tonal qualieties; nevertheless in this Quartet he returns to a fluid, cantilena-like, symmetrically shaped melodic line, which runs along in broad phrases of a concentrated, reflective character. Melody becomes the chief factor in the development of the form, both in thematic usage and in the application of a more polyphonic texture. Harmonic and tonal means are considerably simplified in the Quartet []. Most of the writing is linear, or horizontal, with individual treatment of each part, the parallel continuation of the four sound planes, almost a matter of principle. The functions of the particular instruments in realizing these planes are constantly changing,which accounts for the even greater variedy of tone-colour. The decision to forego experiment with forms and sonorities is reflectedin the overall approach to musical expression. The predominant atmosphere of restrained emotion, quiet lyricism and serenity is strongly suggestive of classical aestetic models. (Based on Zofia Helman Commentary on Szymanowski Complete Edition, Vol. B6) (II) The ''Second String Quartet'' represents an interesting attempt to revert to classical form coupled with the new harmonic and tonal vocabulary worked out previously in the ''Slopiewnie'', ''Stabat Mater'' and ''Mazurkas''. It was also the first time the composer had used folk elements in the framework of a major classical form. The ''Second String Quartet'' is in a special category among Szymanowski's works. Though it dates from the composer was still occupied with folk music, it nevertheless shows him returning to classical models, but at the same time using an aesthetic of subjective expression, which gives the work its own individual stamp. The ''Second String Quartet'' synthesis of the various directions in which Szymanowski was attempting to develop. The sonority and texture used in the first.
