Soon I Will Be Done

William Dawson's arrangement of Soon Ah Will Be Done for Male Voice Choir (TTBB).

Recueil de 14 oeuvres, la plupart avec piano.Arrangements de Pierre-Gérard Verny, Cyrille Martial, William L. Dawson, H. T. Burleigh. / Choeur Mixte Et Piano / 72 pages / Partition

Creating Easy Song Arrangements-The compelling mysteries of solo guitar arrangements are now easier to understand than ever before. Renowned guitarist and celebrated tutor Happy Traum takes a handful of traditional songs and shows you how to transform them into magical solo arrangements. You will discover interesting picking patterns altered chords and substitutions ornamentation harmonised scales and much more. By breaking the technique down into building blocks and fundamental patterns you will soon be developing your own personal solo style and you'll be amazed at what can be done with even the simplest folk melody! Get the most from this absorbing and highly individual approach to the guitarwith this superb tutorial from one of the best in the business. Full music and tablature are included. Happy Traum has created the Guitar Building Blocks series of lessons to help learning players develop essential guitar technique. Each of these DVDs concentrates on a specific 'building block' allowing you to delve deeply into just those areas that you need to strengthen. The Building Blocks series gives you a solid foundation upon which to base your future guitar studies.

A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and title of his impressive virtuoso solo work:'Admittedly I do not know if he had seagulls but since Mendelssohn was born in Hamburg he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when one or two years ago in the Villa Massimo I was not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for thebassoon solo is in turn the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions finally becoming a cabaletta. Now cabalettas are not very representative of Mendelssohn but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this especially since later justice is done to him in the rapid passages and of course in the tonal cadenza at the very end which is more indicative of his time than of mine ... isn't it?'

The American Song Book contains beautiful reproductions of original sheet music of the Tin Pan Alley Era. This book places these songs in historical context and provides fascinating and amusing backgrounds to the songs. Based on original archival research. The American Song Book Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music including covers of songs that constitute the enduring standards of Irving Berlin Jerome Kern the Gershwins and other lyricists and composers of what has been called the 'Golden Age' of American popular music. These songs havedone what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year generation after generation by jazz artists such as Charlie Parker and Art Tatum Ella Fitzgerald and Louis Armstrong. In the 1950s Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet Doris Day Willie Nelson and Linda Ronstadt. In more recent years these songs have been reinterpreted by Rod Stewart Harry Connick Jr. Carly Simon Lady GaGa K.D. Laing Paul McCartney and most recently Bob Dylan. As such these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley the emergence of American musical comedy on Broadway and the 'talkie' revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters performers and impresarios such as Florenz Ziegfeld. In addition they analyze the lyrical and musical artistry of each song and relate anecdotes sometimes amusing sometimes poignant about how the songs were created. The American

Octet-Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Violin (2) Viola Violincello Double Bass?I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things for I have composed two quartets for Violins Viola and Violincello [A minor D 804; D minor D 810] and an octet [F major D 803] and will write yet another quartet [not carried out]. Indeed in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] ...I too am inclined to give a similar concert next Year God willing.?ThusSchubert writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony by which he doubtless meant the genre as a whole rather than any specific work he wrote string quartets and a large-scale piece of chamber music for strings and winds taking Beethoven as his guide.Urtext of the New Schubert EditionParts (BA5617) and study score format 22.5 x 16.5cm (TP302) available for sale

Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.

Le cinquième album solo en studio de Robbie, contenant le tube Feel. Arrangé au standard intermédiaire pour le piano, la voix et la guitare.

Non, pas depuis la publication de The Great Songbook australien y a-t-il eu un livre de mammouth compilation de chansons Aussie. Cette collection caractéristiques 200 rock australien classics et contemporains chansons australiennes, dont beaucoup n'ont pas paru dans imprimer avant ! Toutes les chansons ont été organisées dans la clé originale de réels succès enregistrements. Complet avec paroles complètes, symboles de la guitare et graphique d'arrachement chord. Petit et facile pour l'adapter à votre cas de guitare, la couverture de vinyle noir durable signifie vous utiliserez ce livre pendant de nombreuses années. / Chant Et Guitare / 288 pages / Partition

A collection of 20 inspiring African-American spirituals, arranged for easy piano by Phillip Keveren. Suitable for pianists grades 2-4. Includes lyrics and guitar chord symbols.

Set in a contemporary style this traditional spiritual offers plenty of opportunities for a young choir to sound its best. Great rhythmic drive and exciting dynamic contrasts. Available: 2-Part 3-Part Mixed. Performance Time: Approx. 3:00.

The opening of this popular spiritual is presented in the traditional a cappella style but before long it kicks into a fun and funky gospel groove that presents the melody punctuated by insertions of the word trouble! along withcharacteristic scoops and other vocal effects in a celebratory outpouring of spirit.