Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano
SKU: BT.EMBZ14695
Besides Bach, Domenico Scarlatti is the other Baroque composer whose keyboard works sound really great on the modern piano. The editor of this volume has chosen sixteen pieces from the 555 surviving single-movement keyboard sonatas by Scarlatti. This compilation is designed to offer a representative selection in order to give a taste of the incredibly rich world of Scarlatti's sonatas in terms of their character, structure, and keyboard techniques: they include lyrical Andantes and powerful, etude-like, whirling Allegros, pieces inspired by Spanish folk music and guitar-playing, as well as sonatas that anticipate the Viennese classical style. None of these movements exceed amoderate difficulty level. Neben Bach ist Domenico Scarlatti der andere Barock-Komponist, dessen Werke für Tasteninstrumente auch auf dem heutigen Klavier gut klingen. Aus seinen 555, meistens einsätzigen Sonaten wählte der Herausgeber für den vorliegenden Band sechzehn Stücke aus. Diese wurden mit dem Anspruch einer repräsentativen Auswahl zusammengestellt. Der Band gibt einen Vorgeschmack von der unglaublich reichen Welt der Charaktere, Texturen und Tasteninstrumententechniken der Scarlatti-Sonaten: Neben melodischen, wunderschönen Andanten und etüdenähnlichen, wirkungsvollen Allegri bekommen in ihr auch Stücke ihren Platz, welche von der spanischen Volksmusik und von der Gitarrenspieltechnik inspiriertsind, oder Sonaten, die die Wiener Klassik erahnen lassen. Diesen ist außer dem Komponisten nur eines gemeinsam: Hinsichtlich ihrer technischen Anforderungen überschreitet keine die mittlere Stufe.
SKU: AP.12-0571572162
ISBN 9780571572168. English.
Carl Vine's Piano Concerto No. 1 (1997) is one of three large-scale works composed with pianist Michael Kieran Harvey in mind---the others being his first two piano sonatas. Vine describes it as a conscious and continuous tribute to the piano concerto as a medium and historical entity, a fact most apparent in the slow movement, with its long melodic lines evoking both Ravel and Bach. This 25-minute concerto is cast in the familiar three-movement form, with fast outer movements framing a central slow movement. The outer movements share some material (particularly in some lively conversational interchanges between piano and trumpet), and also some typically pianistic glitter across the orchestra, with harp and glockenspiel ensuring that the piano is less of an outsider than might have otherwise been the case.
SKU: PR.ZM20820
SKU: A3.9781860969331
ISBN 9781860969331. 9 x 12 inches.
A critical edition with German commentaries of the 35 Piano Sonatas by Professor Barry Cooper. Includes general introduction covering performance practice, including tempo, articulation, pedalling and dynamics, and commentary to each sonata, including history, full assessment of the sources and notes on interpretation. Introductory CD included.
