Scott Joplin: Rags for Guitar: Guitar: Instrumental Album

A collection of ten transcriptions for the guitar of classic rags by Scott Joplin, the greatest and most inspired of all ragtime composers. The works selected for this volume are an excellent cross-sampling of Joplin's rags. Titles include: The Entertainer * The Cascades * Maple Leaf Rag.

Intended for both working guitarists and those who play strictly for the enjoyment of great music, this collection of ragtime favorites will add something special to any party or social gathering. Including arrangements of such popular rags as 'The Entertainer,' 'Maple Leaf Rag,' 'Weeping Willow,' and 'Peacherine Rag,' this edition provides you with a repertoire of crowd-pleasers for any event and will help keep your listeners' toes tapping. Information about Scott Joplin and a glossary of terms and symbols are included, making this book useful and enjoyable to own. / Guitare

A Breeze From Alabama - Anoinette - Augustan Club Waltz - Bethena - A Concert Waltz - Bink's Waltz - Cleopha - Country Club - Ragtime Two-Step - Easy Winners - Elite Syncopations - Eugenia - Euphoric Sounds - Felicity Rag - Gladiolus Rag - Harmony Club Waltz - Leola - Two-Step - Lily Queen - March Majestic - Original Rags - Palm Leaf Rag - Pleasant Moments - Reflection Rag - Rosebud March - Roseleaf Rag - Scott Joplin's New Rag - Searchlight Rag - Solace - A Mexican Serenade - Something Doing - Sugar Cane - Swipesy Cakewalk - The Cascades - A Rag - The Chrysanthemum - The Combination March - The Entertainer - The Favorite - The FigLeaf Rag - The Great Crush Collision March - The Heliotrope Bouquet - The Kismet Rag - The Magnetic Rag - The Maple Leaf Rag - The Nonpareil - The Paragon Rag - The Peacherine Rag - The Pine Apple Rag - The Ragtime Dance - The Silver Swan - The Stoptime Dance - The Strenuous Life - The Sunflower Slow Drag - The Sycamore - A Concert Rag - The Weeping Willow - Wall Street Rag

Les grands morceaux de ragtime de début du 20ème siècle ont été écrits pour la plupart pour piano, mais beaucoup de traduire superbement pour la guitare, et David Laibman va vous montrer comment. / Guitare

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Internationally renowned classical guitarist David Leisner plays a live concert program with some pieces that are well-known and others that may be new to guitarists. One of the discoveries is the Sonata in b minor byWenzeslaus Matiegka (1773-1830) an unduly neglected composer that Leisner calls 'the Beethoven of the Guitar'. It’s a great addition to the Guitar repertoire. Another discovery is Leisner’s own Nel Mezzo: Sonata whichSoundboard magazine called 'an original and profoundly personal work...powerful angry and moving music'. Now played quite a bit the music of Johann Kaspar Mertz (1806-1856) was virtually unknown when Leisner recordedand published some of his music almost 30 years ago. Here two of Mertz’s pieces display the passionate Romanticism of this music. The classics include the sublime Prelude Fugue and Allegro by J. S. Bach two delightful Rags byScott Joplin in Leisner’s arrangements and a dazzling encore of Etude No. 12 by Villa-Lobos.Leisner introduces each piece informally and is interviewed during intermission by Andrew Dickenson. Theinterview covers a number of topics in depth including some of Leisner’s secrets about easing physical tensions while playing the Guitar and his thoughts about the music he’s playing and about composition.

Par JOPLIN SCOTT. / Niveau : Elémentaire / classique / Recueil / 2 Guitares

Experience the pleasure and satisfaction of some of the finest and bounciest piano tunes with the Joy Of Ragtime! Here are twenty-nine classic piano rags by Scott Joplin Joseph Lamb Tom Turpin and other ragtime composers. Numbers include The Entertainer and Black And White.

Composée par Joplin Scott la partition Joplin Scott Guitar Tab est éditée par les célèbres éditions françaises ID Music sous la référence SB3012.De ce fait, si vous êtes un grand amateur de Guitare et encore plus de Guitare vous trouverez dans cette pièce tout ce que vous cherchez. Alors plus que quelques clics et cette partition vous appartiendra!!! / Guitare / Partition