Format : Sheet music
SKU: HL.44001606
UPC: 073999762587. 6.75x10.5 inches.
This Christmas carol arrangement consists of two continuous parts: Introductie and Koraal. Jan de Haan has orchestrated the hymn Macht hoch die Tur and has added his own introduction based on the melody. Deze liedbewerking bestaat uit de twee in elkaar overgaande delen Introductie en Koraal. Jan de Haan maakte een nieuwe zetting van het gezang Heft op uw hoofden poorten wijd en liet deze voorafgaan door een zelfgeschreven, op de melodie gebaseerde inleiding.Diese von Jan de Haan stammende Liedbearbeitung besteht aus zwei ineinander verwobenen Teilen. auf die Einleitung folgt eine moderne Fassung des Chorals Macht hoch die Tur. Cette oeuvre, arrangee par Jan de Haan, se compose de deux parties admirablement entrelacees. L'introduction est suivie d'une version moderne du choral Macht hoch die Tur.
SKU: HL.14018971
For Solo Tenor and Ensemble (Flute, Cor Anglais, Clarinet, Bassoon, Trombone and Piano).
SKU: GI.G-7202INST
UPC: 785147720294. English. Text Source: Lectionary for Mass, 1998.
This versatile setting includes refrains for both the Alleluia and the Lenten Gospel Acclamation along with through-composed settings of the verses for all Sundays Solemnities, Feasts of the Lord and the Saints as well as a setting of the verses of the Easter Vigil Responsorial Psalm 118 for use with the Alleluia refrain. Although this majestic setting is scored for brass quartet, timpani/suspended cymbal, C instrument, guitar, and handbells it can also be performed simply using only Cantor and keyboard.
SKU: GI.G-018070
UPC: 641151125848.
Missa Simplex, one of WLP’s simplest musical settings of the new translation of The Roman Missal, has fast become one of our most popular. Shortly before his death, Richard Proulx wrote the Gloria Simplex,(WLP 005304), a straightforward and easily learned chant setting of the newly revised Gloria. The simple melodic pattern of the chant is repeated throughout the setting as the Gloria unfolds, with a few musical surprises that result in a setting that is anything but boring! After Proulx’s untimely death, Michael O’Connor, O.P., utilizing the melodic structure of Proulx’s work, set the rest of the components of the Mass. The Gloria is widely used during Ordinary Time from the smallest parish with keyboard and cantor to this country’s largest cathedral communities, accompanied by pipe organ and supported by a large choir. Because of its simplicity, this setting has become the setting in many parishes for the seasons of Advent and Lent—minus the Gloria, of course! Chant has a universal Catholic sense, and this Mass setting captures that sense and brings the assembly into an intimacy with the newly translated texts of the Mass in a simple and at times haunting way. Highlights: One of the simplest settings GIA/WLP has to offer. The Gloria Simplex, written by Richard Proulx shortly before his death, is a chant setting with a simple melodic pattern—with some musical surprises! Michael O’Connor continued Proulx’s work by utilizing the melodic structure for the remaining components of the Mass. Used in parishes with only keyboard and cantor, but also widely used in large cathedrals with pipe organ and a large choir. An ideal Mass setting for Advent and Lent.
SKU: LO.AMHB38
UPC: 000308083590.
These settings are intended for handbell choirs in need of accessible festive music for special occasions throughout the church year. Cue notes are provided on some selections so the piece can grow with the choir's abilities. Optional instruments add versatility while affording beginning choirs an opportunity to perform with other musicians. Trumpet parts are within the capabilities of high school or amateur musicians. Handbell parts on all arrangements are completely independent and can be played alone.
SKU: HP.8881
UPC: 763628188818. By Various Writers.
Eight classic hymns and contemporary tunes by Various Writers Here is the 5th volume in our successful series of accessible voicings of top-sellers in our catalog. All of these are proven winners from arranger Lloyd Larson. Like Easy Settings, Vols. 1 & 3, Lloyd has set each of these for SAB or, with alto part omitted, Two-Part Mixed. To listen to samples of this product, please scroll down to find the Hope Publishing recording.
SKU: GI.G-018000
[Category].
Before the implementation of the new translation of The Roman Missal, the Mass of Redemption enjoyed a high level of popularity in parishes across the country and beyond. With the advent of the new translation, this Mass has become even more popular. Steve Janco rewrote the Gloria for the new translation and his through-composed setting is energetic and bright, bringing a sparkle to the new text. The Mass is written in the bright key of D major, bringing a joyful quality to the celebration of Sunday Mass, especially during the Christmas and Easter seasons, as well as the Sundays of Ordinary Time. Set for cantor, choir, assembly, keyboard, and guitar (with optional instrumental parts for brass quartet and timpani, two woodwinds, and handbells), the choral writing is in two parts (SA/TB) with optional third voice, often a soprano descant, at climaxes in various sections. Music directors agree that the simple choral arranging makes this a setting appropriate for parishes that do not have the musical “forces” to sing many of the more vocally complex Mass settings. Mass of Redemption brings the choir, musicians, and assembly together in a symphony of praise and thanksgiving for the great gift of redemption in Christ—a wonderful setting to raise hearts and voices to God at Sunday Mass. Join the hundreds of parishes that have made Mass of Redemption a musical staple and a reliable setting of the Mass. Parishes simply never grow weary of singing this setting! Highlights: Highly popular among parishes before the implementation of new texts, now even more widely used! Written in the key of D major, bringing jubilance to the celebration of Mass. A variety of options for instrumentation with simple choral arrangements—ideal for smaller choirs. A delightful setting for the Christmas and Easter seasons and ideal for Sundays during Ordinary Time. .
SKU: GI.G-003110
UPC: 641151031101.
Commissioned by the Order of the Most Holy Trinity in celebration of the 800th anniversary of its founding, Steven Janco's Mass of Redemption is a gem of ritual music writing. From the Kyrie to the Lamb of God, you will find that these easy-to-learn and hard-to-forget settings will quickly become a favorite of your parish. Set for presider, cantor, choir, assembly, keyboard, and guitar (with optional instrumental parts for brass quartet and timpani, two woodwinds, or handbells), the choral writing is in two parts (SA/TB) with an optional third voice at climaxes of various sections. Featured in We Celebrate and Seasonal Missalette.
SKU: LO.30-3738MD
UPC: 000308154795.
Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
SKU: BT.DHP-1185853-010
English-German-French-Dutch.
Unlike most passion settings with choir, soloists and orchestra, this version of the Markus-Passion has been conceived for band, narrator and mezzo soprano and baritone (or alto). The lyrics from the Gospel According to Mark have been used in full, which makes this passion quite unique. If desired, the lyrics of the evangelist can be spoken in any language, to make the work more accessible to the audience. However, because of the rhythms involved, the sung parts should always be performed in German. This special work should be a truly overwhelming experience for your audience!De meeste passies zijn geschreven voor koor, solisten en orkest, maar deze versie van de Markus-Passion is gecomponeerd voor blaasorkest, verteller, mezzosopraan en bariton (of alt). De tekst uit het evangelie volgens Marcus wordt door de componist integraal gebruikt, wat deze passie uniek maakt. Desgewenst kunnen de teksten van de evangelist in elke gewenste taal worden uitgesproken, om het werk toegankelijker te maken voor het publiek. De gezongen delen zullen omwille van de ritmiek altijd in het Duits moeten worden uitgevoerd. Met dit in alle opzichten bijzondere werk biedt u uw publiek een overweldigende ervaring!Diese Version der Markus-Passion wurde für Blasorchester, Erzähler, Mezzosopran (oder Alt) und Bariton geschrieben und unterscheidet sich dadurch von den meisten anderen Passionen, die für Chor, Solisten und Orchester konzipiert sind. Die Texte aus dem Markusevangelium wurden vollständig verwendet, was diese Passion einzigartig macht. Die Worte des Evangelisten können auch in einer anderen Sprache vorgetragen werden, damit das Werk für das jeweilige Publikum zugänglicher ist. Die Vokalstimmen sollten aufgrund der komplexen Rhythmen immer auf Deutsch gesungen werden. Dieses Werk ist in jeder Hinsicht etwas ganz Besonderes und bietet ein wirklich überwältigendes Erlebnis fürdas Publikum! Contrairement la plupart des passions avec chœur, solistes et orchestre, cette version de la Passion selon Saint-Marc a été conçue pour orchestre, narrateur, mezzo soprano et baryton (ou alto). Les paroles de l’Evangile selon Marc ont été entièrement utilisées, ce qui rend cette passion si unique. Si vous le souhaitez, les paroles de l’évangéliste peuvent être récitées dans toutes les langues afin de rendre l’œuvre plus accessible au public. Les parties chantées doivent toujours être interprétées en allemand en raison de la rythmique. Cette œuvre est très particulière dans tous les sens du terme et est une expérience extraordinaire pour votre public !