Renaissance Music For Guitar Volume 2

Pendant des années, les guitaristes classiques ont bénéficié jouant de la musique de luth du compositeur anglais, John Dowland (1563-1626). Quarante de ses belles compositions sont inclus dans ce volume. Le livre est destiné pour le guitariste avec technique fingerstyle intermédiaire à avancé et peut être joué à la fois nylon et instruments à cordes acier. Afin d'aider à capturer le caractère unique de la musique de Dowland, luth renaissance tuning (capo sur le fret troisième avec la chaîne g d'écoute à fa dièse) est utilisé dans l'ensemble. Les progrès des morceaux plus ou moins afin d'augmenter la difficulté et soins spéciaux ont été prise pour s'assurer tout groupe de morceaux consécutifs peut être joué avec satisfaisant des résultats. Notation standard. Inclut les fichiers audio de compagnon téléchargeables gratuitement. / Guitare Classique / 92 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11 X 8,5

This collection of the work of the Maltese composer Gordon Mizzi for solo guitar is being made available to the public for the first time. Saints and Fireworks The Music of Gordon Mizzi Volume Two is the second of two albumsof Gordon Mizzi's music which are available from Mel Bay Publications. This album takes its title from the newly released CD Gordon Mizzi Saints and Fireworks that has been recorded by Carlos Bonell one of today's mostcelebrated guitarists and which is available from Spearhead Music. This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte byJean d'Estrée were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they arebeing published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks a piece in two movements vividly represents Malta's village festas. Island Scenes aresix musical portraits of towns and villages dotting the landscape of Malta. They include Valletta- Barrakka Gardens San Giljan-After the Feast Mdina- Città Notabile the dreamy Comino-The Blue Lagoon Sliema- The Tower and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as NightCrossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

Performance Pieces, Etudes and Technical Exercises for Advanced-Level Pupils - Expanded, revised ed.. Par MOSOCZI MIKLOS. This publication is a completely revised edition of our five-volume guitar tutor. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods. / Date parution : 2022-10-12/ Méthode / Guitare

Century Spain-Scholarly editions which serve different purposes than performance editions are not often designed with the modern guitarist in mind. For instance Renaissance vihuela tablatures are usually transcribed with the open firststring as G not E. Most are presented in double-staff notation a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore these editions sometimes give idealized but not realistic solutions for voicing note duration and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections edited for modern guitar from the seven books for vihuelathat were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology edited for modern guitar from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.

Pendant des années, les guitaristes classiques ont bénéficié jouant de la musique de luth du compositeur anglais, John Dowland (1563-1626). Quarante de ses belles compositions sont inclus dans ce volume. Le livre est destiné pour le guitariste avec technique fingerstyle intermédiaire à avancé et peut être joué à la fois nylon et instruments à cordes acier. Afin d'aider à capturer le caractère unique de la musique de Dowland, luth renaissance tuning (capo sur le fret troisième avec la chaîne g d'écoute à fa dièse) est utilisé dans l'ensemble. Les progrès des morceaux plus ou moins afin d'augmenter la difficulté et soins spéciaux ont été prise pour s'assurer tout groupe de morceaux consécutifs peut être joué avec satisfaisant des résultats. Notation standard avec les fichiers audio téléchargeables compagnon onglet comprend gratuitement. / Guitare (Fingerpick) / 144 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Media Type : Book/CD Set Level : Intermediate Musical Genre : All Styles Series : Mastering Guitar Number of pages : 144 Mastering the Guitar is an innovative, comprehensive method for learning the guitar. Level 2 Book C includes a wealth of challenging and creative guitar solos, duets and studies in the keys of A-flat,F-minor, G-minor,D-flat, and B-flat minor. Special concepts presented in this volume include: basic improvisation, rhythmic variation, barre chords, key of A-flat/closed position, passing tone studies, harmonized scales, western swing, fingerstyle performance, chord progression studies, blues, chords, common rock and blues licks, bass string chords, Latin rhythms, and comping. Guitar solo material provided in rock, jazz, bluegrass, Latin, blues, Baroque, Renaissance, and from a wide variety of historical periods and contemporary musical styles. Mastering the Guitar 2C Double CD set is a recording to accompany the volume of the same title. These CDs contain most all of the solo and duet settings found in the book as performed by William Bay, Mike Christiansen, and John McClellan.

La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score

Mastering The Guitar is an innovative comprehensive method for learning the Guitar. Level 2 Book C includes a wealth of challenging and creative Guitar solos duets and studies in the keys of A-flat F-minor G-minor D-flat and B-flat minor.Special concepts presented in this volume include: basic improvisation rhythmic variation barre chords key of A-flat/closed position passing tone studies harmonized scales westernswing fingerstyle performance chord progression studies blues chords common rock and blues licks bass string chords Latin rhythms and comping. Guitar solo material provided in rock jazz bluegrass Latin blues Baroque Renaissance and from a wide variety of historical periods and contemporary musical styles.Mastering the Guitar 2C double CD set is a recording to accompany the volume of the same title. These CDs containmost all of the solo and duet settings found in the book as performed by William Bay Mike Christiansen and John McClellan.