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MUSICAL COURSES SHEET MUSIC > Music Courses : Practice books >

Regards

Format : Sheet music
Langue : Français

Collectif d'auteurs dirigé par Janine Delahaye : Olivier Deshayes, Frédéric Ducros, Sophie Guillin, Danielle Lecoq et Anne-Marie Pialloux

Principalement destiné aux professeurs des classes de 3e, Regards est une somme d'exemples d'enseignement transversal au collège, dans le but de concilier les exigences de l'enseignement disciplinaire et les thématiques du programme d'histoire des arts.
Des professeurs d'arts plastiques, d'éducation musicale, d'histoire et de lettres ont croisé leurs regards autour de 12 objets d'études pour illustrer les 6 thématiques du programme d'histoire des arts au collège.

Arts - Créations - Culture
Arts - Espace - Temps
Arts - Etat - Pouvoir
Arts - Mythes - Religions
Arts - Techniques - Expressions
Arts - Ruptures - Continuités

Explorant un vaste champ artistique et dans un souci constant de rester en résonance avec les programmes disciplinaires, les auteurs interrogent aussi bien les oeuvres les plus connues que celles dont la notoriété est plus confidentielle.
Ce choix, non exhaustif, a pour ambition d'inviter les professeurs à une lecture plurielle des oeuvres d'art dont ils sont familiers comme à s'aventurer sur des terrains moins connus. Il s'agit d'offrir des outils pour mieux comprendre les convergences artistiques aux XXe-XXIe siècles, ainsi que les enjeux de la création artistique de cette époque.
Cet ouvrage intéressera également tout lecteur curieux qui souhaite réfléchir aux correspondances entre les arts. / Partition /

Instrumentation :

Musical course - Solfege


Publisher :

Van de Velde



European Sellers
Compare Price & Stock
Woodbrass : On order
Delahaye / Deshayes / Ducros / Guillin / Lecoq / Pialloux - Regards - College
34.60 EUR - Ships from France
Note4Piano : 3-5 days
Regards
38.50 EUR - Ships from France
LMI-Partitions (french language only) : In Stock
Regards
48.50 EUR - Ships from France

Content :
ARTS - CRÉATIONS - CULTURES

- OE*1 : Fluxus

L'art et la vie, le mouvement Fluxus (p.13). Un concert Fluxus (p.15). Les voix de la contestation musicale (p.17). Yoko Ono. L'art total comme mode de vie (p.22).

- OE 2 : Les arts de la rue

Les créations issues de la rue ou l'art de réinventer la ville (p.26). Keith Haring ou la contestation par l'image (p.29). Art de rue par le groupe Fonky Family (p.32). Jacques Villeglé ou la mémoire de la rue (p.34). Jetons les livres et allons dans la rue (p.37).



ARTS - ESPACES - TEMPS

- OE 1 : L'Oeuvre ouverte /Umberto Ecco

L'indétermination en musique chez Karlheinz Stockhausen et Luciano Berio (p.50). Jackson Pollock et l'expressionnisme abstrait, le triomphe de l'art américain (p.52). Raymond Queneau, oeuvre ouverte et littérature potentielle (p.55).

- OE 2 : Le néoclassicisme

Néoclassicisme et post modernité (p.58). Le Quartier Antigone à Montpellier (p.61). Musique et néoclassicisme (p.66). Classicisme au XXe siècle. L'art grec comme modèle • (p.69).



ARTS - ETAT - POUVOIR

- OE 1 : Le Centre Georges-Pompidou

Un exemple original des relations entre l'art, le pouvoir et l'Etat (p.77). La Fontaine Strawinsky (p.81). Francis Ponge, la poésie au coeur du Centre G.- Pompidou (p.84, 87). L'Ircam (p.90).

- OE 2 : Propagande et censure

Propagande et censure dans les totalitarismes (p.94). Carl Orff, les Carmina Burana (p.97). L'art dans l'idéologie nationale-socialiste (p.99). Le XVIIe Congrès du Parti communiste (p.106). Les Guerrilla Girls : féminisme et censure (p.111).



ARTS - MYTHES - RELIGIONS

- OE 1 : Le mythe d'Orphée

Extrait du chant IV des Géorgiques, Virgile (p.115). Orphée de Jean Cocteau, une traversée du miroir (p.117). Marc Chagall, Orphée jouant de la lyre (p.121). Gian-Carlo Menotti, La Mort d'Orphée (p.124). Orphée et l'orphisme à l'orée du XXe siècle (p.126).

- OE 2 : L'Apocalypse

L'Apocalypse au xxe siècle (p. 130). Salvador Dali, Les Cavaliers de l'Apocalypse (p.133). Mathias Grünewald, Otto Dix, de La Guerre comme révélation de la cruauté (p.137). L'Apocalypse comme dévoilement (p.142). Deux visions de l'Apocalypse en musique (p.146).



ARTS - TECHNIQUES - EXPRESSIONS

- OE 1 : Le Bauhaus

Le Bauhaus, espace fonctionnel, espace de vie (p.153). Le Bauhaus et la République de Weimar (p.159). La vie musicale au Bauhaus (p.165). La photographie, nouvelle perception de l'espace (p.169).

- OE 2 : Les nouvelles technologies de l'information

et de la communication

Olympe de Gouges et la Fée électricité (p.174). L'informatique et le monde virtuel : quelle est la matière de l'oeuvre • Qui est l'auteur de l'oeuvre • (p.178). De la Fée électricité aux NTIC (p.183).



ARTS - RUPTURES - CONTINUITES

- OE 1 : Symbole de la rupture avec la tradition :

Le Sacre du printemps, 1913

Le Sacre du printemps, Igor Strawinsky (p.193). Le Sacre du printemps chorégraphie de Vassily Nijinsky (p.195). 1912-1913, du chaudron des Balkans à la guerre industrielle (p.199). L'Esprit Nouveau : une révolution poétique (p. 204). 1913, la modernité en peinture (p.207).

- OE 2 : La disparition du sujet

Richard Serra : en équilibre (p.211). Les masques du personnage dans En attendant Godot (p.215). Pablo Picasso, Grand nu au fauteuil rouge (p.220).





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