Professional Piano Teaching 1 2Nd Ed

Gustavo Beytelmann has taken some of the most beautiful tango music ever written and created his own arrangements for solo piano. His collection shows how varied the genre is, from the ragtime-like lilt of El esquinazo to the romantic waltz La loca de amor by Pablo José Vázquez and the energetic El entrerriano by Rosendo Menizabal, as well as a new arrangement of Carlos Gardel's immortal El dia que me quieras. Beytelmann shows too how technically varied these works can be. Each of the pieces features specific performance techniques such as accents, tempo changes, balance and attack and he advises Spend some time concentrating on these elements and you will find the works even more enjoyable. These immensely rewarding pieces are equally suited to the concert stage as to the piano lesson. Gustavo Beytelmann has made a significant contribution to the evolution of the Tango, through his numerous recordings, performances and through his teaching. Born in Argentina, he began his professional career writing music for the cinema, working as pianist and arranger for the record industry and performing with various jazz ensembles. After moving to Paris, Astor Piazzolla invited him to participate in his European tour. He has continued to perform and compose across Europe and the Americas. From 1993 onwards he intensified his work as a composer. www.gustavobeytelmann.com Arolas Eduardo: Comme il faut Gardel Carlos: Cuesta abajo Gardel Carlos: El dia que me quieras Mendizábal Rosendo: El entrerriano Villoldo Angel: El esquinazo Arolas Eduardo: El marne Villoldo Angel: El portenito Vázquez Pablo José: La loca de amor Greco Vicente: Ojos negros Santa Cruz Domingo: Union civica Title: Solo Tango Solo Piano Scored for: for piano Arranger: Beytelmann Gustavo Degree of difficulty: 3-4 ISBN: 978-3-7024-6788-3 ISMN: 979-0-008-08139-2 Order number: UE34679

Piano Professional Series-The Foundations of Technique is about putting into practice everything that you wish to do at the instrument. This new and innovative approach to technique is for everyone interested in improving their piano playing and teaching. It includes information and exercises that are as relevant for beginners and intermediate players as for post-graduate students and professional concert pianists. Based on the long-standing successful series of ?Masterclass? articles written for International Piano magazine The Foundations of Technique focuses on the foundations and basic principles of a healthy and reliable technique. Concert pianist writer andteacher Murray McLachlan is chair of EPTA-UK and founder-director of the Chetham?s International Summer School for Pianists. In addition to making over forty commercial recordings he has been the editor of Piano Professional magazine since 2007. He is Head of Keyboard at Chetham?s School of Music and a senior tutor at the Royal Northern College of Music.

Sonaten 38-50-The composer pianist and Piano teacher Leopold Koželuch (1747-1818) was one of the leading Czech musicians in 18th-century Vienna. His 50 sonatas for Keyboard bear witness not only to the transition from the harpsichord or clavichord to the pianoforte but also to the evolution of the classical sonata at the turn of the 19th century.Until now there have been few modern editions of this music. This Barenreiter edition prepared by Christopher Hogwood is the first to present all of Koželuch’s sonatas for solo Keyboard. Each of the four volumes contains 12 to 13 sonatas in chronological order by date of initial publication. The fourth volume edited with the assistance of Ryan Mark contains the last sonatas and those handed down only in manuscript form.First complete edition of the sonatas for Keyboard.Suitable for professionals and amateurs alike.Ideal for teaching purposes.Detailed Foreword (Eng/Cz/Ger) Critical Commentary (Eng) and facsimile pages.Overview of contents: Complete Sonatas for Keyboard:Volume I BA 9511 12 sonatas from the years 1780-1784.Volume II BA 9512 12 sonatas from the years 1784-1786.Volume III BA 9513 13 sonatas from the years 1788-1797.Volume IV BA 9514 9 sonatas from the years 1807-1809; 4 sonatas from the 1770s which exist only in manuscript.Complete Sonatas for KeyboardSet of all 4 volumes: BA 9515: Special set price

This exciting new teaching method by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch or for those returning to the piano after a break from playing.Using classical music as a basis for learning this method introduces interesting varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps beginning with simple fingering patterns and exercises onto some of the most beautiful melodies and pieces from the baroque classical and romantic eras such as the Ode to Joy Für Elise and the BlueDanube Waltz.Leading the student through a range of exercises repertoire pieces theory checks tips on practising playing and technique and composer biographies the process of learning is made interesting informed and fun.The four supplementary volumes present further material to help learning at each stage of the students? development as well as offering up a wider range of beautiful pieces for the solo pianist or piano duet.The method books and duet collections are accompanied by a CD recording of all pieces performed on a grand piano by a professional concert pianist as well as some additional accompanying parts which can be used as play-along tracks.ContentHeumann: Merry and SadHering: Wild HorsemanHeumann: PassionLe Couppey: Melody No. 12Küffner: MarchGerman Folk Song: Hansel and Gretelfrom Salzburg: LullabyHeumann: Rock FeverMozart: Oragnia figata faL. Mozart: MinuetFrench Folk Songs: For He's a Jolly Good FellowHeumann: Perfect DayAmerican Folk Tune: Banks of the OhioCzerny: The Little Pianist op. 823 No. 6Gurlitt: Morning Greeting op. 210 No. 1Gurlitt: Little Melodic Exercises for Beginners op. 187 No. 13Gurlitt: Little Melodic Exercises for Beginners op. 187 No. 14Gurlitt: Little Melodic Exercises

This exciting new teaching method by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch or for those returning to the piano after a break from playing. Using classical music as a basis for learning this method introduces interesting varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps beginning with simple fingering patterns and exercises onto some of the most beautiful melodies and pieces from the baroque classical and romantic eras such as the Ode to Joy Für Elise and the Blue Danube Waltz.Leading the student through a range of exercises repertoire pieces theory checks tips on practicing playing and technique and composer biographies the process of learning is made interesting informed and fun. The four supplementary volumes present further material to help learning at each stage of the students’ development as well as offering up a wider range of beautiful pieces for the solo pianist or piano duet.The method books and duet collections are accompanied by a CD recording of all pieces performed on a grand piano by a professional concert pianist as well as some additional accompanying parts which can be used as play-along tracks.

Par HEUMANN HANS-GUNTER. This exciting new teaching method, by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch, or for those returning to the piano after a break from playing. Using classical music as a basis for learning, this method introduces interesting, varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps, beginning with simple fingering patterns and exercises, onto some of the most beautiful melodies and pieces from the baroque, classical and romantic eras, such as the Ode to Joy, Für Elise and the Blue Danube Waltz. Leading the student through a range of exercises, repertoire pieces, theory checks, tips on practicing, playing and technique, and composer biographies, the process of learning is made interesting, informed and fun. The four supplementary volumes present further material to help learning at each stage of the students? development, as well as offering up a wider range of beautiful pieces, for the solo pianist, or piano duet. The method books and duet collections are accompanied by recordings of all pieces performed on a grand piano by a professional concert pianist, as well as some additional accompanying parts, which can be used as play-along tracks. / Date parution : 2021-12-09/ Méthode / Piano

Rachel Stott's Serendipity And Household for Piano Quintet.Serendipity And Household Objects grew out of various sound experiments I made together with violin and viola pupils I was teaching at the time. The idea was to find some extended timbral possibilities of the children’s instruments using only such objects as one might reasonably expect to find around the house a comb or ruler empty yoghurt pot cutlery pieces of paper chopsticks rather along the lines of the television programme ‘the great egg race’ which I used to enjoy as a child.The word ‘serendipty’ (‘the happy knack of making unexpected and delightful discoveries by accident’ Cassell Concise Dictionary) describes the way the finding of the sounds led to musical ideas.A curious point some of the sounds actually work better on basic level children’s instruments than professional quality ones. Don’t waste this piece on a strad…or vice versa. - Rachel StottCommissioned by Jean Horsfall