Producing in the Home Studio with Pro Tools: Music Technology

Advances in recording technology have changed the rules of the road putting musicians in the driver's seat. Wired peers into the personalities of artists/producers with profiles photo essays and comprehensive descriptionsof their home studios. Stark conceptual photography will reflect the personas of artists such as No Doubt Sonic Youth Snoop Dogg Korn and more as they are connected to their home studios and surroundings. By bringing profiles images and technical data together in one package both fans and mainstream producers will find themselves interested in a visually stunning and educational book.

Pro Tools is Avid's powerful DAW platform and it's everywhere from home studios and laptops to the biggest studios and tracking sessions in the world. Whether you're new to Pro Tools or a veteran user you'll find the latestrelease of PT9 to be a powerful production system and a dramatic departure from previous versions. Tracking Vocals and Instruments with Pro Tools is an indispensable guide to getting the most out of your music and your PTrig. Multiplatinum engineer/producer Glenn Lorbecki shows you step by step how to record vocals and a wide array of musical instruments.You will learn production and editing techniques that will improve the sound of yourrecordings and simplify mixing. Real-world examples show how expert engineers use PT to create stunning recordings.This is the most potent version of Pro Tools yet and given its high-tech enhancements in connectivity functionality and session portability users need a practical guide to get up and running quickly and efficiently. The Quick Pro Series cuts to the chase and gives you the best of Pro Tools at your fingertips with plenty ofsessions audio examples and video assistance to guide you along the way.

Momentum is Jamie Cullum's sixth studio album. Produced in part by Jim Abbiss (Arctic Monkeys Adele) and Dan The Automator (Kasabian DJ Shadow) Jamie approached this record in a completely different way to his previous LPs for the first time using DIY home demos as a blueprint for the majority of its tracks and writing the majority of the songs himself.This artist approved album-matching songbook features all songs from the album transcribed for piano and vocal with guitar chords by Cullum's musical director Tom Richards together with three bonus tracks as featured on the deluxe album version.

Par FRANCES-HOAD CHERYL. Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secret radio sets for spys. In this piece for soprano, speaker and electronics, we hear Florence recount her experiences, whilst, in another, secret location, in another time, a spy goes through the radio's (complicated!) set up instructions one last time before going on their first reconnaissance mission. The electronic element takes sounds that are associated with Florence's life and the history of Marconi, including morse code and 'Absent', the first song to be broadcast from the factory. The text for Florence's part was written by Frances M Lynch based on research by Patricia Fara, and the speakers text comes from the official manual for the The British Type 3 Mark II Spy Radio. Watch the video (embed) https://www.youtube.com/watch?v=d3K2D66RY3k The performers from electric voice theatre are:- Frances M Lynch - Soprano (Florence Attridge) Margaret Cameron - Speaker (Spy). The performers recorded their parts individually in their homes and the final work was combined with the composer's electronic track and produced by Frances M Lynch & Herbie Clarke at Birnam Studios, London. The work was commissioned by electric voice theatre and first Performed Online during the Covid-19 Pandemic, Aug 24th 2020 as part of the ‘Echoes from Essex’. The project was supported by the Arts Council Emergency Response Fund (National Lottery). / Date parution : 2022-09-07/ Répertoire / Soprano, Récitant et Electronique