Format : Sheet music
Music through the Ages in Two Volumes-Twelve pieces for Viola and Piano accompaniment Grades 4-5 standard. Includes from the Renaissance to the present day.
SKU: HL.49041213
ISBN 9790001120524. UPC: 841886034044. 9.0x12.0x0.075 inches.
Georg Philipp Telemann gave more consideration to amateur musicians than any of the other great composers of this day. One of the many works he wrote specifically for amateurs is the collection presented here 'A Second Set of Seven times Seven plus One Minuet' by Melante (i.e. Telemann). These are extremely attractive, technically not too demanding pieces for domestic music making. They arealso ideal for teaching with their short, clearly structured movements which introduce a comparatively wide range of key signatures (including E flat major, F minor, A major and B minor). The pieces are ideally suited to introduce young players to the musical language of the High Baroque and the technical demands (arppegiated triads, wide leaps, trills) typical for this period. The bass line may be reinforced by a cello or gamba, bassoon or bass recorder (the basso part is only available separately).
SKU: BA.BA05853
ISBN 9790006497928. 33 x 25.8 cm inches. Language: German. Text: Zimmermann, Joachim Johann Daniel / Ramler, Karl Wilhelm.
Telemann’s passion oratorio “Der Tod Jesu” was composed in 1754-55, roughly at the same time as the same-named highly regarded work by Carl Heinrich Graun. Both pieces are settings of the same libretto by Karl Wilhelm Ramler. In this late work, Telemann consciously contrasts the carefully crafted recitatives with musically reduced solemn choruses to obtain an emotional reading of the Passion text.This vocal score complements the Urtext score of this moving passion oratorio which is published as part of the “Georg Philipp Telemann Musical Works”. The complete orchestral material is available on hire.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.AMP-062-020
English-German-French-Dutch.
Marchissimo will make a fantastic opening piece for any concert. It does however come with a twist! It can be played simply as written, but is really designed to be ‘staged’ with players coming on the concert platform one by one as they begin to play. The piece actually consists of three marches in one, each of which highlights a section of the band. The piece culminates in a final climax where all three march themes are played simultaneously. Marchissimo is een fantastisch openingsstuk voor elk concert, maar er zit wel een bijzondere wending aan! Het kan gewoon worden gespeeld zoals genoteerd, maar het is eigenlijk zo gecomponeerd dat muzikanten een voor een het podiumop kunnen komen voor ze beginnen te spelen. Het gaat hier in feite om drie marsen in één, waarbij steeds een deel van het orkest aan bod komt. Het stuk leidt naar een climax waarin alledrie de thema’s tegelijkertijd worden gespeld.Marchissimo wurde als Eröffnung eines Konzerts geschrieben, da es einem Spieler nach dem Anderen Gelegenheit gibt, auf die Bühne zu treten. Im ersten Satz treten erst die Schlaginstrumente, zusammen mit Pikkoloflöte, Bassklarinette, Euphonium und Tuba auf. Im zweiten Satz kommen Posaune, Flöte, Klarinette und schließlich Saxophon hinzu. Im dritten Satz komplettieren die Hörner das Blasorchester, welches im fulminanten Schluss die Themen aller drei Sätze noch einmal aufnimmt. Mit Marchissimo ist ein wirkungsvoller Auftritt garantiert!Marchissimo est un condensé de trois marches qui offre deux possibilités d’interprétation. Elle peut être jouée telle qu’elle est écrite, ou se développer selon un jeu scénique bien structuré où les musiciens entrent en scène au moment de leur première intervention dans la pièce. Chaque groupe expose alors un des trois thèmes principaux. Lorsque la formation est au complet, un court passage constitué de fragments des trois lignes mélodiques surgit travers l’ensemble de la formation avant d’aborder le tutti final, ultime retour des trois thèmes exposés simultanément.
SKU: BT.AMP-062-120
