Format : Sheet music + CD
SKU: HL.444386
ISBN 9781705163740. UPC: 664101001702. 4.75x7.75x3.0 inches.
Features: • Wah and Boost activate simultaneously when engaged. Simply step on to activate. • Same family of Tones as the 20/20 Lead Wah and 20/20 Wah Boost • Set Boost Control at 12 o'clock for Lead Wah's gain stage • Boost Control also goes below Unity Gain for subtle Wah Tones when needed • Buffer Circuit prevents signal loss and maintains Tone. • 6.85 L x 4.5 W x 2.75 H • Powers from one 9V battery or optional Morley adapter. 12ma current draw. • MQ2 custom Inductor, LED Indication, cold-rolled steel housing, quick clip battery door, glow-in-the-dark treadle grip/toe-end logo • One-year warranty. Lifetime Warranty available with registration.
SKU: MB.22182M
ISBN 9780786687534. 8.75 x 11.75 inches.
This book is an excellent introduction to one of Americas most quintessential instruments, the pedal steel. The first part of the book covers the skills required to play the instrument, including technique for the pedals and knee levers, bar control, and picking. The second half includes songs and licks that illustrate the full spectrum of the pedal steels capabilities. Exercises and songs are presented in tablature and standard notation. The book comes with accompanying audio and video download available online, including play-along tracks.
SKU: BT.VOLMB797
ISBN 9788863887983.
SKU: HL.1164630
UPC: 852940000998. 2.609 inches.
What's more groovy than a flanger? A new, smaller flanger loaded with features and painted a bold pyschedelic purple... that's that! Introducing the re-designed Carl Martin Axis Flanger. We simplified the controls to give you all the control you had with our Carl Martin Classic Flanger but reduced the size so you don't have to worry about leaving the Axis Flanger on your pedalboard 'cause you don't have enough room.' Complete with a buffered Bypass footswitch for on and off control (indicated by and LED), Speed, Depth, Pre-delay and Feedback controls, the Axis Flanger comes in a machined aluminum case finished in pyschedelic purple, and those cool Carl Martin graphics. The Axis Flanger must be powered by a regulated 9v Power Supply like the Carl Martin DC Factory, and like all the Carl Martin fx pedals, we use the best parts to make sure you get the best sound! watch out baby... the flange is back!
SKU: HL.148932
UPC: 888506040016. 2.75x6.0x2.16 inches.
Hotone's all-new Soul Press 3-in-1 Volume/Expression/Wah-Wah pedal offers the convenience of each of these pedals in a single design. Inspired by the legendary CryBaby wah pedal, the Soul Press produces premium wah-wah effects. In addition, guitar volume and expression pedal modes are available with the flip of a switch. The easy-to-use design of the Soul Press features a metal footswitch and analog-style parameter knobs. Featuring multiple LEDs (Effects, Bypass/Off) and a strong casing, this pedal looks great and is built to last. The pedal offers true bypass circuitry for the highest quality sound when passing through un-effected signals. Soul Press enables players to craft the lightest, most compact pedalboard imaginable in combination with Hotone's Skyline Series Stompboxes. The 3-in-1 design of the Soul Press also makes for a great addition to an existing pedalboard where more effects are desired, but space and weight are at a premium. With great sound and maximum portability, Hotone's Soul Press Volume/Expression/Wah-Wah pedal is an optimal solution for guitarists that want excellent guitar tone for jam sessions, home office settings, bedroom setups and more. Features: • True bypass • Extreme compact size • LED lights • 3-in-1 pedal (Volume/Expression/Wah) • Sound based on the original CryBaby wah pedal • Adjustable control range (bottom value) • Active volume mode for keeping lossless tone • 9V DC or 9V battery power supply.
SKU: HL.398631
UPC: 614252311656. 6.5x16.25x3.0 inches.
The DL4 Delay Modeler has remained one of the most widely used delay pedals in the world for more than two decades - embraced by everyone from casual players to superstars. The DL4 was the first pedal to offer a broad selection of delay models based on vintage tape echo devices such as the Maestro® EP-1 Echoplex and the Roland® RE-101 Space Echo, classic analog delay stompboxes such as the Electro-Harmonix® Deluxe Memory Man, and even the Binson Echorec and studio staple TC Electronic® 2290 Dynamic Digital Delay. These were complemented by several Line 6 originals, including the exceptional Reverse delay - and the DL4 also boasted a highly intuitive “14 Second Loop Sampler” that is still considered one of most engaging loopers ever made. The DL4 MkII honors that legacy by including every one of those original sounds and features, and retaining the same knob and footswitch layout, so there's no need for DL4 users to learn any new moves - but the DL4 MkII also introduces many new sounds and features that bring it fully into the 21st century. The 15 MkII delays were drawn from our HX family of amp and effects processors and include Line 6 originals such as Harmony Delay, Pitch Echo, Euclidian Delay, Glitch Delay and ADT tape delay, as well as 4-Switch and 1-Switch loopers with up to 240 seconds of record time, expandable to several hours using an optional microSD card. The DL4 MkII also features an XLR dynamic microphone input for vocal processing and looping; MIDI capabilities such as real time parameter control and preset selection (up to 128) via its MIDI In and Out/Thru DIN connectors; four heavy duty footswitches with colored halo rings; and switchable true, buffered, or DSP bypass. There's also a jack for connecting an optional expression pedal (automatically assigned to the Delay Time, Repeat, Tweak, Tweez, or Mix controls) or two assignable external footswitches. •Identical knob and footswitch layout as the original DL4 •30 Delay options: 15 new MkII plus 15 Legacy DL4 •2 Loopers - mono/stereo and pre/post signal path options •Up to 240 seconds of looping time, or several hours with optional microSD card •XLR dynamic microphone input for vocal processing and looping •MIDI In, Out/Thru DIN connectors-receives PC and CC messages •128 Presets via MIDI, with footswitch control of up to six •Switchable true, buffered, or DSP bypass •Input for optional expression pedal or two additional footswitches.
SKU: HL.374736
UPC: 888506080036. 2.75x16.75x2.75 inches.
Ampero Control is a compact, sturdy, fully programmableBluetooth MIDI controller, that gives musiciansflexible MIDI-based control via MIDI port, USB jackand Bluetooth. It features 4 footswitches – with eachfootswitch, you can send up to 16 different MIDImessages by different actions. You can also attachexpression pedals or more footswitches to your AmperoControl depending on your needs. Ampero Control supports a wide range of MIDI messages including PC, CC, Note On/Off, and others via MIDI, USB and Bluetooth.
SKU: HL.438838
UPC: 852940000820. 5.5x8.0x2.5 inches.
While chatting over a...um 'coffee' one day a while back, guitar ace Greg Howe asked Carl whether he could develop a pedal that would re-create his signature sound. A pedal that would combine Greg's unique High Gain and Crunch tones, but allow him to manipulate these sounds and layer them for even more guitar fun. A little unorthodox yes, but Carl was never one to back down from a challenge, nor one to think inside the box. The result is the Greg Howe Signature Lick Box, and not only does it fulfill Greg's requirements, but it adds even more great tones to Greg's palette! So what is this crazy pedal? Well, at first glance it looks like many other Carl Martin pedals...there is a High Gain channel which has loads of bottom end and nice crisp highs, a very dynamic Crunch channel which emphasises the mids with very little compression, and of course that famous 12db Boost channel that we are all so familiar with. So that's it? Ok, so the High Gain and Crunch channels were voiced to Greg's spec's but it's still just a pedal based on Greg Howe's own signature tones? Nope...underneath the simple cosmetics is a rethinking of how these channels work together. Yes, you can use either the High Gain or Crunch channels on their own (and they are awesome!), and you can adjust the tone for each with it's dedicated Tone control, and yes, you can also add up to 12 db of crystal clean Boost to either of those channels...but you can also turn on both gain channels together! By placing the High Gain first in the chain, you allow the Crunch voicing to overrule the High Gain while adding a few db to your volume. You lose some of the lows and highs, but this results in a focused and controlled mid-range that cuts through the mix. Of course you can add up to 12 db of clean Boost as well for meatier leads dripping with tone and sustain! The Greg Howe Lick Box features the usual cast metal casing, the high quality switches with 'on' indicating LED's, and the new Carl Martin DC/DC converter circuitry. This new power circuit allows you to use a 9V Power Supply while still maintaining the +-12V circuitry that is crucial for component quality and extra headroom above most 9V pedals. Of course we recommend the Carl Martin ProPower Version 2 as the power supply of choice. Power consumption is a surprising 150 mA.
SKU: HL.438849
UPC: 852940000875. 3.25x5.5x2.601 inches.
Well, does the world really need another Chorus pedal? Hmmm good argument, does it? Does it really? Well yeah, if it has something to bring to the table. So what does the new Carl Martin Atlantic Chorus bring to the table apart from the stellar looks and smaller footprint? Well like the old Chorus, it has the same Speed/Depth controls, but it also has a couple unusual tricks that Carl found up his sleeve. First of all, the Atlantic Chorus has a Level control. This allows you to place the Chorus where-ever you need in the mix, or to hit the front of the amp harder and give the Chorus some edge and grit. Secondly Carl has added a Rate control which goes from pure Chorus (0) to Vibrato (10) and every level in between. These two features along with that famous Carl Martin analog sound, take the Atlantic Chorus to a new plateau where creativity becomes second nature! Check out the new two-toned Ocean Blue anodized diecast case, head mounted Input/Output/9v and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally (this means better parts and better sound) while still powering the pedal with a standard 9v 200mA external power supply. Bigger sound, bigger tone, all analog, all Carl Martin!
SKU: HL.438859
UPC: 852940000905. 3.25x5.5x2.5 inches.
Well, Carl still spends time listening to his vinyl collection and is still happy he created the Purple Moon, but he wanted to bring this pedal up to 2019 standards. The new 2019 Purple Moon has the Level Depth and Speed controls of the old model, and yes it still has the silicon Fuzz chip with Fuzz and Level controls that allow you to add mind bending Fuzz to that sweeping vibe and yes, this is still the only analog, true bypass Vibe/Fuzz pedal that takes you back to players like Hendrix, Trower, Gilmour or Anastasio....but it's smaller...cooler! Carl eliminated the second speed control in order to save space and reduce the footprint, but he packaged the new Purple Moon in a two-toned, anodized diecast case with head mounted Input/Output/9v and the same heavy duty bypass switch that he uses on every pedal. The Carl Martin Purple Moon uses special CM developed DC/DC converter circuitry that enables us to run the pedal with +-12V internally (which is necessary to maintain quality and headroom) while still powering the unit with a standard 9v external power supply! Bigger sound, bigger tone, all analog, all Carl Martin!
SKU: HL.438856
UPC: 852940000479. 7.25x12.5x3.75 inches.
The Carl Martin Headroom is the most simple to operate reverb pedal on the market...with a couple extras. This purely analogue 'real spring' reverb has two identical identical channels, each with tone and level controls to select the depth and tone of your reverb. This allows you to have a soft, small room reverb on Channel A and a much more dramatic and dark large-room reverb on Channel B (or vise versa) The two foot-controlled switches control which channel you are in, and whether you wish to bypass the effect completely. It is like having two separate reverbs in your amp! Additional features on the Carl Martin Headroom include solid metal casing, cool vintage chicken head knobs, double mounted springs to minimize stage feedback, and remote jacks for Bypass and Channel Select (which allows you to place the effect in your rack or in the back of your amp to save real-estate on your pedal-board), as well as your input and output jacks. Of course you also get that famous Carl Martin quality that you have come to expect....at no extra charge. The Carl Martin Headroom runs on 9V DC, and as always, we recommend using a regulated power supply for optimum performance.
SKU: HL.1341904
UPC: 665760908494. 3.5x5.0x3.0 inches.
Radius goes far beyond traditional ring modulation. With precise control over the balance and frequency ratios of both sidebands, you'll have more advanced control than with any ring mod that has come before. Organic, complex harmonic structures, bell-like tones, metallic textures, frequency shifting, soft tremolo, and bubbly phaser sounds are all on tap. Pitch tracking, a push-to-tune footswitch, and picking dynamics make it responsive and predictable in concert. In the studio, Radius has well-spaced controls for tabletop use and a full MIDI implementation for DAW integration. The 24-bit 96 kHz codec, audiophile op amps and stereo input/output make it equally at home in the studio or control room. Radius is a musical ring modulator and frequency shifter that lets you modfy the timbre of your instrument in new ways. With a multi-waveform LFO, step modulator, and MIDI-playable carrier oscillator, Radius modernizes classic electronic techniques for the future. Features: • Stereo ring modulator and frequency shifter • Continuous mix between ring modulation and frequency shifting • Selectable 2X frequency ratios for upper and lower sidebands • Frequency shifting with feedback • Three carrier frequency ranges (low, high, quantized) • Carrier frequency pitch tracking (monophonic, +/- 100%) • Pust-to-tone carrier oscillator • MIDI-playable carrier oscillator • Multi-waveform LFO (triangle, square, random, intelligent random, X mod +/-) • Step modulator (1-8 steps), programmable via front panel • Tap tempo and MIDI clock sync • Envelope follower • Envelope-triggered LFO (one-shot ramp, pulse, random, step mod) • Configurable AUX switch (tap, tune, preset, LFO) • USB and TRS MIDI • Full MIDI implementation • 96 kHz sampling rate • Web editor with preset upload/download • User-installable firmware updates (USB) Designed and assembled in USA. Requires a 9V DC 250 mA power supply (not included).
SKU: HL.731522
UPC: 852940000974. 3.25x5.5x2.75 inches.
Carl started years back with the Compressor Limiter...that big black hand-made-in-Denmark compressor that brought studio comps to the pedal board. The word got out that it was just too big for modern pedal boards, so Carl redesigned that pedal into a much smaller format, preset (or fixed) the Threshold and Response leaving just two knobs for Comp and Level. The feedback we got was overwhelming...players were telling us the Comp Limiter had the same sonic clarity, the same headroom and the same quietness that the big studio comps had but was so quick and easy to use. Carl could have left it there, but that's not Carl! Welcome to the Honey Comp, and it's as sweet as ... well, you know ... honey. This pedal is the same as the Comp Limiter in every way... same Gray anodized finish, same footprint and the same simplicity of use with one compression control and one level control. It is pretty much the perfect compressor, so what could Carl possible upgrade? Easy! Carl added a Dry volume which allows you parallel processing with three knobs! Parallel Processing is a studio technique which takes a heavily compressed signal (which through compression loses some dynamics if not all) and allows you to add a clean (Dry) signal on top replacing those dynamics giving your guitar three-dimensionality and allowing the guitar to cut through the mix. For those of you used to studio work, this is a very well-known technique, but usually too complex for a pedal board! The three knobs allow you to balance the Compressed signal with the Dry signal quickly and efficiently for a very pro sound! The Carl Martin Honey Comp incorporates the special CM developed DC/DC converter circuitry. This enables us to run the pedal with +-12V internally, which is necessary, in order to maintain the same sonic quality and headroom as on the “old” Compressor/Limiter, using a regular 9V DC 200mA external power supply.
SKU: HL.438864
UPC: 852940000912. 3.25x5.5x2.5 inches.
The new Carl Martin Panama Overdrive features a cool anodized case and that awesome Carl Martin DC/DC converter circuitry which allows the pedall to run with +-12V internally (this means better parts and better sound). Check it out yourself! Features include gain level and tone controls, new damping control, and head-mounted input-outputs and 9V DC input which requires a regular 9V 100mA external power supply and the new small footprint. Bigger sound, bigger tone, all analog, all Carl Martin!
SKU: HL.1349223
4.5x7.5x4.0 inches.
The Warm Audio WarmBender features dedicated selectable circuits for delivering two of the most iconic Tone Bender fuzz tones plus a bonus modern tone in one stomp box. WarmBender's NOS 76 setting brings a cutting, present tone to the front of any band, while the NOS 75 delivers that Mark II Professional-style Bender fuzz tone lauded by all the Riff-Lords of the 60s and 70s. WarmBender is made with 100% through-hole construction using NOS Germanium transistors. WarmBender houses two distinc Germanium fuzz circuits plus a third modern silicon circuit for a more smooth, distortion-like tone. With the added SAG control starving the voltage and the smaller pedal footprint, WarmBender is the ultimate Bender fuzz experience.
SKU: HL.1256635
UPC: 860010169124. 4.0x6.0x3.5 inches.
The hard-clipping, op-amp-based circuit of the ODD (Over Drive Disorder) delivers all of the sounds of a cranked, saturated tube amp made famous in legendary recordings. True to its inspiration, the ODD is perfect for adding a little breakup to an otherwise clean tone, or dramatically transforming your clean pedal-platform amp into a punk-rock powerhouse. To accurately deliver this popular modern tone, the ODD is built like an iconic pedalboard staple with through-hole construction using premium components, including a TLO82CP Op-Amp, 2N7000 transistors, & hand-selected capacitors & resistors. Featuring classic-inspired controls & sounds, including a UK/US Switch, the ODD can quickly flip personalities. Engaging the UK setting distorts earlier, bumps the upper-mids, and increases volume – giving this setting more of a cranked, “chimey” amplifier tone. The US setting has a little more clean headroom, allowing the ODD to act more like a boost at first, and better aligns with traditional tweed-based “edge of breakup” amplifier tones.
SKU: HL.438861
UPC: 852940000622. 6.25x15.75x3.5 inches.
Ok, so you have eight effects pedals which you use regularly. You use various combinations of these pedals in various songs, but you are not good at tap dancing...or you are just clumsy and have (once or twice) stepped on the ultra tricked out-metalized-distortion pedal for the lead in your one ABBA cover. You have seen the digital effects controllers they use on the big stages, and have secretly yearned for one... even though you may never make the big stage. Enter Thomas Guldmann's Octa-switch II. Your eight effects plug into the eight effects-loops on the back of this unit (all true-bypass, impedance free, gold relays so you can run any of your pedals, new and old without problem), and then by turning on or off the numbered switches in each of eight DIP Bank switches, you determine which effects you wish to use simultaneously in each Bank. There is a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). The Octa-switch II has incorporated a couple new features as well! The ninth switch on the left side of the case is a BYPASS Switch...this allows you to completely bypass all eight pedals and enjoy only the unaffected sound of your amplifier. There are also two External Switching jacks which allow you to use two amplifiers and/or switch channels on those amps. Once you have all the Banks programmed, we recommend placing a piece of scotch or electrical tape over each DIP (...just to protect the switch from accidental switching, damage or floods...like beer). There is a buffered (or not...switchable) Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply...like the Big John or the Pro Power (both by Carl Martin).
SKU: HL.1256636
UPC: 850031640221. 4.5x8.0x4.75 inches.
The Warm Audio Mutation Phasor II is an accurate recreation of a swirly phaser made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk” to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-original recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more. Tech Specs • Electro-Optical Phase-Shifting Pedal With Feedback Circuit • Phasing Rate: .1Hz - 18Hz • Premium Components, Including RC4558P Op-Amps, Various Vintage-Style Diodes, and Hand-Selected Film Capacitors & Carbon Resistors • Controls: Rate, Depth, and Feedback • Frequency Response: 20Hz - 20KHz • Min Feedback: 4V RMS, 11.2V Peak-to-Peak ¦ Max Feedback: 2V RMS, 5.6V Peak-to-Peak • Signal-to-Noise Ratio: 86 dB Below 2V Input • Current Draw: 150 mA • Buffered Bypass • 9-Volt Battery Or External 9V Regulated DC Adapter (center-negative) Popular Uses • Deep, Phase-Shifting Electric Guitar Tones • Swirling, Psychedelic Modulated Keys • Funky. “Wobbly” Base Lines.
SKU: HL.1414386
UPC: 888506040108. 7.75x4.0x3.0 inches.
Conventional external expression pedals often control only parameters of an effects unit, requiring the use of switches on the effects unit to change its status. Ampero II Press solves this problem perfectly with its built-in single footswitch. And the optimized footswitch structure provides the excellent tactile feedback. Designed with a passive circuit, it's reliable and convenient. Whether on stage or in the studio, Ampero II Press is ready to add extraordinary expressiveness to your performance.
SKU: HL.1198039
UPC: 196288135579. 10.5x12.5x5.188 inches.
The Hal Leonard Vidami Plus Pack features a hands-free video looper pedal (value $149) that makes learning on YouTube easier and faster. No more reaching for the mouse and keyboard to control the video. Stay focused and inspired while you loop, slow down, rewind, fast-forward, play and pause online videos all with a tap of your foot. This Plus Pack includes a $250 value-added software bundle with redemption codes for PreSonus StudioOne 5 artist DAW, iZotope RX Elements plug-in, and a 3-month subscription to the Groove3 online tutorial website. Also includes a 10' instrument cable, and pack of 10 guitar picks. Only adding $10 to the price of the pack!
SKU: HL.394763
UPC: 664101001566. 6.25x10.25x2.899 inches.
Behold the almighty Power Fuzz Wah... One of the great Morley classics. Just like the original it combines Wah and Fuzz that can be used separately or together for a thunderous sound that will send other Wah pedals into hiding. It offers our widest frequency sweep, two Fuzz modes and level controls for when you need to ascend into Guitar Greatness. Try one today and see why it's been featured on countless records and used by many notable musicians. Features: •One of the great Morley classics. Fuzz and Wah packed into one pedal. •Fuzz circuit comes before the Wah circuit just like the original. •Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like. •Classic Morley construction: 9.13″ x 5.88″ x 2.75″ (LxWxH) •Our world famous Electro-Optical design. No pots to wear out! •Premium Buffer circuit ensures pure guitar tone and output. •Glow-in-the-dark treadle rubber. •Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters. •Rugged cold-rolled steel housing, LED indication, quick clip battery door and one-year warranty. •Works with Guitar, Bass or Keys!
SKU: HL.438860
UPC: 852940000615. 4.75x7.0x2.75 inches.
As guitar players, we all have that moment where we think, 'How can I do this and still remain analogue?' Once we have achieved the 'ultimate tone, how can we boost that same tone without changing the quality? What if we want to boost the signal before your drive effect in order to increase sustain, or have a boost in front of your gain channel and another after the pre-amp in the effects loop?' Well, Carl thought about this for quite a while and is now happy to introduce the super cool...'Dual Injection'! Carl took the high quality, transparent boost from the Hot Drive'n Boost, and put two of them into one pedal. Each has it's own level control and 'True Bypass' switch, plus there is another toggle which switches the Dual Injection between Serial and Parallel modes. In Serial mode, you use the Input/Output 1 on the back of the pedal and place the boost wherever you want in the signal chain. In Parallel mode, connect the Output 1 before your Drive or Preamp, and then use the Input/Output 2 on the side of the pedal to connect to your effects loop on the amp. So, what does all this do for you? Well, the Dual Injenction gives you 4 different Boost settings... 1)Your normal set up either clean or with effects 2)Boost 1 engaged to a desired setting 3)Boost 2 engaged to a different setting than Boost 1 4) Both Boost 1 and Boost 2 engaged at the same time! The Dual Injection is a high quality effect that can be powered by 9v battery or with the correct power transformer (we always recommend that you use a regulated power supply like the Carl Martin Pro Power). The effect is housed in our diecast case with custom paint, True Bypass Switching, large easy to use knobs and bright LED indicators for Boost 1 or 2.
SKU: HL.1349224
UPC: 850031640382. 6.25x8.0x4.2 inches.
From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. With LFO, MOD, FREQ & RATE controls, generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar & beyond, and design your own sounds from the ground up. Sporting premium components including hand-selected op-amps and transistors, the RingerBringer delivers true-to-spec performance of the boutique original. The ideal platform for the sonic tinkerer, RingerBringer brings together a distinct set of controls, extensive in/out options, and rich sonic texture to inspire boundless sonic experimentation.
SKU: HL.438851
UPC: 852940000851. 3.25x5.75x2.5 inches.
When Carl decided to update the Vintage Series, it did not take long to decide on a drive pedal....the DC Drive. Super simple but extremely versatile, the DC Drive features Level Tone and Drive controls which do the obvious, but it also has the Reg/Fat switch.....this is where the magic begins. In the Reg setting you get a traditional overdrive sound that is very quiet and adds no color to your tone. Dial in just enough to put an edge on your sound or crank it right up to full saturation, the DC Drive is pleasantly musical. Now switch over to the Fat setting and get more...much more. There's more drive, more mids, more bass, more natural compression, more sustain, and... who wouldn't want want more of that? The Fat setting is darker, and much more modern, so you get two distinct drives in one pedal. Only the clean boost was dropped from the original pedal in order to save space. Carl, is a smart man. Check out the new look DC Drive...cool, anodized, smaller footprint, die cast case, head mounted input/output/9v and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally (this means better parts and better sound), all while being powered by a standard 9v 200mA power supply. Bigger sound, bigger tone, all analog, all Carl Martin!
SKU: HL.438839
UPC: 852940000929. 5.25x19.5x2.5 inches.
With the Carl Martin Quattro being so popular throughout the years, Carl thought to himself, “I could really use that same sort of high quality, straight forward, simple to use package for my acoustics as well”. The Acoustic GiG begins with Carl Martin's award winning Compressor/Limiter circuit. Individual controls for compression and level allow for simple and easy operation. Next, is the well known and highly respected Vintage Style Echo with controls for level, tone, repeat and tap-tempo, plus the 'Dotted 8th Note' switch for the most beautiful musical echo. The Reverb is a new Analogue/Digital Hybrid, tailored after the vintage-style spring reverbs so suitable for guitar. A beautiful, shimmering, yet warm reverb with the added bonus of becoming a more modulation/chorus/reverb texture at higher settings. The Boost simply allows you to cut though the mix with a crystal clean volume increase of up to 15dB for your solos. No change in your tone, and no increased 'quackiness' from your piezo pickups! To gain maximum EQ shaping, we found it necessary to include a high quality semi parametric EQ. We incorporated this section directly from Carl Martin's famous 3 Band Parametric Pre-Amp which allows for the specific shaping of tone from your guitar and pickup. To avoid potential feedback, practice has show the use of a phase inverter circuitry to be very efficient... so of course the Acoustic GiG has a Phase Shift switch. To complete the Acoustic GiG, we have incorporated a tuner and a overall mute switch. On the back panel are all the needed connections, 1/4″ input, unbalanced 1/4″ output, high quality balanced XLR out with ground lift, an insert section placed right after the boost and before the EQ section, and 9V DC input with a direct DC output if you find the need for an extra pedal.
