Pares Scales

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

The classic scale and arpeggio studies of Gabriel Parès were adapted in the 1940s for like-instrument study by Rubank's Harvey Whistler and are now the standard for elementary scale instruction. Presenting all the majorkeys up to four flats/sharps (and the relative minors) each unit also includes long tone and embouchure studies. Supplemental material includes comprehensive chromatic scales fingering and speed studies lip slurs (brass) andexercises to strengthen the upper register (woodwinds).

L'échelle classique et des études arpège de Gabriel Parès ont été adaptés dans les années 1940 pour une étude comparable instrument par Harvey Whistler Rubank, et sont maintenant la norme pour l'enseignement à l'échelle élémentaire. Présenter toutes les tonalités majeures jusqu'à quatre appartements / tranchants (et les mineurs relatifs), chaque unité comprend aussi longue tonalité et les études de l'Embouchure. Matériel supplémentaire comprend des échelles chromatiques complets, des études de doigté et de la vitesse, des insultes à lèvres (cuivres) et des exercices pour renforcer le registre supérieur (bois). / Basson

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