Overture in F - Score

Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood

Ce jeu de pratique et de l'édition étude marque la première en un seul volume la publication de cinq agrafes grands du répertoire orchestral: Jubilé Overture, Overture à l'Preciosa jeu, et des ouvertures à des opéras Der Freischütz, Euryanthe, et Obéron.L'un des premiers compositeurs de l'école romantique de la note de Carl Maria von Weber conçu conceptions nouvelles de la matière d'orchestration et sous réserve qui ont contribué à jeter les bases d'opéra du XIXe siècle. Marschner, Meyerbeer et Wagner ont été influencés par les travaux de Weber, ainsi que des derniers jours compositeurs tels que Paul Hindemith, Mahler, Stravinsky et Debussy, qui a remarqué que le son de l'orchestre de Weber dérivé de l'examen par le compositeur de l'âme de chaque instrument .Réimpression de 'Preciosa' à partir d'un Breitkopf et Härtel, Leipzig, sd édition. Tous les autres de Overtüren für Orchester von CM von Weber, C. F. Peters, Leipzig, n.d. / Orchestre

for Multi-level Combined Bands-Combining a district-wide extravaganza for players of all levels creates an exciting spectacle for parents while providing much needed incentives for the younger players. Shorewood Overture is specifically designed to beperformed by multi-level bands and rather than the typical massed band number where everyone plays at once this ingenious overture allows each level to be featured briefly by itself along with sections where everyone playstogether. In addition the “Level 3” parts include cues (also in the Level 3 score) allowing this to be performed by a single ensemble. Dur: 4:20

for Multi-level Combined Bands-Combining a district-wide extravaganza for players of all levels creates an exciting spectacle for parents while providing much needed incentives for the younger players. Shorewood Overture is specifically designed to beperformed by multi-level bands and rather than the typical massed band number where everyone plays at once this ingenious overture allows each level to be featured briefly by itself along with sections where everyone playstogether. In addition the “Level 3” parts include cues (also in the Level 3 score) which allows the piece to be performed by a single ensemble. Dur: 4:20 Note: Level 2/Level 1 versions are not playableseparately

Interruption Overture is the musical inverse of Bryant's Chester Leaps In. In the latter a familiar theme interrupts angular dissonant music whereas Interruption Overture consists of a straightforward theme in Bb majorrepeatedly interrupted by dissonant chords and bursts of simple aleatory ideas. These techniques are intended to serve as educational tools in addition to their musical function exposing younger musicians to a broader-than-usualmusical palette.

Peu de groupes se sont construits un public aussi fidèle que celui de Rush au cours de leurs 40 ans de carrière. Ces intronisés au Rock and Roll Hall of Fame étaient parmi les musiciens les plus influents, les plus novateurs et les plus talentueux que ce monde ait jamais connu. Notre coffret de luxe rend hommage à leur héritage pour que tous les fans et musiciens puissent le chérir pour les années à venir. Cette collection à couverture rigide propose des transcriptions complètes de chaque instrument, de chaque note, de chaque parole et de chaque nuance de 40 classiques de Rush. Elle est magnifiquement emballée dans un étui de protection solide. Les chansons comprennent : Animate - Anthem - Bastille Day - The Big Money - Caravan - Circumstances - Closer to the Heart - Distant Early Warning - Driven - Entre Nous - A Farewell to Kings - Fly by Night - Force Ten - Freewill - The Garden - Jacob\'s Ladder - La Villa Strangiato - Lakeside Park - Leave That Thing Alone - Limelight - The Main Monkey Business - Malignant Narcissism - Natural Science - New World Man - One Little Victory - A Passage to Bangkok - Presto - Red Barchetta - Show Don\'t Tell - The Spirit of Radio - Subdivisions - Test for Echo - Time Stand Still - Tom Sawyer - The Trees - 2112- I Overture - 2112-II the Temples of Syrinx - Where\'s My Thing - Working Man - Xanadu - YYZ. / Partitions variété - pop - rock / Variété internationale / Paroles

For his only opera Leonore/Fidelio Beethoven wrote four overtures in total. Chronologically the so-called Leonore Overture no. 3 is the second of the series and perhaps the most performed of all Beethoven?s overtures. During his own lifetime it was heard not only in the theatre but also in concert thereby establishing with the Coriolan and Egmont overtures the new genre of the concert overture. Recognised around the middle of the nineteenth century as a masterpiece it went on to become the ?declared favourite of all orchestras ? as Beethoven biographer Anton Schindler testifies. It now appears as astudy score based on the musical text of the Beethoven Complete Edition with its own specially prepared foreword.

Bärenreiter’s critical edition of Felix Mendelssohn Bartholdy’s “symphonic poem” overture Calm Sea and Prosperous Voyage edited by Christopher Hogwood belongs to our series of seven overtures by the 19th century master. Calm Sea and Prosperous Voyage is known today only in the version from 1834 and our new edition offers a critical edition of this version. But unknown to modern ears is an early version with an additional 50 bars of this overture from 1828 which only survives in a manuscript copy from the composer’s estate. Bärenreiter offers for the first time the 1828 versionin score and parts followed by the 1834 version in score and parts - A must for every orchestra and library - Includes two versions back to back - Full score & parts (BA9057) available for sale

Score-While Promenade Overture can be performed with the orchestra seated throughout in traditional fashion it is engineered to allow the players to enter playing building the orchestra from an almost empty stage. Thepremise of Promenade Overture took root years ago when the composer was caught off guard by Haydn's delightful Farewell Symphony. This Haydn work is often used to end a concert because during the last movement theplayers gradually exit leaving two violins to finish the symphony on a bare stage. Since overtures usually begin concerts a reverse of this procedure - the entrance of the orchestra while playing - became both an interestingidea and a compositional challenge.