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Sheet music extract
Oboe Concerto Benjamin
$ 19.99
Sheet music extract
Oboe Concerto Benjamin
$ 19.99
Oboe Concerto Benjamin
$19.99
- See more - Buy online
Lead time before shipment :
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Format : Reduction
By Domenico Cimarosa. For Oboe and keyboard. Published by Boosey and Hawkes.
Instrumentation :
Oboe, Piano (duet)
Publisher :
Boosey and Hawkes
I. Introduzione
Ii. Allegro
Iii. Siciliana
Iv. Allegro Giusto
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Oboe Concerto
Oboe
Boosey and Hawkes
By Benjamin Lees. (Full Score). Boosey and Hawkes Scores and Books. 72 pages. P…
(+)
By Benjamin Lees. (Full Score). Boosey and Hawkes Scores and Books. 72 pages. Published by Boosey & Hawkes.
$55.00 - See more - Buy online
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Oboe Concerto
Oboe
[Study Score / Miniature]
Boosey and Hawkes
By Benjamin Lees. (Study Score). Boosey and Hawkes Scores and Books. 72 pages. …
(+)
By Benjamin Lees. (Study Score). Boosey and Hawkes Scores and Books. 72 pages. Published by Boosey & Hawkes.
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Traditional and Contemporary Oboe Solo
Oboe
[Sheet music + CD]
Music Minus One
By John Winstead. Music Minus One. Softcover with CD. 28 pages. Music Minus One …
(+)
By John Winstead. Music Minus One. Softcover with CD. 28 pages. Music Minus One #MMO3414. Published by Music Minus One (HL.147462).
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Oboe Solos
Oboe, Piano (duet)
[Set of Parts]
Music Sales
Set of performance parts (includes separate pull-out oboe part) for oboe and pia…
(+)
Set of performance parts (includes separate pull-out oboe part) for oboe and piano. With solo part and piano accompaniment. Series: Everybody's Favorite Series #99. 159 pages. Published by Music Sales.
(9)
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Oboe Concerto In F
Hautbois, Orchestre à Cordes et Clavecin Ad Libitu
[Set of Parts]
Simrock / Benjamin
Par RICHTER FRANZ XAVER. Format: New Edition portrait/ Répertoire / Hautbois, Or…
(+)
Par RICHTER FRANZ XAVER. Format: New Edition portrait/ Répertoire / Hautbois, Orchestre à Cordes et Clavecin Ad Libitu
61.05 EUR - Sold by LMI-partitions
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Oboe Concerto In B Flat
Hautbois, 2 Cors et Cordes
[Set of Parts]
Simrock / Benjamin
Par STAMITZ CARL. Format: New Edition portrait/ Répertoire / Hautbois, 2 Cors et…
(+)
Par STAMITZ CARL. Format: New Edition portrait/ Répertoire / Hautbois, 2 Cors et Cordes
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Oboe Concerto In F
Hautbois, Orchestre à Cordes et Clavecin Ad Libitu
[Part]
Simrock / Benjamin
Par RICHTER FRANZ XAVER. Format: New Edition portrait/ Répertoire / Hautbois, Or…
(+)
Par RICHTER FRANZ XAVER. Format: New Edition portrait/ Répertoire / Hautbois, Orchestre à Cordes et Clavecin Ad Libitu
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Domenico Cimarosa: Concerto c-moll: Oboe: Instrumental Work
Oboe, Piano (duet)
Boosey and Hawkes
This concerto originally composed by Domenico Cimarosa for Oboe and Strings ha…
(+)
This concerto originally composed by Domenico Cimarosa for Oboe and Strings has been arranged for oboe or clarinet and piano reduction by Arthur Benjamin. The piece is in four contrasting movements and parts are provided for both Clarinet and Oboe as well as the full Piano accompaniment.
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Benjamin Britten: Double Concerto (Full Score): Violin & Viola: Score
[Sheet music]
Chester
Britten was so remarkably prolific as a young composer that many of the works fr…
(+)
Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of hisOpus 1 Sinfonietta composed in the summer of 1932 his second year as a student at the Royal College Of Music.The Sinfonietta was written (in less than three weeks) very soon after Britten had completed thefirst draft of the Double Concerto; but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weekslater.Although the Concerto follows the same three-movement pattern as the Sinfonietta it is more ambitious in scale; and since the sketch is unusually for Britten complete in practically every detail it ispuzzling that he never made a full score of the work after finishing the composition and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was of course a Violaplayer although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college John Ireland who as Britten recorded in his diary was 'pretty pleased' with it; but it isdistinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete theDouble Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936.In the absence of Britten's full score it was necessary for me to prepare the workfrom the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add
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Benjamin Britten: Double Concerto: Piano Trio: Score and Parts
Piano Trio: Violin, Viola, Piano
[Sheet music]
Chester
For Violin Viola and Piano (Reduced from the orchestra version). Britten was so…
(+)
For Violin Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on tothe next piece. This was particularly the case around the time of his Opus 1 Sinfonietta composed in the summer of 1932 his second year as a student at the Royal College Of Music.The Sinfonietta waswritten (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto; but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started workon his Op.2 Phantasy for Oboe and String Trio a few weeks later.Although the Concerto follows the same three-movement pattern as the Sinfonietta it is more ambitious in scale; and since the sketchis unusually for Britten complete in practically every detail it is puzzling that he never made a full score of the work after finishing the composition and seems to have made no attempt to get it performed. It is not clear ifhe had particular performers in mind (he was of course a Viola player although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college John Ireland who as Brittenrecorded in his diary was 'pretty pleased' with it; but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' readsanother diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936.In theabsence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between
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John Corigliano: Aria for Oboe and Strings: Chamber Ensemble: Score and Parts
Schirmer
Score and Parts-Aria for Oboe and Strings may be performed in either two version…
(+)
Score and Parts-Aria for Oboe and Strings may be performed in either two versions: with string orchestra or with string quintet. The materials provided here include footnotes indicating how the piece should be performed dependning onwhich version is selected. The first performance of Aria was given by the Connecticut String Orchestra on January 6th 1977 with Bert Lucarelli oboe and Renato Bonacini conductor. Aria was adapted fromthe composer's Concerto for Oboe and Orchestra which is available on rental from the publisher. Duration: ca. 6 minutes.
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