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Monteverdi C. - L'orfeo, Favola In Musica 1607
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King's Music
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édition Clifford Bartlett Compositeur : Monteverdi Claudio Instrumentation : Voix, Instr
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L'Orfeo - Favola in musica
Choral, Orchestra
[Score]
Barenreiter
Reprint des Erstdrucks der Opernpartitur, Venedig 1609 und von Akt 5 des Mantuan...
(+)
Reprint des Erstdrucks der Opernpartitur, Venedig 1609 und von Akt 5 des Mantuaner Librettos von 1607. By Claudio Monteverdi. For Soli (16), Mixed Choir, Orchestra. Documenta Musicologica I/39. Score (hard bound). Published by Baerenreiter-Verlag (German import).
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LOrfeo
[Score]
Barenreiter
(Favola in musica in un prologo e cinque atti). Composed by Claudio Monteverdi (...
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(Favola in musica in un prologo e cinque atti). Composed by Claudio Monteverdi (1567-1643). Edited by Rinaldo Alessandrini. For soprano voice solo (7), tenor voice solo (4), bass voice solo (3), SSATTB choir, TTBBB choir, orchestra. This edition: Urtext edition. Paperback. Score. Language: Italian, Text Language: Italian/English/German. 141 pages. Published by Baerenreiter Verlag
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L'Orfeo
Choral SSATTB
[Reduction]
Barenreiter
(Favola in musica in un prologo e cinque atti). By Claudio Monteverdi (1567-1643...
(+)
(Favola in musica in un prologo e cinque atti). By Claudio Monteverdi (1567-1643). Edited by Rinaldo Alessandrini. For soprano voice solo (7), tenor voice solo (4), bass voice solo (3), SSATTB choir, TTBBB choir, orchestra (7 Solo Sopranos/4 Solo Tenors/3 Solo Basses/Mixed Choir: SSATTB/Male Choir: TTBBB/Orchestra). This edition: Paperback, Urtext edition. Paperback. Piano reduction. Language: Italian. 143 pages. Published by Baerenreiter Verlag
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdis opera LOrfeo, based on the legend of Thracian singer Orpheus...
(+)
Monteverdis opera LOrfeo, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the Palazzo Ducale in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdis LOrfeo. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdis Il ritorno dUlisse in patria. Two contemporary prints of LOrfeo from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of LOrfeo offers in addition to Monteverdis somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in chiavetta have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the works genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Monteverdi Claudio - L'orfeo Sv 318 - Solo Parts, Choir And Orchestra
Eulenburg
Favola in Musica Instrumentation : solo parts, choir and orchestra Version : st...
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Favola in Musica Instrumentation : solo parts, choir and orchestra Version : study score Description : Monteverdiâs opera LâOrfeo, first performed in Mantua in 167, is an important milestone in the history of opera. In this new critical edition the entire libretto by Alessandro Striggio is reproduced, including those parts of the text that are not set to music, in the original Italian as well as in a German and English translation. Contenu : Preface - Vorwort - Prefazione - Textual Notes/Einzelanmerkungen/Apparato critico - L'Orfeo - Atto primo - Atto secondo - Atto terzo - Atto quarto - Atto quinto - Appendix: Striggio's Libretto with translations/Striggios Libretto mit Ãbersetzungen/Libretto di Striggio con traduzioni Date de parution : 30/03/2004 Nombre de pages : 164 Langue : Italian Collection : Eulenburg Miniature Scores Format : ETP large
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L'Orfeo - Favola In Musica (MONTEVERDI CLAUDIO)
16 Chanteurs, Choeur Mixte et Orchestre
[Sheet music]
Barenreiter
Par MONTEVERDI CLAUDIO. / Répertoire / 16 Chanteurs, Choeur Mixte et Orchestre
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Claudio Monteverdi: L'Orfeo - Favola In Musica SV.318: Opera: Vocal Score
Opera
[Sheet music]
Novello & Co Ltd.
An opera from 1607 by Claudio Monteverdi and edited by Denis Stevens. This set...
(+)
An opera from 1607 by Claudio Monteverdi and edited by Denis Stevens. This setting of the story of Orpheus and Euridice is for full renaissance/baroque orchestra.
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Claudio Monteverdi: LOrfeo: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L&r...
(+)
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practiceComprehensive critical commentary (Eng) in the scoreIdiomatic piano reduction
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Zwischen Bach Und Mozart
Divers
[Sheet music]
Barenreiter
Vorträge des Europäischen Musikfestes Stuttgart 1988. 16 Beiträge. / Recueil ...
(+)
Vorträge des Europäischen Musikfestes Stuttgart 1988. 16 Beiträge. / Recueil / Divers
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