Modern Drummer Presents Rhythm and Chops Builders

The Modern Drummer Festival 2011 took place at Montclair State University in Montclair New Jersey and Hudson Music captures all the action on this exciting and educational DVD set. On the main stage Gil Sharone (Stolen Babies/Dillinger Escape Plan) expands on concepts found in his Wicked Beats DVD Trevor Lawrence Jr. (Herbie Hancock/Dr. Dre) performing in hip-hop and fusion styles (including a duet with percussionist Taku Hirano) jazz innovator Jeff ?Tain? Watts presents an incredible set with his stellar quartet prog/metal star Aquiles Priester performs a blistering set of songs from Hangar and Freakeys and finally drum superstar Horacio ?El Negro?Hernandez performs with The New World Order an all-star world music group put together just for the festival.In addition to the main show also included are two enlightening master classes. Jazz legend John Riley (Vanguard Jazz Orchestra) demonstrates rhythms that can be heard from various polyrhythmic perspectives while top country drummer Jim Riley (Rascal Flatts) demonstrates and discusses his approach to versatility in various styles and rudimental concepts. A printable PDF eBook is also included containing transcriptions of select performances and other educational info. This DVD package presents not only a chance to relive the Modern Drummer Festival but to study and learn the concepts presented by these great artists in depth and detail not possible just by attending the event.

Re-edited from the original masters this companion DVD to Mel Bay's Complete Modern Drum Set Book offers challenging material for the intermediate to advanced Drummer. All special effects have been removed andthe sound track has been encoded in Dolby Digital stereo. Twenty-one play-along tracks CueLink and a metronome make this DVD the most valuable cutting edge educational tool for Drummers on the market today. Addressing amultitude of styles such as jazz Latin rock R

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Terry Bozzio is a drummer with a completely unique sound and approach to the drumset. His perfectly refined musical sense and innovative use of stacked cymbals meticulously tuned toms and an array of special effect instruments has elevated the modern drumset to a new level. Terry's brilliant synthesis of rock jazz aand classical influences has been heard with missing Persons U.K. and the Frank Zappa band. In Solo Drums Terry presents his overall approach to the drumset as an orchestra in itslef and performs three incredible solos employing various techniques and concepts that he explains in full detail. With ostinatos polyrhythms single-stroke rolls andplaying in odd meters Terry demonstrates the tools he uses to realise his groundbreaking take on the drumset in a solo context. Other topics covered include double bass drums hand technique and a study of Terry's drum part for Missing Persons' U.S. Drag. Terry also outlines exercises to strengthen chops and independence and offers an explanation of grip and stick control.

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians students teachers and all those who take a general interest in this field of music.The focus of this series is on the language of instrumental music nowadays performed in Brazil based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music which are presented in the following versions:1. Complete takes in other words the full versions of the pieces included in the book which are performed by all the instruments playing simultaneously;2. Without melody / solo part so that the melodic instruments can play along with the recording executing their own interpretations and practicing improvisations;3. Without harmony so that the harmonic instruments can practice the language of accompaniment especially with regard to the rhythmic vocabulary of each style.4. Without bass so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects;5. Without drums so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations.Each book contains the scores in the form of lead sheets in four different versions: in C Bb Eb and bass clef. Due to the widely defined concept of this method it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution.The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos rhythmic comping phrases bass lines and drum grooves for instance can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition