Miles Davis: Jazz Trumpet 2: Trumpet: Instrumental Work

Mike Tomaro has taken this Miles Davis standard and created a roaring arrangement that screams with big band excitement. In a medium uptempo swing style this chart includes solos for trumpet and tenor plus an ensemble shout that really pays off! Jazz Ensemble Library - Grade 4.

This early jazz classic by Miles Davis is an excellent vehicle for introducing the blues. The trumpet soli section is derived from Miles' original solo and may be performed either as a solo or as a section feature.

Jazz giant Miles Davis is probably best-known for this tune. Alternating between a small combo (alto tenor bari. trumpet trombone and guitar) and full ensemble Mark has created a masterful chart for young players. Improvisingis all done on 2 dorian scales. Sample written solos and scales are included. This one should be in every young band's library!

From the landmark jazz album Kind of Blue by Miles Davis Les Hooper adds his own stamp of originality and craftsmanship with this outstanding setting. The trumpet soloist is supported by a light rock groove and lush backgrounds.Solo space is also provided for alto sax.

Young Jazz Classics-One of the most enduring compositions from Miles Davis' early career is this medium swing tune recorded on the 1954 album Walkin'. In this terrific chart for younger players Rick Stitzel uses some nifty phrase extensionsin the beginning then alternates the full ensemble with statements by a small group. Solos for trumpet and tenor sax are also included.

These jazz classics represent a slice of MileÂ’s illustrious career, from 1957 to 1964, during which Miles was at the apex of his popularity. As an example of Miles unparalleled influence as a trumpeter, composer and band leader, several of his sidemen Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins and Wayne Shorter have all had play-a-longs of their own compositions presented here in this series! Commemorating the 50th play-a-long in the series, here are the classic tunes Miles Davis made famous. Pianists and everyone else interested in piano voicings/comping, now have the extra advantage of being able to purchase all of Mark LevineÂ’s piano comping transcribed note-for-note in the Volume 50 Transcribed Piano Voicings book! Rhythm section is Mark Levine, piano; Todd Coolman, bass; and Steve Davis, drums. All Blues - Nardis - So What - Eighty-One - Freddie Freeloader - Joshua - Milestones (New) - Blue In Green - Seven Steps To Heaven

The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for covering theparts; the arrangements are absolutely top notch; and at $45.00 for four standards you will never find a better value.Instrumentation:- Line 1 (lead or harmony): Alto Sax Trumpet Soprano Sax Clarinet Flute Vibes- Line 2 (lead or harmony): Alto Sax Bari Sax Trumpet Soprano Sax Clarinet Trombone- Line 3: Bari Sax Tenor Sax Trumpet TrombonePak #19 includes: Blue in Green • Milestones• Seven Steps to Heaven • So What. (Note: CD includes tracks for two paks.)

Trumpet Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Trompette