Maurice Ravel: Pièce En Forme De Habanera: Flute Ensemble: Score and Parts

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for the Cello by Paul Bazelaire contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habaneraclearly exemplifies these qualities through flourishing Cello lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyablepiece for the Cello repertoire. In addition the clear print of separate Cello and Piano parts in this edition of Pièce En Forme De Habanera add to an irresistible purchase for budding cellists.

Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel was transcribed for Flute and Piano for this edition. Based on a Cuban Contradanza it features a special habanera rhythm and is generally performed with sung lyrics. In this edition the Flute is a substitute for the voice. While composing this piece Maurice Ravel was also working on two works also with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. This edition which can be used for recitals and exams will enlighten Flute players. Maurice Ravel (1875-1937) is a French composer famous for hisImpressionist contributions. He wrote numerous pieces including 'Daphnis and Chloé' and the famous 'Bollero'.

Initially composed in 1907 for Bass Voice and Piano Habanera by Maurice Ravel was transcribed for Violin and Piano for this edition which can be used for both recitals and exams.  Based on a Cuban Contradanza it features a special Habanera rhythm and is generally performed with sung lyrics. In this edition the Violin is a substitute for the voice. While composing this piece Maurice Ravel was also working on two works with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. Maurice Ravel (1875-1937) was a French composer who was famous for his contributions to the'Impressionist' genre of classical music. He wrote numerous pieces including 'Daphnis and Chloé' and the famous 'Bolero'.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Flute and Harp by Christian Lardé and Marie-Claire Jamet contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Harp accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elementscombine to create a highly enjoyable piece for the Flute and Harp repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habañera transcribed for Bassoon and Piano by Fernand Oubradous contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habañera clearly exemplifies these qualities through flourishing Bassoon lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitment. All of these musical elementscombined create a highly enjoyable piece for the Bassoon and Piano repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habañera add to an irresistible purchase for aspiring Bassoon players.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce en Forme de Habanera contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies Pièce en Forme de Habanera clearly exemplifies these qualities through flourishing Saxophone lines and evocative chordal and rhythmic Piano accompaniments. Moreover the Habanera rhythms throughout the piece create a dynamic and exciting effect. All of these musical elements combined create a highly enjoyable piece for the Alto Saxophone repertoire. In addition theclear print of separate Saxophone and Piano parts in this edition add to an irresistible purchase for budding saxophonists.

Music Minus One Cello-Written in 1941 Maurice Ravel's piano trio was premiered on January 28 1915 in Paris with distinguished pianist Alfredo Casella playing the piano part. Filled with Basque themes and Ravel's unique impressionist effects the four-movement trio is a wonderful piece which is in its own way reminiscent at times of his famous Gaspard de la Nuit. Highly recommended for any devotée of the famous French composer. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Alan Shulman violoncello Accompaniment: The Vardi Trio: Emanuel Vardi violin Edwin Hymovitz piano

Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering