Lute Sonata V in D Minor from the Dresden Manuscript for Solo Classical Guitar

Suite BWV 1006a. Baroque Lute version The works of Johann Sebastian Bach which are generally considered to have been originally written for the lute (BWV 995-1000 and 1006a) are being published here in a series of practical editions. Unlike some other collections in Bach’s oeuvre, the lute works come from diverse sources and were never considered to be an organic unit during the composer’s lifetime. They were first grouped together at the end of the 19th century by the editors of the Bach Gesellschaft. The numbering of the Suites that is commonly used by guitarists today dates from the 1920’s. Many questions remain regarding the playability of these works on the lute. The original keys are sometimes awkward, and there are problems of range and density of texture which can lead one to ask whether they were actually conceived for the lute at all. Interestingly enough, Bach’s solo Sonatas and Partitas for violin and his Suites for cello often lend themselves more organically to the lute. As the problems relating to the so-called ‘official’ works became more clearly defined, a significant body of practical and musicological reflexions on these matters came to be published in different journals and editions. It is not my intention to go through this literature here, nor do I intend to discuss the varieties of sometimes very creative solutions that other lutenists may have utilized in approaching these pieces. My aim is, rather, to present playable versions in tablature for the standard 13-course lute of Bach’s time in the d minor tuning. I have steered clear of scordatura tunings and modifications to the instrument itself. In some cases, where the original key of a piece seemed unnecessarily cumbersome, I have changed it, taking it as a principle that there is nothing sacred in a tonality if it renders a piece, or parts thereof, unplayable. I feel that this approach starts with the music itself and seeks to bring it to life in a pragmatic spirit that is close to the 18th century. Each edition in this series will have an introduction which discusses sources and specific points of interest or enigmas related to the individual piece. I feel that, ideally, every student of the lute should make his or her own versions of these pieces, and thus be directly confronted with problems related to them. Hopefully these editions will stimulate thought on these matters and also provide clear and practical solutions which can help one on his or her journey toward the incomparable expressiveness and depth of these works. Hopkinson Smith

Par WEISS SILVIUS LEOPOLD. Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weiss?s prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden. While the baroque lute?s tuning makes some works awkward or impossible on the guitar, the three works presented here?Sonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major? are in their original keys which happen to be guitar-friendly. The author?s generous and scholarly ?Preface? provides thorough historical and performance notes for the music in this volume. While just three of Weiss?s 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist? Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contest?now made accessible to the modern classical guitarist. / Date parution : 2022-04-09/ Recueil / Guitare Classique

11 beloved Bach pieces arranged as flute solos with both piano and harpsichord accompaniment on the CD. Includes: Sonata in A Major BWV 1032 2nd Movement ?Largo? ? Sonata in C Major BWV 1033 2nd Movement?Allegro? ? Sonata in C Major BWV 1033 3rd Movement ?Adagio? ? Sonata in C Major BWV 1033 4th Movement ?Menuetto I

Instrument : flute Nombre de Pages : 72 In this volume, the teacher Robert Winn from the Cologne Academy of Music has compiled a collection of 133 tunes which shall spur on and encourage flutists to listen to and play also music composed for other instruments as well as different styles. From the repertoire for strings, piano or voice, symphonic music, chamber music, solo literature and operas, he has compiled a repertoire that shall contribute to the discovery of elements which are imperative to the development of the performer's interpretive skills and the flute sound. The ideas presented in the present edition are the result of his experience as a flutist in major international symphony orchestras and chamber music ensembles as well as a studio musician. Content : Chapter 1 / Kapitel 1: The Words. Der Text - 1. Franz Schubert An Sylvia - 2. Willibald Gluck Che farò senza Euridice (Orfeo ed Euridice) - 3. Johann Strauß (Sohn) Trinke Liebchen (Die Fledermaus) - 4. Charles Hubert Parry Jerusalem - 5. Johann Strauß (Sohn) Brüderlein und Schwesterlein (Die Fledermaus) - 6. George Gershwin Summertime (Porgy and Bess) - 7. F. Loewe / A. Lerner On the Street where you live (My Fair Lady) - 8. Georges Bizet L’amour est un oiseau (Carmen) - 9. M. Cowan / B. Paterson Waltzing Matilda - Chapter 2 / Kapitel 2: Major and Minor. Dur und Moll - 10. Traditional Russian Melody - 11. Edvard Grieg Solveigs Song op. 55/2 (Peer Gynt) - 12. Edward Elgar Pomp and Circumstance March No. 4 - 13. Felix Mendelssohn Bartholdy Violin Concerto op. 64, 1st movement - 14. Johannes Brahms Double Concerto op. 102, 2nd movement - 15. Pjotr I. Tschaikowsky Swan Lake Ballet op. 20 - 16. Adolphe Adam Giselle - 17. Felix Mendelssohn Bartholdy Song without Words op. 30/3 - 18. Anonymus Londonderry Air - 19. Pjotr I. Tschaikowsky Barcarole op. 37/6 (The Seasons) - 20. Antonín Dvorák Symphony from the New World op. 95, 2nd movement - 21. Modest Mussorgsky Bydlo (Pictures at an Exhibition) - 22. Giuseppe Verdi Slaves Chorus (Nabucco) - 23. Robert Schumann Symphony No. 4 op. 120, 2nd movement . - 24. Traditional Greensleeves - 25. Giuseppe Verdi Lacrimosa (Requiem) - 26. Felix Mendelssohn Bartholdy Song without Words op. 109 - 27. Giuseppe Verdi Paragi, o cara (La Traviata) - 28. César Franck Symphony, 2nd movement - 29. Richard Strauss Horn Concerto No. 1 op. 11, 1st movement - 30. Wolfgang Amadeus Mozart Piano Concerto KV 491, 1st movement - 31. Johann Joachim Quantz Trio Sonata in G minor - 32. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 33. Léo Delibes Coppélia - 34. Nino Rota Speak softly Love (The Godfather) - Chapter 3 / Kapitel 3: Melody and harmony. Melodie und Harmonie - 35. Gabriel Fauré Chanson d'amour - 36. Felix Mendelssohn Bartholdy Symphony No. 4 / Italian Symphony op. 90, 3rd movement - 37. Nikolai Rimski-Korsakow Scheherazade - 38. Antonín Dvoqák Cello Concerto op. 104, 1st movement - 39. Felix Mendelssohn Bartholdy Hebrides Overture - 40. Giacomo Puccini Madame Butterfly - 41. Carl Maria von Weber Leise, leise, fromme Weise (Der Freischütz) - 42. Georges Bizet Carmen - 43. Fritz Kreisler Liebesleid - 44. Wolfgang Amadeus Mozart Clarinet Concerto KV 622, 2nd movement - 45. Johannes Brahms String Quartet op. 67, 2nd movement - 46. Georges Bizet La fleur que tu m’avais jetée (Carmen) - 47. Robert Schumann Piano Quintet op. 44, 1st movement - 48. Franz Schubert Arpeggione Sonata D 821, 1st movement - 49. David Gates If - 50. Johann Strauß (Sohn) Overture (Die Fledermaus) - 51. Camille Saint-Saëns The Swan (Carnival of the Animals) - 52. W. A. Mozart (Arr. R. Winn) Concerto for Flute and Harp KV 299, 2nd movement - 53. Max Bruch Violin Concerto op. 26, 2nd movement - 54. Johann Sebastian Bach Air (Suite for Orchestra No. 3 in D major BWV 1068) - 55. César Franck Sonata for Violin and Piano, 1st movement - 56. Johann Sebastian Bach Concerto in F minor for Harpsichord and Strings BWV 1056, 2nd movement - 57. Ludwig van Beethoven Romance in F major op. 50 - 58. Franz Schubert Arpeggione Sonata D 821, 2nd movement - 59. Robert Schumann Träumerei (Kinderszenen) - 60. Igor Strawinsky Firebird Suite - 61. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 62. Ruggero Leoncavallo Vesti la Giubba (Pagliacci) - 63. Claude Debussy La fille aux cheveux de lin - 64. Carl Reinecke Sonata op. 167, 2nd movement (Undine) - 65. Robert Schumann Romanze op. 94/2 - 66. Maurice Ravel Pavane pour une infante défunte - Chapter 4 / Kapitel 4: Top register. Das obere Register - 67. Johannes Brahms Hungarian Dance No. 1 - 68. Pjotr I. Tschaikowsky Waltz of Flowers (Nutcracker Suite) - 69. Giuseppe Verdi Amami, Alfredo (La Traviata) - 70. Harold Arlen Somewhere over the Rainbow - 71. Wolfgang Amadeus Mozart Dieses Bildnis ist bezaubernd schön (The Magic Flute) - 72. Hector Berlioz Overture (Le Carnaval Romain) - 73. J. S. Bach / Ch. Gounod Ave Maria (after Bach’s Prelude No. 1, Welltempered Clavier 1) - 74. Pietro Mascagni Intermezzo (Cavalleria Rusticana) - 75. Niccolo Paganini Cantabile - 76. Georges Bizet La foule prosternée (Pearl Fishers) - 77. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 78. Pjotr I. Tschaikowsky Symphony No. 6 / Pathetic Symphony op. 74, 1st movement - 79. Gaetano Donizetti Il dolce suono (Lucia di Lammermoor) - 80. Giacomo Puccini O mio babbino (Gianni Schicchi) - 81. Johannes Brahms Sonata for Violin and Piano in G major op. 78, 1st movement - 82. Charles Gounod Petite symphony, 2nd movement - 83. Modest Mussorgsky Night on a bare Mountain - 84. Igor Stravinsky Rite of Spring - 85. Johannes Brahms Symphony No. 3 op. 90, 2nd movement - 86. Johannes Brahms Symphony No. 3 op. 90, 3rd movement - 87. Igor Stravinsky Firebird Suite - 88. Edvard Grieg Piano Concerto op. 16, 3rd movement - Chapter 5 / Kapitel 5: Imagination and Realization. Idee und Realisation - 89. Edward Elgar Salut d'amour - 90. Wolfgang Amadeus Mozart Flute Quartet KV 285, 2nd movement - 91. Richard Strauss Don Juan op. 20 - 92. Hector Berlioz Symphonie Fantastique, 1st movement - 93. Frédéric Chopin Nocturne op. 9/2 - 94. Sergej Rachmaninow Piano Concerto No. 2 op. 18, 1st movement - 95. Pjotr I. Tschaikowsky Symphony No. 6 / Pathetic Symphony op. 74 - 96. Giuseppe Verdi Overture (Giovanna d'Arco) - 97. Maurice Ravel Piano Concerto, 2nd movement - 98. Giacomo Puccini E lucevan le stelle (Tosca) - 99. Johannes Brahms Piano Concerto No. 2 op. 83, 3rd movement - 100. Edvard Grieg Åses Tod op. 41/1 (Peer Gynt) - 101. César Franck Sonata for Violin and Piano, 2nd movement - 102. Frédéric Chopin Waltz op. 69/1 - 103. Aram Khatchaturian Spartacus Ballet. - 104. Aram Khatchaturian Violin Concerto, 2nd movement - 105. Johannes Brahms Intermezzo - 106. Sergej Rachmaninow Piano Concerto No. 2, 2nd movement - 107. Sergej Rachmaninow Piano Concerto No. 2, 3rd movement - 108. Jules Massenet Méditation (Thaïs) - 109. Joaquín Rodrigo Concierto de Aranjuez, 2nd movement - 110. Johannes Brahms Violin Concerto op. 77, 2nd movement - 111. Pjotr I. Tschaikowsky Symphony No. 4 op. 36, 2nd movement - 112. Giuseppe Verdi Overture (Il Forza del Destino) - 113. Felix Mendelssohn Bartholdy Violin Concerto op. 64, 2nd movement - 114. César Franck Sonata for Violin and Piano, 1st movement - 115. Giacomo Puccini Nessun dorma (Turandot) - 116. Richard Strauss Im Abendrot (Four last Songs) - 117. Pjotr I. Tschaikowsky Rococo Variations op. 33 - 118. Sergej Rachmaninow Symphony No. 2 op. 27, 1st movement - 119. Pjotr I. Tschaikowsky Violin Concerto op. 35, 2nd movement - 120. Anton Bruckner Symphony No. 7, 1st movement - 121. Claude Debussy (Arr. R. Winn) Rêverie - 122. Claude Debussy Prélude à l’après-midi d’un faune - 123. Jean Sibelius Violin Concerto op. 47, 1st movement - 124. Sergej Rachmaninow Symphony No. 2 op. 27, 3rd movement - 125. Sergej Rachmaninow Vocalise op. 34/14 - 126. Alexander Borodin String Quartet No. 2, 3rd movement. - 127. Joaquín Rodrigo Concierto de Aranjuez, 2nd movement - 128. Sergej Rachmaninow Symphony No. 2 op. 27, 3rd movement - 129. Aram Khatchaturian Spartacus Ballet. - 130. Pjotr I. Tschaikowsky Overture (Romeo et Juliette) - 131. Nikolai Rimski-Korsakow Scheherazade - 132. Pjotr I. Tschaikowsky Overture (Romeo et Juliette) - 133. Maurice Ravel Daphnis et Chloé (Suite No. 2)

Edited by Richard Jones. This five-volume graded anthology for players of the modern flute acts as an introduction to the flute music of the early and mid-eighteenth century. All important composers of flute music of the period are represented. Texts faithfully follow the original sources. In addition useful information is given about the composers represented and about the pieces selected and the sources from which they are drawn. A separate continuo part is provided.

* Suitable for flautists of grade 2-5 standard * Attractive repertoire from the Baroque era to the present day * Invaluable companion to the tutor books Flute Time 1 and 2. * Piano accompaniments included with the flute book A collection of attractive repertoire for flautists of Grade 2-5 standard and an excellent companion volume to the tutor books Flute Time 1 and Flute Time 2. It includes 17 varied pieces from the baroque era to the present day, each of which has been carefully selected by specialist teacher Ian Denley for both technical content and musical appeal. Forces or Category : Easy pieces Difficulty : Very easy to Moderately difficult 60 pages 08 April 2004 Contents : J. S. Bach: Rondeau, Suite No. 2 in B minor, BWV 1067 Ludwig van Beethoven: Tyrolean air Georges Bizet: Habañera, from Carmen Léo Delibes: Morceau de concours Ian Denley: Park Avenue rag George Gershwin: Prelude No. 2 Edvard Grieg: Cattle call G. F. Handel: Bourrée, Sonata in G, HWV 363b Ernesto Köhler: Future dream, Op. 79 W. A. Mozart: Little Freddy's birthday Henry Purcell: Rigaudon Mátyás Seiber: Novelty foxtrot, from Dance Suite G. B. Serini: 3rd movement, Sonata No. 1 in D Frederick Stocken: Top of the morning Arthur Sullivan: Gavotte, from The Gondoliers Arthur Veal: Greek pastoral Antonio Vivaldi: 2nd movement, Concerto in D major, RV428 Ian Denley has extensive experience as a flute teacher at all levels. He studied at the Royal Northern College of Music, and later in London and Berlin. He has appeared as a soloist, chamber musician and orchestral plater with many groups including the Allegri Quartet and the Royal Liverpool Philharmonic Orchestra, as well as conducting, accompanying and coaching. An ABRSM examiner since 1986, Ian is the author of the Board's Scales and Arpeggios for Woodwind and the Time Pieces series for woodwind.

Original works from the Baroque to the Modern era. This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two flutes. Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing. This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend. This title was previously published as 'Duo-Schatzkiste' (A Treasure Chest of Duos). / Niveau : facile à moyen / Recueil / 2 Flûtes Traversières

Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ? Brandenburg Concerto No. 5 ? Caro Mio Ben ? Clair de Lune ?Funeral March of a Marionette ? Gymnopédie No. 1 ? Hallelujah Chorus ? Hungarian Dance No. 5 ? Minuet ? Piano Sonata No. 14 (?Moonlight?) ? Pomp and Circumstance ? Symphony No.5 ? William Tell Overture.

36 Repertoire Pieces with Piano Accompaniment Flute and Piano editor: Peck, Donald Harpsichord and String Orchestra) - Siciliano (from Sonata No. 2 in E-flat Major) - L. v. Beethoven: Minuet - Serenade - G. Bizet: Minuet (from L'Arlésienne) - Entr'acte (from Carmen) - C. Bohm: Calm as the Night (Still wie die Nacht) - J. Brahms: Waltz - A. Caplet: Petite Valse - Reverie - A. Corelli: Guige - C. Debussy: Reverie - J. Donjon: Adagio Nobile - Pan! (Pastorale for Flute) - G. Fauré: Berceuse - Sicilienne (from Pelléas et Melisande) - C. W. Gluck: Minuet and Dance of the Blessed Spirits (from Orfeo) - B. Godard: Allegretto - F. J. Gossec: Gavotte - Tambourin - C. Gounod: Meditation (sur le 1er Prélude de Bach) - G. F. Handel: Bourrée - Giga (from Sonata in F Major) - F. J. Haydn: Serenade (Andante Cantabile from String Quartet No. 8) - B. Barcello: Sonata in F Major - W. A. Mozart: Adagio (from Flute Quartet) - S. Rachmaninoff: Vocalise - C. Saint-Saens: Pavane - The Swan (Le Cygne from Carnival of the Animals) - E. Satie: Gymnopédie No. 2 (from Trois Gymnopédies) - F. Schubert: Musical Moment (from 6 Moment musicaux) - Trockne Blumen (Ihr Blümlein alle) from Die schöne Müllerin (Introduction, Thema and Variation) - R. Schumann: Romance - Träumerei (from Scenes from Childhood/Kinderszenen) - P. I. Tchaikovsky: June (Barcalolle from The Seasons) - G. P. Telemann: Minuet (from Suite in A minor)

In Sonata 7 in D major Balicourt opens with a suave intricately rhythmic Adagio. The following Presto with its delightful interplay between flute and bass including both octave doubling and stretto imitation is the most skittish movement to emerge from the composer’s pen. The finale is a ‘sandwich’ movement in which a Minuetto encloses a duple-metre Cantabile in D minor. Although the minuet could be said to exemplify one of those ‘easy’ movements referred to in Balicourt’s prospectus for subscribers its complex prescribed ornamentation requires sensitive handling. Sonata 8 in E minor is strategically placed as the final work inthe set being one of the longest as well as the most conservative; adopting the traditional four-movement configuration it continually harks back to the grand Handelian style. An eloquent Andante ushers in a Presto containing many slightly academic contrapuntal touches and much chromaticism. The subsequent Largo is only five bars long: its plain melodic line in minims and crotchets is the skeleton around which the flautist is expected to weave an elaborate embroidery. For the finale Balicourt introduces in effect a new version in triple metre of the second movement. The fact that all four movements are in E minor heightens the sense of unity which is expressed very concretely through their sharing of some thematic material.

This collection presents a varied repertoire by J. S. Bach arranged for the Organ by Martin Setchell.Bringing a wealth of popular pieces under the fingers and feet of intermediate players this volume caters for all parts of the church service as well as providing recital repertoire and popular encores.Taking its cue from the Baroque practice of transcription and with the needs of modern players in mind Bach Transcriptions For Organ presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.This volume includes:A selection of varied repertoire by J.S. Bach in new arrangements for the Organ.16 pieces from a cross-section of the master's instrumental and Choral works.Practical new transcriptions by a leading concert organist suited to most Organs.Music suitable for all parts of a church service - preludes postludes and communion pieces - as well as recital repertoire and popular encores.A host of well-known favourites including the Badinerie from Orchestral Suite No. 2 the slow movement of the Double Violin Concerto and the Pastoral Symphony from the Christmas Oratorio as well as less familiar works.

* Suitable for flautists of grade 2-5 standard * Attractive repertoire from the Baroque era to the present day * Invaluable companion to the tutor books Flute Time 1 and 2. * Piano accompaniments included with the flute book A collection of attractive repertoire for flautists of Grade 2-5 standard and an excellent companion volume to the tutor books Flute Time 1 and Flute Time 2. It includes 17 varied pieces from the baroque era to the present day, each of which has been carefully selected by specialist teacher Ian Denley for both technical content and musical appeal. Forces or Category : Easy pieces Difficulty : Very easy to Moderately difficult 60 pages 08 April 2004 Contents : J. S. Bach: Rondeau, Suite No. 2 in B minor, BWV 1067 Ludwig van Beethoven: Tyrolean air Georges Bizet: Habañera, from Carmen Léo Delibes: Morceau de concours Ian Denley: Park Avenue rag George Gershwin: Prelude No. 2 Edvard Grieg: Cattle call G. F. Handel: Bourrée, Sonata in G, HWV 363b Ernesto Köhler: Future dream, Op. 79 W. A. Mozart: Little Freddy's birthday Henry Purcell: Rigaudon Mátyás Seiber: Novelty foxtrot, from Dance Suite G. B. Serini: 3rd movement, Sonata No. 1 in D Frederick Stocken: Top of the morning Arthur Sullivan: Gavotte, from The Gondoliers Arthur Veal: Greek pastoral Antonio Vivaldi: 2nd movement, Concerto in D major, RV428 Ian Denley has extensive experience as a flute teacher at all levels. He studied at the Royal Northern College of Music, and later in London and Berlin. He has appeared as a soloist, chamber musician and orchestral plater with many groups including the Allegri Quartet and the Royal Liverpool Philharmonic Orchestra, as well as conducting, accompanying and coaching. An ABRSM examiner since 1986, Ian is the author of the Board's Scales and Arpeggios for Woodwind and the ime Pieces series for woodwind.

For flute with piano accompaniment Édité par Kovács Lóránt Instrument: Flute et piano Genre: Pedagogical performance pieces Pages: 76 pp Date du parution: 1985 Contenu: 1. Vivaldi, Antonio: Largo from The Four Seasons 2. Bach, Johann Sebastian: Vivaldi: Largo from the Concerto in D minor 3. Bach, Johann Sebastian: Badinerie from the Suite in B minor 4. Händel, Georg Friedrich: Largo from Xerxes 5. Mozart, Wolfgang Amadeus: Minuet from the Sonata in C major K 14 6. Paganini, Niccolo: Moto perpetuo 7. Mendelssohn-Bartholdy, Felix: Frühlingslied op. 62 no. 6 8. Bizet, Georges: Minuet from L'Arlesienne 9. Gounod, Charles: Ave Maria 10. Rimsky-Korsakov, Nicolai: The Flight of the Bumble-Bee 11. Schumann, Robert: Träumerei 12. Chopin, Frédéric: Variations on a Theme by Rossini 13. Schubert, Franz: Ave Maria 14. Saint-Saens, Camille: The Swan 15. Massenet, Jules: Tha´s Meditation