Ludwig van Beethoven: Sonatas for Pianoforte and Violin op. 30: Violin: Full

Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015). Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano

Beethoven Complete Piano Sonatas Volume I. Edited by Harold Craxton. Annotated by Donald Francis Tovey.

The ?Sonata in F minor? op. 57 (1804/05), a key work in the classical sonata repertoire, is part of Bärenreiter?s ongoing publication of selected Beethoven piano sonatas in Urtext editions. The nickname ?Appassionata? was ascribed to the sonata only in 1838, long after Beethoven?s death.'
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This Urtext edition is edited by the Beethoven expert Jonathan Del Mar. His editorial approach and principles are explained in a precisely formulated critical commentary. With a clear well-presented layout and optimum page turns, this edition invites you to discover this fascinating sonata anew.'
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An introduction by Misha Donat examines the genesis and significance of the work, supplemented by informative notes on questions related to historical performance practice by Jonathan Del Mar and Misha Donat.'
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?'Scholarly-critical Urtext edition incorporating the most recent research'
?'Optimum page turns'
?'Includes notes on historical performance practice (Eng/Ger)'
/ [Sonate pour Piano en Fa mineur Opus 57] / Classique / Partition / Agrafé /

Par BEETHOVEN LUDWIG VAN. A complete collection of Beethoven’s Sonatinas and easy Sonatas from all stages of his career. Contents: Zwei Sonatinen: Ahn. 5/1-2 Zwei Sätze einer Sonatine Leichte Sonate op. 49/1 Leichte Sonate op. 49/2 Leichte Sonate WoO 51 Drei Sonaten: WoO 47/1-2-3 / Date parution : 2020-11-23/ Recueil / Piano

WoO 47 Kurfürsten Sonatas-These pieces known as the Kurfürsten Sonatas were composed in 1783 with a dedication to the Archbishop and Elector (Kurfürst) of Cologne Maximilian Friedrich while Beethoven was still studying with Christian Gottlob Neefe in Bonn. ?He will certainly become a second Wolfgang Amadeus Mozart if he progresses as he started off? Neefe wrote enthusiastically in the same year.Announced as an ?excellent composition by a young genius of eleven years? these three impressive and technically challenging sonatas are still fully beholden to the style of C. P. E. Bach and the Mannheim School. For students they offer an ideal introduction to the early classical sonatarepertoire and train brilliance in piano technique.Scholarly-critical Urtext edition at the cutting edge of scholarshipSpacious engraving with practical page turnsIdeal introduction to the sonata repertoireInformative Introduction (Eng/Ger)Valuable notes on period performance practice (Eng/Ger)