Ludwig van Beethoven: Trio in B Flat Op. 97 (Archduke Trio): Piano Trio: Score

Compositeur : Beethoven, Ludwig vanInstrumentation : Piano TrioEditeur Musicologique : Raphael, GünterCouverture ReliéeContenu : Trio E flat major op. 1,1Trio G major op. 1,2Trio c minor op. 1,3Trio B flat major op. 11 (Piano, Clarinet [Violin], Violoncello) B flat major op. 11

Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today it numbers among his most celebrated pieces of chamber music, not least because of its remarkable melodiousness ? a feature typical of Beethoven?s music from these years ? and its spacious formal design. Jonathan Del Mar?s new critical edition of the Trio draws not only on early prints but also on various handwritten sources. A detailed introduction by Misha Donat is devoted to the work?s historical contexts. - Urtext edition of Beethoven?s most famous piano trio - Detailed introduction (Eng/Ger), editor?s foreword (Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-11-29/ Répertoire / Violon, Violoncelle et Piano

Music Minus One Clarinet-Carl Maria von Weber great innovator and orchestrator who paved the way for such Romantic giants as Wagner and Liszt wrote this famous and oft-performed 'little concerto' in 1811. Lovely sonorities beautiful themes - in short a great piece for clarinet and orchestra. Also featured in this MMO edition Beethoven's beautiful warm-toned Piano Trio No. 4 is a treasure-trove of possibilities for the clarinetist. Lovely themes - young Beethoven at his best! Includes a high-quality printed music score for B-flat clarinet and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of theorchestral accompaniment minus the soloist. Performed by Keith Dwyer clarinet Accompaniment: Weber Concertino: Stuttgart Festival Orchestra/Emil Kahn Beethoven Trio: Richard Mattson violoncello Robert Conway piano

Les trios avec clarinette op. 11 et 38 de Beethoven furent compos?s au cours des ann?es 1798 et 1802/1803. Le trio op. 11 fut surnomm? ?Trio Gassenhauer? ? cause de son 3e mouvement dans lequel un th?me de l?op?ra de Joseph Weigl ?L?amor marinaro? fait l?objet de neuf variations. Beethoven y explore toutes sortes de possibilit?s: le piano joue parfois seul d?autres fois pas du tout on peut y entendre une sorte de marche fun?bre et de nombreuses surprises harmoniques et rythmiques. L?op. 38 (Grand Trio) qui est aussi le plus tardif des deux trios avec clarinette est une transformation par Beethoven de son propre septuor op. 20 qu?il dota tout comme l?op. 11 d?une partie de violonalternative afin que l??uvre puisse ?tre plus facilement diffus?e et devienne plus populaire. Les parties de violon figurent ?galement dans la pr?sente ?dition urtext donnant ainsi ? comme autrefois ? davantage de prix ? cette ?dition.

'It is the spirit which holds together noble and better men on this earth that is now addressed to you?, Beethoven wrote thus to the dedicatee of the Sonata op. 109, the nineteen-year-old Maximiliane Brentano in 1821. Beethoven had already composed a little piano trio (B flat major WoO 39) for her in 1812. And now she was receiving a very different kind of work - the first of the heavyweight last three piano sonatas. It remains astounding that Beethoven initially wrote the first movement as a piano work in its own right, only later deciding to expand it into a complete sonata, which today appears to have been hewn from one piece of stone. / Piano

Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven's most unusual highly innovative and original works: the Concerto in C Major Op. 56 for piano violin cello and orchestra; and the Fantasia in C Minor Op. 80 for piano chorus and orchestra.To this day the 'Triple Concerto' remains part of a rare breed in the literature--a fascinating symphonic framework of interaction between the classical orchestra and a trio of intimately interdependent soloists. The work remains a favorite vehicle of the great Beethoven specialists with numerous recordings by legendary performers.The 'Choral Fantasy' is a rarity in the Beethoven canon of ensemble music uniting thevirtuoso display of a semi-improvisational solo piano with the vocal and instrumental richness of chorus and orchestra. Said to have been composed under great time pressure the Fantasy concludes with an extensive choral setting of a text by an unknown poet: 'Schmeichelnd hold und lieblich klingen' ('Flatteringly lovely and fair are the sounds of our life?s harmonies...Accept gladly the gifts of beautiful art...').Reprinted from the authoritative Breitkopf & Härtel editions this volume offers musicians and music lovers an inexpensive high-quality full score of two exceptional works.