Klezmer Fiddle Tunes

80 airs pour violon traditionnel de Pologne, d'Ukraine, de Hongrie, de Roumanie, des Balkans et de la tradition Klezmer. Par . Après le succès des titres « Irish Fiddle Solos » et « English Fiddle Tunes » paraît un tout nouveau volume de Pete Cooper contenant une riche sélection de mélodies des pays de l'Est incluant la Pologne, l'Ukraine, la Hongrie, la Roumanie, la Serbie, la Bulgarie et la Macédoine, de même que des pièces de la tradition klezmer. En tout 80 titres d'une grande variété de styles : marzurka, polka, kolomeyke, freylekh, hora, czárdás, legenye, sîrba, rutchenitsa, kopanitsa, etc. Le matériel est divers, contenant des pièces très simples et des mélodies plus ambitieuses exigeant une technique de niveau moyen à avancé. L'introduction fournit des explications sur les rythmes, les gammes, les modes, de même que des commentaires sur les morceaux. Comme pour de nombreux autres numéros de cette série, il existe des fichiers MP3 enregistrés dans la collection Pete Cooper qui peuvent être téléchargés gratuitement. / Date parution : 2023-03-20/ Recueil / Violon

The author of Argentinian Tango and Folk Tunes for Violin (ED 13379), Ros Stephen, presents a wide-ranging collection of Klezmer tunes and Jewish melodies for violin. Highly flexible to use, the pieces may be performed by a solo violinist or in a variety of instrumental combinations. The music has been carefully edited to create stylistic, authentic arrangements. Ornamentation, bowing and fingering have been included to enable stylistic performances, and there is also guidance on general style, as well as adding your own ornamentation, embellishment and improvisation. The volume is accompanied by a CD with a recording of all tunes performed by Ros Stephen with a live backing band, as well as play-along versions of all tracks. / Violon

Banjo Book With Online Audio-In Everything You Wanted To Know About Clawhammer Banjo one of the world's leading Banjo players Ken Perlman addresses nearly every aspect of the popular 5-string Banjo style known as clawhammer orfrailing.Chapter themes include fundamentals; advanced and experimental techniques; arranging and backup; how to play reels hornpipes jigs and other fiddle tunes; how to approach such genres as ragtime bluegrass klezmer blues calypso and a wide variety of 'national' and regional music; alternative tunings; setup and accessories; and historical background.This book features 120 tunes along with numerousexercises and musical examples in crystal clear tablature. Access to online audio is included featuring all tunes illustrated by the author.

This collection of 16 tunes for Violin- complete with CD and helpful notes on style and interpretation - is suitable for those with experience of Klezmer as well as those without. The CD includes modern and selected historical performances of each tune together with a complete set of backings.

An Introduction to Folk Styles Technique and Improvisation-* This in-depth tutor book from renowned fiddle player and teacher Chris Haigh is perfect for classical violinists and fiddle players looking to master the art. * Covering all aspects of folk violin technique from ornamentation to modes and scales and from scordatura to improvisation and composition. * The book is centred around Irish traditional music but also dips into English Scottish Scandinavian East European Klezmer Cajun and American Old-Time traditions. * Accompanied by a CD of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance folk might seem so simpleit?s hardly worth bothering with. The tunes are often no more than 32 bars long they stay in first position and they don?t even have a composer. However it?s what?s NOT written on the page that makes folk fiddle so interesting and challenging.This book attempts to explore from general observation down to the finest detail what the fiddler needs to know to bring these tunes alive. We need to understand their history and context their purpose their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music but from years of immersion in folk music both listening and playing.Key areas covered include:* Tune types and structures * Ornamentation * Bowing * Modes and scales * Scordatura * Starts endings and links * Variation improvisation and composition Playing tunes in ?sets? * Regional and individual style * Playing in sessions for contests and for dancing

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin