Johann Sebastian Bach: Well Tempered Clavier - Book 2

An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.

Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier. / Piano

Instrument : flute Nombre de Pages : 72 In this volume, the teacher Robert Winn from the Cologne Academy of Music has compiled a collection of 133 tunes which shall spur on and encourage flutists to listen to and play also music composed for other instruments as well as different styles. From the repertoire for strings, piano or voice, symphonic music, chamber music, solo literature and operas, he has compiled a repertoire that shall contribute to the discovery of elements which are imperative to the development of the performer's interpretive skills and the flute sound. The ideas presented in the present edition are the result of his experience as a flutist in major international symphony orchestras and chamber music ensembles as well as a studio musician. Content : Chapter 1 / Kapitel 1: The Words. Der Text - 1. Franz Schubert An Sylvia - 2. Willibald Gluck Che farò senza Euridice (Orfeo ed Euridice) - 3. Johann Strauß (Sohn) Trinke Liebchen (Die Fledermaus) - 4. Charles Hubert Parry Jerusalem - 5. Johann Strauß (Sohn) Brüderlein und Schwesterlein (Die Fledermaus) - 6. George Gershwin Summertime (Porgy and Bess) - 7. F. Loewe / A. Lerner On the Street where you live (My Fair Lady) - 8. Georges Bizet L’amour est un oiseau (Carmen) - 9. M. Cowan / B. Paterson Waltzing Matilda - Chapter 2 / Kapitel 2: Major and Minor. Dur und Moll - 10. Traditional Russian Melody - 11. Edvard Grieg Solveigs Song op. 55/2 (Peer Gynt) - 12. Edward Elgar Pomp and Circumstance March No. 4 - 13. Felix Mendelssohn Bartholdy Violin Concerto op. 64, 1st movement - 14. Johannes Brahms Double Concerto op. 102, 2nd movement - 15. Pjotr I. Tschaikowsky Swan Lake Ballet op. 20 - 16. Adolphe Adam Giselle - 17. Felix Mendelssohn Bartholdy Song without Words op. 30/3 - 18. Anonymus Londonderry Air - 19. Pjotr I. Tschaikowsky Barcarole op. 37/6 (The Seasons) - 20. Antonín Dvorák Symphony from the New World op. 95, 2nd movement - 21. Modest Mussorgsky Bydlo (Pictures at an Exhibition) - 22. Giuseppe Verdi Slaves Chorus (Nabucco) - 23. Robert Schumann Symphony No. 4 op. 120, 2nd movement . - 24. Traditional Greensleeves - 25. Giuseppe Verdi Lacrimosa (Requiem) - 26. Felix Mendelssohn Bartholdy Song without Words op. 109 - 27. Giuseppe Verdi Paragi, o cara (La Traviata) - 28. César Franck Symphony, 2nd movement - 29. Richard Strauss Horn Concerto No. 1 op. 11, 1st movement - 30. Wolfgang Amadeus Mozart Piano Concerto KV 491, 1st movement - 31. Johann Joachim Quantz Trio Sonata in G minor - 32. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 33. Léo Delibes Coppélia - 34. Nino Rota Speak softly Love (The Godfather) - Chapter 3 / Kapitel 3: Melody and harmony. Melodie und Harmonie - 35. Gabriel Fauré Chanson d'amour - 36. Felix Mendelssohn Bartholdy Symphony No. 4 / Italian Symphony op. 90, 3rd movement - 37. Nikolai Rimski-Korsakow Scheherazade - 38. Antonín Dvoqák Cello Concerto op. 104, 1st movement - 39. Felix Mendelssohn Bartholdy Hebrides Overture - 40. Giacomo Puccini Madame Butterfly - 41. Carl Maria von Weber Leise, leise, fromme Weise (Der Freischütz) - 42. Georges Bizet Carmen - 43. Fritz Kreisler Liebesleid - 44. Wolfgang Amadeus Mozart Clarinet Concerto KV 622, 2nd movement - 45. Johannes Brahms String Quartet op. 67, 2nd movement - 46. Georges Bizet La fleur que tu m’avais jetée (Carmen) - 47. Robert Schumann Piano Quintet op. 44, 1st movement - 48. Franz Schubert Arpeggione Sonata D 821, 1st movement - 49. David Gates If - 50. Johann Strauß (Sohn) Overture (Die Fledermaus) - 51. Camille Saint-Saëns The Swan (Carnival of the Animals) - 52. W. A. Mozart (Arr. R. Winn) Concerto for Flute and Harp KV 299, 2nd movement - 53. Max Bruch Violin Concerto op. 26, 2nd movement - 54. Johann Sebastian Bach Air (Suite for Orchestra No. 3 in D major BWV 1068) - 55. César Franck Sonata for Violin and Piano, 1st movement - 56. Johann Sebastian Bach Concerto in F minor for Harpsichord and Strings BWV 1056, 2nd movement - 57. Ludwig van Beethoven Romance in F major op. 50 - 58. Franz Schubert Arpeggione Sonata D 821, 2nd movement - 59. Robert Schumann Träumerei (Kinderszenen) - 60. Igor Strawinsky Firebird Suite - 61. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 62. Ruggero Leoncavallo Vesti la Giubba (Pagliacci) - 63. Claude Debussy La fille aux cheveux de lin - 64. Carl Reinecke Sonata op. 167, 2nd movement (Undine) - 65. Robert Schumann Romanze op. 94/2 - 66. Maurice Ravel Pavane pour une infante défunte - Chapter 4 / Kapitel 4: Top register. Das obere Register - 67. Johannes Brahms Hungarian Dance No. 1 - 68. Pjotr I. Tschaikowsky Waltz of Flowers (Nutcracker Suite) - 69. Giuseppe Verdi Amami, Alfredo (La Traviata) - 70. Harold Arlen Somewhere over the Rainbow - 71. Wolfgang Amadeus Mozart Dieses Bildnis ist bezaubernd schön (The Magic Flute) - 72. Hector Berlioz Overture (Le Carnaval Romain) - 73. J. S. Bach / Ch. Gounod Ave Maria (after Bach’s Prelude No. 1, Welltempered Clavier 1) - 74. Pietro Mascagni Intermezzo (Cavalleria Rusticana) - 75. Niccolo Paganini Cantabile - 76. Georges Bizet La foule prosternée (Pearl Fishers) - 77. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 78. Pjotr I. Tschaikowsky Symphony No. 6 / Pathetic Symphony op. 74, 1st movement - 79. Gaetano Donizetti Il dolce suono (Lucia di Lammermoor) - 80. Giacomo Puccini O mio babbino (Gianni Schicchi) - 81. Johannes Brahms Sonata for Violin and Piano in G major op. 78, 1st movement - 82. Charles Gounod Petite symphony, 2nd movement - 83. Modest Mussorgsky Night on a bare Mountain - 84. Igor Stravinsky Rite of Spring - 85. Johannes Brahms Symphony No. 3 op. 90, 2nd movement - 86. Johannes Brahms Symphony No. 3 op. 90, 3rd movement - 87. Igor Stravinsky Firebird Suite - 88. Edvard Grieg Piano Concerto op. 16, 3rd movement - Chapter 5 / Kapitel 5: Imagination and Realization. Idee und Realisation - 89. Edward Elgar Salut d'amour - 90. Wolfgang Amadeus Mozart Flute Quartet KV 285, 2nd movement - 91. Richard Strauss Don Juan op. 20 - 92. Hector Berlioz Symphonie Fantastique, 1st movement - 93. Frédéric Chopin Nocturne op. 9/2 - 94. Sergej Rachmaninow Piano Concerto No. 2 op. 18, 1st movement - 95. Pjotr I. Tschaikowsky Symphony No. 6 / Pathetic Symphony op. 74 - 96. Giuseppe Verdi Overture (Giovanna d'Arco) - 97. Maurice Ravel Piano Concerto, 2nd movement - 98. Giacomo Puccini E lucevan le stelle (Tosca) - 99. Johannes Brahms Piano Concerto No. 2 op. 83, 3rd movement - 100. Edvard Grieg Åses Tod op. 41/1 (Peer Gynt) - 101. César Franck Sonata for Violin and Piano, 2nd movement - 102. Frédéric Chopin Waltz op. 69/1 - 103. Aram Khatchaturian Spartacus Ballet. - 104. Aram Khatchaturian Violin Concerto, 2nd movement - 105. Johannes Brahms Intermezzo - 106. Sergej Rachmaninow Piano Concerto No. 2, 2nd movement - 107. Sergej Rachmaninow Piano Concerto No. 2, 3rd movement - 108. Jules Massenet Méditation (Thaïs) - 109. Joaquín Rodrigo Concierto de Aranjuez, 2nd movement - 110. Johannes Brahms Violin Concerto op. 77, 2nd movement - 111. Pjotr I. Tschaikowsky Symphony No. 4 op. 36, 2nd movement - 112. Giuseppe Verdi Overture (Il Forza del Destino) - 113. Felix Mendelssohn Bartholdy Violin Concerto op. 64, 2nd movement - 114. César Franck Sonata for Violin and Piano, 1st movement - 115. Giacomo Puccini Nessun dorma (Turandot) - 116. Richard Strauss Im Abendrot (Four last Songs) - 117. Pjotr I. Tschaikowsky Rococo Variations op. 33 - 118. Sergej Rachmaninow Symphony No. 2 op. 27, 1st movement - 119. Pjotr I. Tschaikowsky Violin Concerto op. 35, 2nd movement - 120. Anton Bruckner Symphony No. 7, 1st movement - 121. Claude Debussy (Arr. R. Winn) Rêverie - 122. Claude Debussy Prélude à l’après-midi d’un faune - 123. Jean Sibelius Violin Concerto op. 47, 1st movement - 124. Sergej Rachmaninow Symphony No. 2 op. 27, 3rd movement - 125. Sergej Rachmaninow Vocalise op. 34/14 - 126. Alexander Borodin String Quartet No. 2, 3rd movement. - 127. Joaquín Rodrigo Concierto de Aranjuez, 2nd movement - 128. Sergej Rachmaninow Symphony No. 2 op. 27, 3rd movement - 129. Aram Khatchaturian Spartacus Ballet. - 130. Pjotr I. Tschaikowsky Overture (Romeo et Juliette) - 131. Nikolai Rimski-Korsakow Scheherazade - 132. Pjotr I. Tschaikowsky Overture (Romeo et Juliette) - 133. Maurice Ravel Daphnis et Chloé (Suite No. 2)

48 Preludes and Fugues Book II-A monument in the history of Western music The Well-Tempered Clavier represents not only the culmination of J. S. Bach's own maturation process but also the impetus for the emerging style and structure of modern Keyboardmusic. Mozart Beethoven and Chopin were influenced by its polyphonic richness and depth of harmony and Schumann counseled young musicians to 'make The Well-Tempered Clavier your daily bread.' Modern pianists can followSchumann's advice with this new edition of an authoritative and long-out-of-print score that offers illuminating perspectives from a pair of eminent musical interpreters.Book II of this two-volume set features Sir DonaldFrancis Tovey's analyses of 24 preludes and fugues including suggestions for performance. In addition to commentaries by Tovey a lauded Bach scholar and world-famous musicologist the pieces are complemented by fingeringsdevised by Harold Samuel a major Bach interpreter. Students teachers and professionals will appreciate this finely engraved and modestly priced version of Bach's enduring works.Reprint of the Associated Board of theRoyal School of Music 1924 edition.

World's Favorite Series Volume 106. Par BACH JOHANN SEBASTIAN. 48 preludes and fugues for the piano selected by Alexander Shaley, Book 1 and 2 Complete. / Date parution : 2022-02-10/ Répertoire / Piano

2 Pieces Arranged for 5-String Banjo-The banjo shares many of the same sonic qualities as a harpsichord so although it's so closely associated with more homespun genres the instrument actually lends itself very well to classical music! The pieces in Bach for Banjo are in tablature only with chord symbols arranged at the beginning to intermediate level for five-string banjo players. As in classical guitar arrangements the melody and harmony are combined. Most pieces are on facing pages with no page turns required and beginners can pick through the selections at a slow pace. The book features just the best-known parts of 20 beloved Bach pieces: Air on the G String · Arioso · Minuet in G · Sheep May Safely Graze· Sleepers Awake · and more.

105 Orchesterstudien aus den Werken Johann Sebastian Bachs-Excerpts from Bach's cantatas masses concertos and more all selected and edited by Evelyn Rothwell for the accomplished Oboe soloist. These difficult passages are for Oboe Oboe D'amore and Oboe Da Caccia and will help to develop your technical control while playing lyrical pieces from Bach's many famous works.

Cantata for the 1st Easter Day-Oboe III ad lib - not in wind setDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works inJohann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Cantata for the 1st Easter Day-Bassoon ad lib - not in wind setDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works inJohann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

The Parallel German-English Texts with Annotations-The major choral works by Johann Sebastian Bach-the Christmas Easter and Ascension Oratorios and the St. Matthew St. Mark and St. John Passions-stand as the most frequently-performed and penetratingly discussed of the genre. Renowned Bach scholar Michael Marissen has assembled a compact well-designed and ideally useful treatment of Bach's oratorios providing the full German texts with literal English translations and copious annotations. He provides strict literal translations of these texts with citations from the Luther Bible as it was known in Bach's day along side extensive footnotes that provide information addressing the interests and concerns of today's Bachcommunity. These are the first translations of the librettos from Bach's oratorios to accommodate the many sense-clarifying allusions to the readings of the Luther Bibles in Bach's day to explore from historical dictionaries the meanings of previously unnoticed archaic usages and to contrast relevant findings from modern biblical scholarship. Marissen's insights are particularly helpful his thoroughness is impressive and the book will be a longstanding definitive and essential reference for choral directors performers audience members and Bach scholars alike.

The Partita was virtually unknown until 1917 when the manuscript (call number: Mus. Ms. Bach P 968) was acquired by the then Royal Library in Berlin from the heirs of the former Thomaskantor and avid Bach collector Wilhelm Rust (1822-1892). For this reason the Partita for Flute BWV 1013 was not included in the pioneering Gesamtausgabe der Bachgesellschaft finished in 1900. In addition it seems possible that Wilhelm Rust intentionally withheld the piece from publication despite the fact that he had generously supported the Bachgesellschaft edition in its early stages. Today the Partita is well known though it is worth remembering that this piece is one of the latestadditions to the canon of Bach's works.- Urtext of the New Bach Edition

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale