Johann Sebastian Bach: Thy Name Like Unto The Sun [Leopold Serenata]: Piano:

This edition complements the volume of Keyboard Works of Doubtful Authenticity (BA 5250).It contains works which have survived bearing Johann Sebastian Bach?s name or were later attributed to Bach but where Bach has been ruled out as composer in the opinion of the editors on stylistic grounds or following a critical examination of the sources. But having said that it is hard to be negative about these compositions which are of a consistently high quality. Furthermore this is largely unknown repertoire; almost half of the pieces in the volume are previously unpublished. As a result this edition invites curious and open-minded musicians on avoyage of discovery.- Critical edition based on the guidelines of the ?New Bach Edition?.- Largely unknown repertoire with several works published as first editions.- Foreword (Ger/Eng) and detailed Critical Commentary (Ger/Eng).Contents:PrefaceSarabande g-Moll BWV 839Fuge a-Moll BWV 897/2Präludium und Fuge B-Dur über den Namen Bach BWV 898Fantasie g-Moll BWV 920Fuge e-Moll BWV 945Fue e-Moll BWV 960 (Fragment)Suite F-Dur BWV Anh. 80Gigue G-Dur Anh. 81Fantasie c-Moll BWV ANh. 86Fantasie C-Dur BWV Anh. 87: Erste Fassung / First Version Zweite Fassung / Second versionFuge C-Dur BWV Anh. 89Fuge e-Moll BWV Anh. 95Fuga G-Dur BWV Anh. 91Fuga e-Moll BWV Anh. 93Fuge G-Dur BWV Anh. 92Fuge D-Dur BWV Anh. 96Fuge d-Moll BWV Anh. 98Fuge d-Moll BWV Anh. 99Fuge d-Moll BWV Anh. 100Fuge d-Moll BWV Anh. 100 - Variante / Alternative versionFuge es-Moll BWV Anh. 102Drei Fugen über B A C H:1. Fuge C-Dur BWV Anh. 1072. Fuge C-Dur BWV Anh. 108: Fassung a / Versin a Fassung b / Version b3. Fuge c-Moll BWV Anh. 110Contrapunctus alla Decima. B A C H BWV Anh. 109Largo und Allegro BWv Anh. 111Fuge d-Moll BWV Anh. 180Fuge C-Dur BWV deestFuge c-Moll BWV deestFuge h-Moll BWV deestFuge c-Moll BWV deestCritical Commentary

A large number of works have survived bearing the name of Johann Sebastian Bach the authenticity of which has been called into question on various occasions. This edition now combines all those pieces where Bach?s authorship has been either verified by the musicologists at the ?New Bach Edition? or where there is a degree of certainty about this.The edition gathers together a range of different types of composition: as well as numerous preludes and fugues there are toccatas dance and concert works. Two adaptations after the Violin solo sonatas BWV 1003 and 1005 are worth special mention. These two works demonstrate particularly clearly whatapplies to all the other works in this volume: whether Bach?s authorship is doubtful or not there is no question that this is a collection of fascinating music.This performing edition corresponds to the complete edition volume of the ?New Bach Edition? BA 5296 (Series V Vol. 12) published in 2006.- Urtext based on the ?New Bach Edition?.- Numerous facsimile pages.- Foreword on the history of the works? genesis transmission and on questions of authenticity(Ger/Eng).Contents:VorwortPrefaceFaksimilia/Facsimiles:SuiteB-DurBWV821 FantasieundFugeB-DurBWV907 Sonated-MollBWV964SuiteB-DurBWV821Toccatinad-Mollbestehendaus/consultingofPräludiumd-Mo llBWV899/1 Fuged-MollBWV900/02 AdagioundPrestoa-MollBWV923a Allegrettoscherzandod-MollBWV844 Andanteg-MollBWV969 Prestod-MollBWV970Scherzoe-MollBWV844aFantasieundFuged-MollBWV905FantasieundFughettaB-DurBWV907FantasieundFughettaD-DurBWV908

From early in the 17th century until the form engaged the interest of Johann Sebastian Bach various notable German composers - including Rosenmüller Fischer Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture' whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel a student at the Thomasschule from 1751 who made copies of Bach's MSS which he found there. Thus neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major recent criticism suggests that it mayoriginally have been written for strings only and dates in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices.The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.

Volume with detailed booklet in English-About The Aria Book - TenorBy Johann Sebastian Bach (1685-1750) edited by Charlotte Lehmann. Collection (with pull-out supplement) for tenor voice and piano accompaniment. Urtext of the New Bach Edition. Text language German/English. 76 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5213-04) ISBN M006503841. With vocal melody lyrics piano accompaniment performance notes suggestions for practice and introductory text. Baroque. 9x12 inches. Contents:Unser Mund Und Ton Der Saiten BWV 1 No. 5 F Major from 'Unser Mund Und Ton Der Saiten'.Was Willst Du Dich Mein Geist Entsetzen BWV 8 No. 2 C# Minor from 'Liebster Gott Wenn Werd IchSterben'.Was Ist Der Schnode Mensch - Bleibt Ihr Engel Bleib Bei Mir BWV 19 No. 4 5 E Minor from 'Es Erhub Sich Ein Streit'.Kein Ungluck Ist In Aller Welt - Ewigkeit Du Machst Mir Bange BWV 20 No. 2 3 C Minor from 'O Ewigkeit Du Donnerwort'.Bache Von Gesalznen Zahren BWV 21 No. 5 C Minor from 'Ich Hatte Viel Bekummernis'.So Schnell Ein Rauschend Wasser Schiesst BWV 26 No. 2 C Major from 'Ach Wie Fluchtig Ach Wie Nichtig'.Ich Will Leiden Ich Will Schweigen BWV 87 No. 6 Bb Major from 'Bisher Habt Ihr Nichts Gebeten In Meinem Namen'.Erholet Euch Betrubte Sinnen BWV 103 No. 5 D Major from 'Ihr Werdet Weinen Und Heulen'.Ihr Menschen Ruhmet Gottes Liebe BWV 167 No. 1 G Major from 'Ihr Menschen Ruhmet Gottes Liebe'.Auf Meinen Flugeln Sollst Du Schweben BWV 213 No. 7 E Minor from 'Lasst Uns Sorgen Lasst Uns Wachen'.

20 Chorals Divers (L à W) 13 Chorals supplémentaires Sinfonias des 29e e 146e cantatas-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The third volume includes a selection of Bach's favoured Chorals and Cantatas. In addition Dupr?'s annotations in Complete Organ Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

8 petits préludes and fugues 3 préludes 9 fugues 5 fantaisies-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The fifth volume includes a selection of Bach's favoured Preludes and Fugues and Fantasies. In addition Dupr?'s annotations in Complete Organ Works comprisefingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

21 Chorals du Dogme Prélude et Fugue en Mib-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The eighth volume includes a favoured selection of Bach's works including 21 chorales and his Prelude and Fugue in E flat. In addition Dupr?'s annotations in CompleteOrgan Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Johann Sebastian Bach's Toccatas BWV 910-916 contains early versions of BWV 912 and 913 and an ornamented version Of BWV 916.

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins