Format : Sheet music
SKU: SU.00220545
This CD Sheet Music™ collection features the numerous, varied works for solo and duo piano by Claude Deubssy and Gabriel Fauré. DEBUSSY: Children's Corner, Deux Arabesques, Estemps, Etudes (Books I & II), Images (Books I & II), L'isle Joyeuse, Preludes (Books I & II), Pour le Piano, Suite Bergamasque, and more FAURÉ: Ballade, Barcarolles, Impromptus, Nocturnes, Preludes, Valses-Caprices, Dolly, plus more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 1200+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: HL.132412
UPC: 884088972462.
SKU: M7.BRP-875
SKU: CU.EC10256
SKU: SU.91510180
Original Debussy work for piano, orchestrated by Steven Mercurio Instrumentation: 2222; 4230; timp, perc, hp; stgs Duration: 7' Published by: Subito Music Publishing Performance materials available on rental only (www.subitomusic.com/rental).
SKU: HL.50489598
ISBN 9790080086865. UPC: 73999895971. K/4 (23,5x31) inches. Peter Solymos.
SKU: BT.EMBZ8686
SKU: FA.MFCD014PN
8.27 x 11.69 inches.
Fetes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy's friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, 'Les Masques', involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine's comedy Les Uns et les autres. The action is set in a park a la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L'Isle Joyeuse (1904). Following Laloy's scenario, the mas-queraders then sing extracts from Verlaine's 'A la promenade' (from Fetes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
