Introduction to the Lute

Par MC CASKILL MIZZY. Un texte très pratique rempli de notes sur faire chauffer l'embouchure, position de la main et le soutien de l'haleine, quotidien moteur, majeur et mineur échelles et arpèges, etudes d'octave inférieures, etudes contemporaines et un trille et note doigté graphique ! Le format facile à utiliser en fait un excellent compagnon au tout début de la méthode intermédiaire. Le CD inclus est un moyen idéal pour le pays en développement flutiste à écouter et à la pratique avec les etudes solos trouvés dans le livre. Il contient des etudes contemporains, etudes de bas-octave et prolongée des etudes de la gamme. Toutes les études sont présentées dans les sections. Pistes flute et piano sont suivies d'une piste piano accompagnements. Le regroupement des pistes d'accompagnement au piano peut faciliter l'utilisation de cet enregistrement en studio et la performance des paramètres. Toutes les pistes d'accompagnement ont une introduction de deux-mesure supplémentaire. Etudes mixte-compteur commencent avec deux mesures du compteur dans la première barre de la pièce. / Niveau : Intermédiaire / All Styles - Technic / Recueil / Flûte Traversière

Par MC CASKILL MIZZY. La première des deux volumes des pièces plus demandés pour les mariages, les services religieux, ou paramètres méditatives, ces compositions fournir littérature intermédiaire excellente pour étude dans des leçons privées. Chacun de ces chefs-d'oeuvre classique est excellent pour le développement de ton et de vibrato. Tous les travaux sont prévus pour les flûte (ou violon) avec accompagnement de piano, orgue. Une partie d'arrachement commode est incluse pour le soliste. Le CD inclus contient à la fois orgue et piano accompagnements pour toutes les pièces dans le livre. Introductions ont été ajoutées lorsque cela est nécessaire pour établir le tempo et de permettre le soliste entrer avec l'accompagnement enregistrée en temps opportun. / Niveau : Intermédiaire / Classic - Solos / Recueil / Flûte Traversière

Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament

Lute Tablature Edition. Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth

Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition.

Arranger: Collatti, Diego Composer: Gardel, Carlos Volver for two flutes? The Argentinian tango specialist, Diego Collatti, has produced an intriguing duet arrangement of this famous piece and for a range of other tango classics by Carlos Gardel. The pieces are suitable for intermediate-level players. Each has a comprehensive introduction to the necessary phrasing which will help players become familiar with the diverse and expressive characteristics of the genre. An inspiring introduction to the world of the tango.

As a confirmed Mozartian it is natural that Müller's concertos for Flute and Orchestra should follow the classical pattern and the E minor work published here for the first time since 1801 is an attractive and virtuoso piece in the less usual minor tonality. It is edited by Nikolai Jaeger and Christopher Hogwood with a useful introduction including points of performance practice drawn from Müller’s Flute tutor. A Keyboard reduction of the Orchestral part is also available.

D 802 (Op. posth. 160) Trockne Blumen-1 Introduction (Andante)Thema (Andantino)Variation IVariation IIVariation IIIVariation IVVariation VVariation VIVariation VII (Allegro)

With Online Audio- The first of two volumes of the most requested pieces for weddings church services or meditative settings these compositions provide excellent intermediate literature for study in private lessons.Each of these classical masterpieces is excellent for development of tone and vibrato. All works are arranged for flute (or violin) with piano and organ accompaniment. A convenient 16-page pull-out part is included for the flutesoloist. The online audio contains both organ and piano accompaniments for all pieces in the book. Introductions have been added where necessary to establish tempo and allow the soloist to enter with the recorded accompaniment atthe proper time. Includes access to online audio.

Ce livre est conçu pour le joueur de flûte intermédiaire vous cherchez une introduction au monde du jazz. Musicien de jazz réputé Ollie Weston introduit les concepts clés étape par étape, expliquant clairement et simplement tous, avec le minimum de mu / Flûte Traversière

Une Introduction à l'apprentissage de la langue du Jazz à l'aide d'études interactives, échelles et des airs de Jazz originales 12 arrangés pour les flûte Native American. Comprend 4 facile à suivre des leçons et 44 piste interactive audio CD démontrant tous sur la page imprimée. Auteur, John Vames a commencé des centaines de personnes sur des trajets les flûte réussie de leur propres avec son livre d'introduction pour les débutants, la Native American flûte : comprendre le cadeau. Chanson pour Koko est un must pour quiconque souhaite voyager davantage dans le monde de la musique et la magie de la flûte amérindienne. / Flûte Traversière

These charming Mozart adaptations from the late 18th and 19th Centuries are enjoying increasing popularity today. Though they originated from the need to recall the melodies heard in the opera house in our time they may have the opposite function that is they serve as an introduction to Mozart for young people.

Introduction Theme and Variations is a challenging and exciting for solo Flute with Piano accompaniment. The theme has folk-like melody but was also inspired by Japanese music the composer often visited Japan with his wife and father. The seven variations are more firmly in the western classical tradition but still have elements of Japanese tonality. They remain among the finest works of Louis Moyse (1912-2007): a noted French flautist composer and editor of Flute music. Raised in Paris and educated by his father Marcel also a famous flautist he was also a skilled pianist.