SKU: HL.51485801
ISBN 9790201858012. UPC: 884088660284. 10x12.75 inches.
Includes: “Su cantiamo” Hob. Deest; Der Sturm/The Storm Hob. XXIVa:8; Invocation of Neptune Hob. XXIVa:9; Music for the tragedy “Alfred, König der Angelsachsen, oder der patriotische König” Hob. XXX:5; Incidental Music (Proverbe dramatique “Le Prince Wourtsberg”) Hob. XXX:4; Volck's Lied Hob. XXVIa:43. Includes: Su cantiamo Hob. Deest; Der Sturm/The Storm Hob. XXIVa:8; Invocation of Neptune Hob. XXIVa:9; Music for the tragedy Alfred, König der Angelsachsen, oder der patriotische König Hob. XXX:5; Incidental Music (Proverbe dramatique Le Prince Wourtsberg) Hob. XXX:4; Volcks Lied Hob. XXVIa:43.
SKU: TM.09774SET
Incidental Music to: Distressed Innocence and Amphytron.
SKU: HL.51485802
ISBN 9790201858029. UPC: 884088643263. 10.25x13 inches.
Critical edition with critical report. Includes: “Su cantiamo” Hob. deest • Der Sturm/The Storm Hob. XXIVa:8 • Invocation of Neptune Hob. XXIVa:9 • Music for the tragedy “Alfred, König der Angelsachsen, oder der patriotische König” Hob. XXX:5 • Incidental Music (Proverbe dramatique “Le Prince Wourtsberg”) Hob. XXX:4 • Volck's Lied Hob. XXVIa:43.
SKU: TM.09774SC
SKU: TM.13684SET
Nocturne, Elegie and Musette, Serenade, Ballade. See #08306 for Complete Incidental Music Op. 27, which has more movements.
SKU: TM.13684SC
SKU: CF.YAS9
ISBN 9780825844867. UPC: 798408044862. 8.5 X 11 inches. Key: A minor.
Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program.Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production ofA The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material forA Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax.A Firewalk is a diverse addition to any concert program.Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato. This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program.Firewalk is a piece for young string orchestra designed to teach pizzicato playing to the developing string player. All too often, pizzicato is treated simply as an effect or percussive accent to a passage. With this piece, pizzicato becomes the melody, harmony and rhythm. It calls for the player to use dynamics and phrasing while playing pizzicato.This work is adapted from incidental music I composed for a production of The Birth of Merlin, a play by William Shakespeare. The piece is dedicated to Helen Borgers, who directed this production by the Bard in the Yard Shakespeare Company in Long Beach, CA. The material for Firewalk comes from a section in the play where the characters are dancing a devilish tango with ethereal spirits. The music features jaunty rhythms, dynamic contrasts, and a dramatic climax. Firewalk is a diverse addition to any concert program.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: BR.BV-382
Hanns Eislers Wiener Arbeiten nach der Ruckkehr aus dem Exil
ISBN 9783765103827. 6.5 x 9.5 inches.
Hanns Eisler's native Vienna is the point of convergence for the approach to three complexes in his life and works: re-emigration, film music and incidental music. At the center is the period between Eisler's return from exile in the U.S. in 1948 and the end of his compositional engagement in Vienna, which was closely connected to the withdrawal of the Soviet occupational forces from Austria in 1955. At the center of Eisler's film and incidental music are three major works which Peter Schweinhardt examines on the basis of widely unknown musical material and documents: the filming of Brecht's Herr Puntila und sein Knecht Matti (1955), the work on the script of the Fidelio screen adaptation by Walter Felsenstein (1953-56) and the incidental music to Nestroy's Hollenangst (1948). This lengthy score is characteristic of Eisler's post-war project of a new, folkloristic-classicistic music.
SKU: BA.BA07895-79
ISBN 9790006564279. 32.5 x 25.5 cm inches.
Incidental music with the famous SicilienneFaure wrote Pelleas et Melisande in 1898 originally as incidental music to Maurice Maeterlinck's like-named play. After the premiere and subsequent performances, he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912, the four-movement version of Pelleas et Melisande was finally premiered. The additional movement, the Sicilienne, was taken from the third interlude of the incidental music. This delightful piece would later become one of Faure's most popular compositions and now exists in countless arrangements.BA$?renreiter's new scholarly-critical edition of the four-movement orchestral suite Pelleas et Melisande op. 80 is based on Gabriel Faure The Complete Works, Volume IV/2 which appeared in 2016.* First Urtext edition * Based on Gabriel Faure The Complete Works* Score and orchestral parts in a large format (25.5 x 32.5 cm).
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BR.SON-441
ISBN 9790004803493. 10 x 12.5 inches.
The circumstance that Felix Mendelssohn Bartholdy searched all his life in vain for suitable material for an opera easily obscures the fact that he actually produced a considerable output of incidental music - from the Singspiele of his childhood and youth up to the large-scale works of incidental music of the 1840s for the Prussian king Friedrich Wilhelm IV.; also an opera fragment based on the Loreley material has survived.The volume ,,Kleinere Buhnenwerke (Minor stage works) of the complete edition contains - with the exception of the above-mentioned scores - all other works that can be attributed to the genre of musical drama, whereby the term ,,stage works is applied in a broad sense, since they also comprise pieces that are on the border between a concertante and a stage performance: several fragments from his childhood years, the contribution, published in 1833, for a festival of the Berlin poet Wilhelm Emil Julius, four works of incidental music for the Dusseldorf theatre (1833-1835) and a piece of convenience for the Leipzig theatre (music for Ruy Blas with the first version of the corresponding overture of 1839). In addition to these (complete and fragmentary) scores, the volume includes arrangements of individual movements of these works. It therefore represents a compilation of works which in terms of instrumentation, character and dimensions are extremely diverse - and today for the most part unknown.
SKU: BA.BA07895-85
ISBN 9790006564293. 32.5 x 25.5 cm inches.
SKU: BA.BA07895-74
ISBN 9790006564255. 32.5 x 25.5 cm inches.
SKU: BA.BA07895-82
ISBN 9790006564286. 32.5 x 25.5 cm inches.
SKU: BA.BA07895-75
ISBN 9790006564262. 32.5 x 25.5 cm inches.
SKU: BA.BA07895-65
ISBN 9790006562572. 32.5 x 25.5 cm inches.
SKU: BR.OB-5704-15
ISBN 9790004348147. 10 x 12.5 inches.
The famous Valse triste grew out of the incidental music to Arvid Jarnefelts drama Kuolema (Death). After the first staged performances in December 1903 at the Finnish National Theater in Helsinki, Sibelius expanded the original string scoring by adding winds and timpani. It is in this form that the work was first heard at the University of Helsinki's festival hall on 25 April 1904 under the direction of the composer before it set out to conquer the musical world.The Valse triste is part of the incidental music in several movements which Sibelius composed in 1903. Freed from its functional framework, the concert version of the Valse triste, written shortly thereafter, set out to conquer the musical world.
SKU: CL.CTS-8031-01
Nocturne from Incidental Suite is the second movement of this suite originally scored for concert band. This work highlights a beautiful melodic line filled with lush and occasionally dissonant harmonies. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: BR.EOS-21473-19
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
ISBN 9790004780152. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt, which takes its place today among the composer's most beloved works.Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
SKU: BR.EOS-21473-16
ISBN 9790004780145. 10 x 12.5 inches.
SKU: BR.EOS-21474-16
The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg seriesISBN 9790004780213. 10 x 12.5 inches.
After Henrik Ibsen obtained sensational feedback for his verse drama Peer Gynt, he decided to arrange the text for stage performances as well. He requested incidental music from Edvard Grieg, who immediately assured Ibsen of his cooperation. In its new version, Peer Gynt was given its first performance in February 1876 and also scored a tremendous success. After a further revision of his music, Grieg compiled four of the most striking pieces into an orchestral suite in 1888, and repeated this procedure three years later for a second suite. The publication of the first complete score further boosted the already exceptional acclaim of the incidental music to Grieg's Peer Gynt , which takes its place today among the composer's most beloved works. Breitkopf is now releasing a new conductor's score to both suites, based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.The new conductor's score to both suites is based on the proven edition of Richard Clarke, which is already accessible as a study score in the Eulenburg series.
