Igor Stravinsky: Igor Stravinsky - L'histoire du Soldat: Bassoon Solo:

The Chester Stravinsky Edition-Igor Stravinsky's masterpiece Renard in a newly engraved and corrected study score format edited by Millan Sachania taking account of all available sources for the first time.Russian textwith transliteration as well as the original French singing translation by C.F.Ramuz.

Par STRAVINSKY. Igor Stravinsky 's compositional career was notable for its stylistic diversity which clearly marks his Four Russian Songs – written while transitioning from his ‘Russian period’ to his ‘neoclassicalperiod’ and thus carrying the unique marks of both. The four songs ( Canard, Chanson Pour Compter, Chant Dissident and Le Moineau Est Anssis ) for high Voice with Piano accompaniment can beperformed as separate pieces but work best when played together. Duration is approx. 7 minutes. French translation by C. F Ramuz. Russian composer, pianist and conductor Igor Fyodorovich Stravinsky is widelyconsidered one of the most important and influential composers of the 20th century. / Rép Classique / Répertoire / Chant et Piano

9 Pieces For Violin And Piano-Disponible pour la première fois en un volume cette collection renferme outre les arrangements pour violon et piano par le violoniste Samuel Dushkin d'extraits de ballets et d'opéras de Stravinsky une pièce pour violon seul et une oeuvre originale de Stravinsky pour violon et piano le Duo concertante.

Par STRAVINSKY IGOR. Drawing on the composer’s transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky’s Pulcinella Suite differs between those for violin and cello - Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music./ Répertoire / Alto et Piano

Par STRAVINSKY IGOR. This transcription of Suite italienne is the first full-scale composition by Igor Stravinsky to enter the double bass solo repertoire. Brian Powell, Associate Professor of Double Bass at the Frost School of Music, University of Miami, has adapted the versions of Suite italienne for violin and for cello as best suits the double bass. Moreover, he has widened the selection of movements, thus continuing a practice Stravinsky established with his instrumental collaborators (Dushkin and Piatigorsky) of allowing the performers to select material from the ballet Pulcinella. In this case the movements comprise Introduzione, Serenata, Aria, Vivo, Tarantella, Gavotta con due variazione, Scherzino and Minuetto e Finale. The Vivo movement is derived directly from the orchestral Pulcinella Suite: widely recognised by classical bassists as one of the most significant solos in the orchestral repertoire, the bass part is faithfully reproduced as in the original score. Suite italienne has music that will appeal to bassists of various performance levels – solo, chamber and orchestral bassists alike will appreciate different aspects of this music. The suite also possesses an abundance of flare and technical virtuosity that will excite audiences./ Répertoire / Contrebasse

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Arranged From Three Easy Pieces By Jackendoff.. Par STRAVINSKY. March, Waltz, And Polka were first composed in 1915 as a collection of three Piano duets, Three Easy Pieces, by the Russian composer Igor Stravinsky. They were written for the composer to playwith his children as they were learning the Piano, so had a considerably easier second part. They have been arranged for Clarinet and Piano by the American musician Ray Jackendoff, a Professor of Linguistics who has also had awide-ranging performance career s a classical clarinettist. Igor Stravinsky (1882-1971) was born and brought up in Saint Petersburg, before settling first in Paris and finally in America. Despite his classical musicaleducation, he is best remembered as one of the main proponents of serialism. / Niveau : Facile / Rép Classique / Répertoire / Clarinette

The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer as an orchestral memorial to his teacher Nikolai Rimsky-Korsakov disappeared after just one performance in 1909. Following its rediscovery in 2015 and world premiere in St Petersburg last December orchestras around the world have swiftly added Funeral Song into their current seasons.   The Funeral Song score has been reconstructed from the complete set of parts by Dr. Natalia Braginskaya and the St Petersburg Conservatory in collaboration with Stravinsky?s publisher Boosey

Ballet in three deals Studienpartitur - STP - orchestra ballet librettist: Malaieff, M. ballet librettist: Stravinsky, Igor editor: Schneider, Herbert composer: Stravinsky, Igor translator preface (English): Deveson, Richard preface: Schneider, Herbert Éditeur: Eulenburg Série: Eulenburg Miniature Scores pages: 124 Contenu - Preface/Vorwort - 2 Faksimile - Jeu de Cartes: - Première donne - Deuxième donne - Troisième donne