SKU: BT.CMP-0082-96-120
Heavy Metal is a powerful piece that holds a lot of energy. Rock rhythms and melodies and a funky bass line help to create an exciting rock style. Mit diesem Stück können Sie Ihre Musiker und auch das Publikum überraschen: Heavy Metal funktioniert auch in Blasorchesterbesetzung! Kraftvoll und energisch kommt diese überzeugende Komposition von Brian Connery einher. Rockige Rhythmen und Melodien, ein funkiger Bass und interessante dynamische Kontraste machen das Stück zu einem aufregenden Erlebnis für Spieler und Zuhörer. Probieren Sie’s aus! Le heavy metal est un sous-genre du rock, devenu style musical part entière dans les années 1970. Le heavy metal développe un son lourd, épais, centré sur la batterie et la guitare la distorsion très amplifiée. Partant de ce constat, Brian Connery a créé une pièce puissante et énergique. Les rythmes et les mélodies sont caractéristiques du rock. La ligne de basse est dans la mouvance funk. Pour donner du ‘peps’ votre interprétation, veillez faire respecter les accents, les articulations et les nuances.
SKU: FJ.B1676S
English.
Heavy metal finds its way into your concert hall with this exciting piece for young musicians. Metalheads incorporates metallic instruments into an original rock tune for band featuring hard hitting rhythms, edgy harmonies, and fun percussion writing that will showcase your young drummers. Guaranteed to have your students and audiences head banging!
About FJH Developing Band
Slightly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: HL.4005419
UPC: 888680724146. 9.0x12.0x0.029 inches.
From heavy metal masters Metallica, this 1991 hit has become a rock standard. Paul's powerful arrangement for band effectively captures the hard-driving feel of the original.
SKU: BT.DHP-1114972-140
9x12 inches.
The Ecstasy of Gold is the famous theme from the movie The Good, The Bad and The Ugly that leads up to and is heard during the movieâ??s climax, the showdown! The complete soundtrack to The Good, the Bad and the Ugly was released in 1966 and sold millions of copies. Since 1983, heavy-metal band Metallica have been opening concerts with Morriconeâ??s dramatic and exciting song, The Ecstasy of Gold. Lorenzo Bocci has created an equally exciting arrangement for concert band.The Ecstasy of Gold is het beroemde lied uit de muziek van de film The Good, The Bad and The Ugly en leidt naar het hoogtepunt van de film. Ennio Morricone componeerde de soundtrack voor deze spaghettiwestern van Sergio Leone. Ookde eerste twee delen van de filmtrilogie, A Fistfull of Dollars en For a Few Dollars More, voorzag hij van filmmuziek. De hardrockband Metallica opent sinds 1983 haar rockconcerten met dit dramatische en pakkende lied. Lorenzo Boccimaakte er een versie voor blaasorkest van. Spannend en meeslepend..!The Ecstasy of Gold ist das berühmte Lied aus der Filmmusik zu The Good, The Bad and The Ugly (Zwei glorreiche Halunken), welches den Showdown und zugleich Höhepunkt des Films einleitet. Komponiert wurde der Soundtrack zu Sergio Leones klassischem Italo-Wester von Ennio Morricone, der auch schon die beiden ersten Filme der Trilogie - Für eine Handvoll Dollar und Für ein paar Doller mehr - vertont hatte. Die Metal-Band Metallica eröffnet seit 1983 ihre Konzerte stets mit diesem dramatischen und packenden Lied, das Lorenzo Bocci für Blasorchester arrangierte.La légendaire mélodie The Ecstasy of Gold vient auréoler le point culminant du film Le Bon, la brute et le truand. Ce film clôture la célèbre Trilogie de lâ??homme sans nom dont les précédents films sont Pour une poignée de dollars, Et pour quelques dollars de plus. la demande du réalisateur Sergio Leone, Ennio Morricone composa la bande originale des trois films. Depuis 1983, le groupe Metallica ouvre ses concerts avec ce thème dont Lorenzo Bocci a réalisé un époustouflant arrangement pour orchestre dâ??harmonie.Film del 1966 diretto da Sergio Leone, Il Buono, Il Brutto, Il Cattivo è uno tra i più celebri western della storia del cinema. Lâ??Estasi dellâ??Oro (The Ecstasy of Gold) è una canzone composta da Ennio Morricone per il film, ricordata in particolare per essere il sottofondo musicale della scena in cui Tuco cerca freneticamente il cimitero con la tomba dove si trovano 200.000 dollari in oro.
SKU: FJ.B1791S
This unique and highly aggressive work was inspired by the heavy metal bands of the 1980s. Capturing the driving rhythms, dissonant harmonies, and savage sense of musical motion, this heavy metal overture relies on percussion and orchestrated power chords. Wow!
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: FJ.ST6412S
This inventive and stunning composition is a modernized version of the original concerto grosso dating back to the Baroque era. Written for soloists on electric instruments, it is also possible to do acoustically. An ideal way to feature guest soloists, faculty members or talented students, the music explores a wide range of styles. At times, the piece sounds like Stravinsky. At other times, with the use of distortion pedals, the audience will feel like they are at a heavy metal concert (of course, backed by an orchestra!). Incredibly unique, and guaranteed to bring down the house!
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: AP.45078S
UPC: 038081519395. English.
Heavy metal big band! Guitar is the featured solo instrument in this very cool chart so if you, the band, and your drummer dig a rock vehicle to wake everyone up---Steampunk by Erik Morales is it. Lead trumpet range only to written G on top of the staff. A suggested written guitar solo is provided if needed. Totally exciting and a great tune for guitar and big band! (5:43).
SKU: HL.234541
9.25x12.0x0.571 inches. English.
'Four Thousand Holes is my own effort to re-appropriate and reclaim for myself something of my own musical past. For the first time since my days as a rocker, I've chosen to restrict myself to major and minor triads - those most basic elements of Western music (both pop and classical). But I've tried to assimilate them fully into my own musical world. Approaching these simple chords as found objects, I've superimposed them in multiple streams of tempo, to create darker harmonies and lush fields of sound. In recent years, I've been fortunate enough to form a close musical partnership with Stephen Drury. Steve's extraordinary gifts inspired me to explore expansive forms and textures (similar to those of my orchestral music) with only one or two performers, In essence, Four Thousand Holes is a concerto. To begin I composed the score for the electronic tracks. Steve recorded all of the individual chords that occur in the score. I took these recordings, time-stretched them, reversed their envelopes, and knit the reversed sounds together with their original decays. The resulting waves of sound I layered into ten independent tracks to create the virtual 'orchestra'. Next I composed the Piano part, articulating the peaks of all the electronic tracks simultaneously - a feat of coordination that demands considerable virtuosity from the pianist. Finally I composed another multi-layered part for metallic percussion sounds that I think of as sparks emanating from the piano. In Four Thousand Holes, strong musical currents fall and rise, again and again, as points and lines are juxtaposed with heavy, hammered chords. The mix of 'live' and electronic sounds blurs the distinction between musical figure and ground. As in much of my recent music, I conceive of the entire piece as a single complex sonority that evolves slowly. As we settle into the sound, we begin to hear longer lines, counterpoint, and maybe even the occasional trace of a tune.' - John Luther Adams.
