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American Company
ORCHESTRA - BAND
SHEET MUSIC
⮞
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Hallo Berlin
$26.95
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Format : Reduction|Score and Parts|Set of Parts
(Bekannte Melodien im Foxtrot-Rhythmus). By Walter Kollo / Paul Lincke. For combo (2 violin I/II, violin III, 1st part B-flat, 1st/2nd part E-flat, 2nd part B-flat, 3rd part E-flat/B-flat, 4th part E-flat/B-flat, 5th part, accordion, guitar, bass, percussion). Orchestra. Piano score and parts. 20 pages. Published by Apollo Verlag
Instrumentation :
Orchestra
Publisher :
Apollo Verlag
Song List
:
I. Teil: Unter'n Linden
Das war in Schoneberg
Bis fruh um funfe
Am Bosporus
Wenn ein Madel einen Herrn hat
Lasst den Kopf nicht hangenII. Teil: Zwei rote Rosen
O Theophil
Was eine Frau im Fruhling traumt
Gluhwurmchen-Idyll
Thema aus Im Walzerrausch
Solang noch unter'n Linden
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Silvana Wev C.5 Band 3A
Soli, Mixted choir and accompaniment
Schott
La renommée de Carl Maria von Weber repose principalement sur, Der Freischütz ...
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La renommée de Carl Maria von Weber repose principalement sur, Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres ouvrages et a contribué à augmenter leur chute dans l'oubli. Certaines oeuvres comme, Preciosa ',, Oberon ', et, Euryanthe', les ouvertures, concertos solistes et sonates pour piano, le lied et de la chambre de travaille connu une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la seconde moitié de la 19e siècle. Cependant, toute chance d'un renouveau de l'influence de Weber et deimportance de son oeuvre a été gaspillé dans les années 1920, quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber, mais comme ce genre de projet, il aurait fallu la coopération des chercheurs des deux côtés de la frontière inter-allemande, la situation politique après 1945 n'était pas propice à une telle entreprise. Négociations minutieuses conduit à des premières étapes tangibles dans les années 1980. L'intention, dès le début, était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail d'influence en tant qu'écrivain, critique et organisateur dans le domaine musical, mais de publier ses compositions avec ses lettres, journaux intimes et l'autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales, littéraires et pratique.Depuis la réunification allemande les deux parties de travailler les concernés - à la Staatsbibliothek zu Berlin, et au Séminaire Musikwissenschaftliches, Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales (C. 45 volumes en 10 séries: sacrés la musique- cantates, des odes et d'autres oeuvres de circonstance- oeuvres théâtrales, des oeuvres de lieder et vocale- oeuvres pour orchestre- musique de chambre, musique pour piano- réductions pour piano- Miscellanea, arrangements et orchestrations, les oeuvres d'attribution douteuse). Le journal (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits (2 vol.) À Detmold.Cette édition complète vise à constituer une base fiable de débat scientifique ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber. Conforme aux normes de ces dernières éditions historico-critiques, le matériau textuel sera basée sur toutes les sources disponibles authentiques, accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail. L'importance des travaux musicologiques seront évaluées en les plaçant dans leur contexte historique, la présentation de leurs commentaires genèse, l'histoire et la critique. Les lettres, les écrits et les journaux seront traités comme liés entre eux et pertinentes les unes aux autres dans les commentaires, donc les lecteurs devraient bénéficier d'une mine d'informations concises et des références croisées. / Soliste, Choeur Et Orchestre
199.13 EUR - Sold by LMI-partitions
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24 Contemporary Pieces For Solo Piano: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Intermediate
Chester
Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of w...
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Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporaryclassical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions the book also features interesting notes by each composer to accompany their music. These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring featuring some of the most talented and respected composers and their most definitive contributions to Piano music.Perhaps the biggest name included here is that of Ludovico Einaudi whose wide reputation is a result of his masterful ability to pull at heartstrings exemplified in his works Berlin Song The Earth Prelude andWaterways all of which are included here. Other giants of contemporary classical music are included in the collection names like Philip Glass (Étude No.11) Max Richter(Horizon Variations & Vladimir's Blues) and Hauschka whose Can You Dance For Me Early In The Park and Until It's Dawn perfectly encapsulate the emotive characteristics of all thepieces in this book. Composers like Nils Frahm Ólafur Arnalds Dustin O'Halloran and Jóhann Jóhannsson evolved from a similar school that favours building atmosphere with hypnotic arpeggiation in composition explaining why these composers are often used to great effect in film soundtracks. Hear Einaudi Dustin O'Halloran Philip Glass and more discuss sheet music composition and contemporary classicalmusic in our exclusive video below:
19.99 GBP - Sold by Musicroom UK
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