Gospel Harp

This book is an extension of Flatpickin' the Gospels by Steve Kaufman with autoharp arrangements written by Carol Stober. She makes it easy to learn these great gospel tunes on the autoharp! This book can be used to play chordsalong with singing or for playing the melody solo. The arrangements are written as simply as possible to facilitate sight reading so that you do not have to memorize the tune in order to play up to tempo. Complete lyrics areincluded. In notation and tablature.

A collection for diatonic crossharp and chromatic harmonica. The gospel songs presented here are written as the song has been presented throughout the years. Key changes have been made to accommodate the harmonica. The firstsection is standard harmonica key of C. The second section is in cross-harp (second) position. The third section uses a changed or retuned harmonica such as Lee Oskar's Melody Maker in G or the Country Tuned Hohner Harmonicain C. Written in standard notation and tablature for diatonic and chromatic harmonicas with lyrics and chord symbols. Includes 91 tunes such as The Old Rugged Cross; The Love of God; In the Garden; He's Got the Whole World inHis Hands; Oh When the Saints Go Marching In; This Train Is Bound For Glory; His Eye is on the Sparrow; and much more.

Par PETERSON MEG. La musique Gospel est ancré dans la tradition populaire de l'Amérique. C'est la musique de l'âme et et apparaît partout où les gens se réunissent pour exprimer leur joie spirituelle. Instruments folk tels que la guitare, banjo, mandoline, ukulélé et autoharpe prêtent à ce genre de chant de groupe. Ils peuvent fournir des accompagnements simples ou transporter la mélodie dans un petit groupe d'un renouveau complet. Les mélanges de harpe à bien avec l'esprit et les harmoniques de ces hymnes. La première section de cet ouvrage est contre pour pianoter simple. La seconde section est organisée pour la mélodie, jouer, avec les numéros de la chaîne indiquée. Une collection populaire qui comprend 69 chansons ! / Niveau : Débutant à Intermédiaire / Sacred - Songbooks / Recueil / Harpe

Gospel music is rooted in the folk tradition of America. It is music from the heart and soul and appears wherever people gather to express their spiritual joy. Folk instruments such as the guitar banjo mandolin ukulele andautoharp lend themselves to this kind of group singing. They can provide simple accompaniments or carry the melody in a small group of a full fledged revival. The autoharp blends in well with the spirit and harmonics of thesehymns. The first section of this book is chorded for simple strumming. The second section is arranged for melody playing with string numbers indicated. A popular collection which includes 69 songs!

Par KAUFMAN STEVE. Dans ce livre, trois fois National Flatpicking guitare Champion Steve Kaufman présente secouant les solos de guitare sur 24 favoris de gospel. Chaque chanson est montré avec une partie de la mélodie en notation et tablature, paroles, une partie de l'accompagnement en tablature et un solo de cueillette à plat émouvant dans la notation et de tablature. Cet enregistrement est conçu pour l'écoute d'abord et, deuxièmement, comme un outil pédagogique. Tous les 24 chansons sont jouées par le biais de trois fois au moins. La première fois est comme il apparaît dans le livre, et les deux versions qui suivent sont des versions improvisées. Ce qui en fait un outil d'écoute et d'un outil de formation oreille. Enregistré numérique-analogique en vrai son stéréo. Cet enregistrement peut être utilisé avec deux Flatpickin' les évangiles ou Autoharping les évangiles. Comprend aussi un DVD. / Niveau : Tous Niveaux / Gospel-Old Time - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

A Gospel Homecoming est une collection de certains des plus beaux chants gospel jamais! Voici une collection de chansons soigneusement sélectionnés qui évoquent une époque plus simple ... à partir de sélections Southern Gospel aux cantiques préférés. Comme vous le chanter et de jouer à travers ces chansons, vous serez transportés vers un lieu de paix et de fraternité. Utilisez cette collection précieuse comme une pièce maîtresse pour créer votre propre groupe ou des rassemblements bourse musicale. Vous pouvez rentrer chez vous ... avec un retour aux sources évangéliques. / Piano/Vocal/Guitare (PVG) / niveau : Facile / Partition

In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing Guitar solos on 24 gospel favourites. Each song is shown with a melody part in notation and tablature lyrics anaccompaniment part in tablature and a stirring flat- picking solo in notation and tablature.This recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times atleast. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this both a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. Thisrecording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Audio and Video download available online.

Par HARPER JOHN. / Niveau : Assez Facile / classique / Répertoire / Flûte Traversière et Piano

Catchy tunes to help make your school concert go with a swing from the inimitable Atarah.Grade: 3 - 4

Extended instrumental solo taken from MacMillan's 70-90-minute 'Since it was the day of Preparation ? ' for voices and ensemble, commissioned by the Hebrides Ensemble, Edinburgh International Festival, Soli Deo Gloria and Kings Place, and first performed by the Hebrides Ensemble at the 2012 Edinburgh Festival.The parent work sets the Resurrection narratives from St John's Gospel. Five instrumental solos for different instruments (theorbo, cello, clarinet, harp, horn) are reproduced unabridged. They serve as prologue and interludes at respective points of the work. / Harpe

Spirituals ont servi de base pour le blues, le jazz et la musique gospel, et continuent d'être une partie riche de la culture musicale d'aujourd'hui. Ces arrangements pour piano solo de spirituals préférés longs textes, doigtés suggérés, le phrasé, les marques de pédales, et facile à lire la notation. / Piano

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière