Gospel Duets

Piano Time Jazz Duets 2 is a splendid collection of easy duets in jazzy and light styles. Expertly written for students around the level of Piano Time 3 these stylish and toe-tapping duets provide accessible and fun material for all young jazz players and are just the thing to liven up any lesson or practice session. There are duets in an exciting range of styles and moods including boogie-woogie swing gospel blues and much much more.Wittily illustrated this is a must-have collection for all teachers and pupils looking for fresh and original duet repertoire.

You asked for it you got it! An organ-piano duet collection of medleys. The titles include 22 well-known hymns gospel songs and praise & worship songs: He Is Exalted * His Name Is Wonderful * O Worship the King * Thou Art Worth* and many more. Two copies are needed for performance.

Duets for Sanctuary Singers-A collection of Vocal duets of gospel hymn arrangements. An accompanying Piano part is included in the book. Voices Together: Duets For Sanctuary Singers features the songs: Immortal Invisible There Is A Green Hill Far Away Still Is The Night and more.

Level Two-This series of sacred solos includes favorite hymns gospel songs spirituals and sacred music from classical repertoire. The selections have been made to appeal to students of all ages and also with regard to popularity in many different churches. Some of the hymn tunes may be known with different titles and lyrics. Duet accompaniments offer many possibilities for recitals and Sunday school participation. The duets help provide valuable rhythmic training and ensemble experience. Duets are recommended for use at home as well as at the lesson. Level 2 includes: Allelujah - All Glory Laud and Honor - Crown Him with Many Crowns - He's Got the Whole World in His Hands - Hosanna LoudHosanna - How Great Thou Art - Jesus Shall Reign - Just As I Am - Kum Ba Yah - A Mighty Fortress Is Our God - Pachelbel's Canon - Swing Low Sweet Chariot.

Media Type : Book Level : Intermediate Musical Genre : All Styles Number of pages : 200 Volume 2 of the Guitar Class Method focuses on melodic development and solo playing and provides a vast collection of solos, duets and quartets in multiple styles including rock, blues, classical, Gospel, and folk using flatpick and fingerstyle technique. A special quartet section presents the opportunity for intermediate-level players to experience ensemble playing. Presents individual segments on Chord Strumming Melody; Country style accompaniment; Bluegrass Style Solos; Blues and Contemporary Sounds; Fingerstyle Solos and Country Blues Solos; Note Reading and Melodic Development; Guitar Quartets; Note Reading Solos in Various Styles; and Melody-Chord Solo Playing. Written in standard notation and tablature with chords presented in both diagram and photo format. The individual segments can be used concurrently in any order.

Volume 2 of the Guitar Class Method focuses on melodic development and solo playing and provides a vast collection of solos duets and quartets in multiple styles including rock blues classical Gospel and folk using flatpickand fingerstyle technique. A special quartet section presents the opportunity for intermediate-level players to experience ensemble playing. Presents individual segments on Chord Strumming Melody; Country style accompaniment;Bluegrass Style Solos; Blues and Contemporary Sounds; Fingerstyle Solos and Country Blues Solos; Note Reading and Melodic Development; Guitar Quartets; Note Reading Solos in Various Styles; and Melody-Chord Solo Playing. Writtenin standard notation and tablature with chords presented in both diagram and photo format. The individual segments can be used concurrently in any order.

Don't Ever Let Nobody Drag Your Spirit Down-Eric Bibb was raised in the folk tradition the son of the folk singer Leon Bibb. Bibb?s uncle was the world-famous jazz pianist and composer John Lewis part of the Modern Jazz Quartet. Bibb was raised in a music-filled household as family friends in the 1950s and 1960s included Pete Seeger Odetta Bob Dylan and the late Paul Robeson who was named Eric?s godfather. Bibb got his first steel guitar at age seven and he got some advice from Dylan that he never forgot to ?keep it simple forget all that fancy stuff.? When he was 16 his father asked him to play guitar in the house band for his TV talent show Someone New.In 1970 Eric left New York City forParis where he met with guitarist Mickey Baker. There he began to focus on blues guitar and after moving to Stockholm he became enamored with prewar blues. A breakout performance at the 1996 London Blues Festival catapulted Eric to a higher level of visibility. Since then he has toured the world performing at concert halls and major festivals. He has toured with Robert Cray Keb Mo Corey Harris and even opened shows for Ray Charles.Eric earned a Grammy nomination for his collaboration (with Taj Mahal and others) on the children?s record SHAKIN? A TAILFEATHER. His album PAINTING SIGNS was recognized by New Age Voice as a Finalist for Best Folk Album of 2001. He joined Maria Muldaur and Rory Block to record the gospelflavored SISTERS & BROTHERS and then released FRIENDS a collection of duets with Taj Mahal Odetta and others. He has been nominated for many W.C. Handy Awards in a variety of categories. Eric?s rich and sensitive vocals and lyrics provide a perfect balance to his fine fingerpicking technique. Purveying a beautifully realized and deftly accomplished soulful folk-blues Eric has no problem blending various genres effortlessly melding a traditional rootsy American style with a subtle contemporary sensibility.