SKU: GH.N06378
ISBN 9790070032995. 185 x 262 mm inches. Text: Alf Henrikson / Louise Ramnefalk / Gideon Wahlberg / etc.
Sammanstallning av gamla och nyskrivna festliga stycken for blandad och unison kor till Nationalmuseums 100-arsjubileum 1996. Redaktor: Eskil Hemberg.
SKU: BT.SCHBB5000726
High Voice with Piano accomapniment. English, Czech and , German text. Gideon Klein.
SKU: HL.2052168
UPC: 797242011122.
SKU: GH.N01888
ISBN 9790070026178. A4 inches.
SKU: BT.PMC3512
SKU: BT.SCHBB8000005
SKU: OT.26114
ISBN 9789655051049. 8.27 x 11.69 inches.
Ariel Lazarus Guitarra Liturgia Two pieces based on music from the Spanish and Portuguese tradition. Contents: Jerusalem de Sefarad - Suite for Guitar Contrapunto Sefardi The composer writes: For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions. Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program. His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe. Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.
SKU: BT.PMC3513
SKU: BT.SCHBB5402430
TTBB. Klein, G.
SKU: BA.BA10989
ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major.
Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.PMC3507
SKU: BT.PMC3506
SKU: BT.SCHBB1400335
SKU: HL.48014952
UPC: 073999149524. 9.0x12.25x0.28 inches.
SKU: GH.GE-11903
ISBN 979-0-070-11903-0. 185 x 262 mm inches.
Folkvisa fran Gotland.
SKU: HL.48014955
UPC: 073999729696. 9.0x12.25x0.389 inches.
For Two Oboes, Two Clarinets, Two Bassoons and Two French Horns.
SKU: BT.SCHBB5402533
SKU: BT.SCHBB1400379
String Quartet (Score & parts). Klein, G.