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RECORDER SHEET MUSIC ⮞ CLASSICAL - BAROQUE - ROMANTIC ⮞

Georg Philipp Telemann : Methodical Sonata No. 5 D minor

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Format : Sheet music + CD

By Georg Philipp Telemann (1681-1767). For alto recorder and basso continuo. Baroque, Chamber. Difficulty: intermediate. Booklet with full score, part and play-along CD. Published by Recorder JP

Instrumentation :

Treble (Alto) Recorder, Basso continuo

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Georg Philipp Telemann : Methodical Sonata No. 5 D minor
$ 23.69

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Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la basse continue.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - six volumes.Volume 1 : Anonyme - BARTOLOTTI - A.M. - BOYVIN J. - BUTERNE J-B. - CARRE - A.Sieur de La Grange - CHARPENTIER M-A.- CHAUMONT L. - D'ANGLEBERT J-H. - DE LA BARRE M. - DELAIR D. - FLEURY - N. - MARAIS M. - NIVERS G.G. - PERRINE - SAINT-LAMBERT M. de.Volume 2 : CAMPION F.- - CAMPION T. - CHERON A. - - CLERAMBAULT N. - COUPERIN F. - DANDRIEU J-F. - DELAIR D. - LECLAIR J.-M.- RAMEAU J.-P.Volume 3 : - Anonyme - CAMPION F. - - DORNEL A. - - FORQUERAY A. - GERVAIS L. - GOUDAT - GUILLEMAIN L.-G. - MONNIER Le Cadet - - MONTECLAIR M.P.de - PINGRE A-G. - RAMEAU J.-P.- SERRE DE RIEUX J. - TELEMANN G.P. - - TRAVENOL - L.A.Volume 4 : ALEMBERT J. Le Rond d' - BLAINVILLE C.H.de - CORRETTE M. - DUBUGRARRE - GEMINIANI F S. - LAPORTE C. de Volume 5 : BETHISY J-L. de - BIFERI F. (fils) - CLEMENT C-F. - - DUBREUIL J-J. - GARNIER H. - - GIANOTTI P.- GOUGELET Madame - LABBET A. J. - LE BOEUF - - - RAMEAU J.-P. - ROUSSIER P-J. - SIMON S. - TAPRAY J.Volume 6 : Anonyme - BEMETZRIEDER A. - CORRETTE M. - FROESTLER B. - GOURNAY B.C. - LANGLE H-F-M. - RODOLPHE J-J. - ROUSSIER P-J.Table des matières : Volume 1 : Fleury Nicolas : Methode pour apprendre facilement - 1660Bartolotti Angelo Michèle : Table pour apprendre facilement - 1669Carre Antoine : Livre de Guitarre Contenant Plusieurs pièces - 1671Perrine : Livre de Musique pour le Lut - 1680Anonyme : Petites Reigles Generalles qui peuvent servir de methode - 1680Nivers Guillaume Gabriel : Motets a voix seule - 1689D'Anglebert Jean Henry : Pièces de clavecin - 1689Marais Marin : Basse-continuës des pieçes a une et a deux Violes - 1689Anonyme : (traité abrégé d'accompagnement) - c. 1690Anonyme : Règles pour l'Accompagnement - 1690Delair Denis : Traité d'accompagnement pour le theorbe - 1690Charpentier Marc Antoine : Abrégé des règles de l'accompagnement - c. 1692Chaumont Lambert : Pieçes D'orgue sur les 8 tons - 1695Buterne Jean-Baptiste : Petites Reigles pour l'accompagnement - 1700Boyvin Jacques : Second livre d'orgue - 1700Anonyme : Traité d'accompagnement du Clavecin - c. 1700De La Barre Michel : Premier livre de pièces pour la flûte - 1702Saint-Lambert Michel de : Nouveau Traité de l'accompagnement - 1707Volume - 2 : Couperin François : Règles pour l'accompagnement - s.d.Campion Thomas : Traité d'accompagnement et de composition - 1716Clerambault Nicolas : Règles d'accompagnement - 1716Clerambault Nicolas : Principes d'accompagnement - 1716Dandrieu Jean François : Principes de l'accompagnement - 1719Rameau Jean-Philippe : Traité de l'harmonie - 1722Delair Denis : Nouveau traité d'accompagnement - 1724Leclair Jean-Marie : Premier livre de sonates - 1723Rameau Jean-Philippe : Nouveau système de musique théorique - 1726Cheron André : Sonates en trio - 1727Campion François : Lettre du sieur Campion a un philosophe - 1729Campion Thomas : Addition au traité d'accompagnement - 1730Volume - 3 : Pingre Alexandre Gui : Traité de l'harmonie - s.d.Rameau Jean-Philippe : Observations sur la Méthode d'Accompagnement - 1730Rameau Jean-Philippe : Plan abrégé d'une Méthode nouvelle - 1730Monteclair Michel Pignolet de : Réponse du second Musicien au premier - 1729Rameau Jean-Philippe : Réplique du premier Musicien à la réponse du second - 1730Monteclair Michel Pignolet de : Réponse du second Musicien au premier Musicien - 1730Rameau Jean-Philippe : Réplique du premier Musicien à l'écrit du second - 1730Rameau Jean-Philippe : Dissertation sur les différentes métodes - 1732Gervais Laurent : Méthode pour l'accompagnement - 1733Campion François : Second recueil d'airs - 1734Serre de Rieux Jean : Les dons des Enfans de Latone - 1734Telemann Georg Philipp : Nouveaux Quatuors en six Suites - 1738Goudat : Principes de Laccompagnement - 1738Travenol Louis Antoine : Premier livre de Sonates a violon seul - 1739Guillemain Louis Gabriel : Six sonates en quatuors - 1743Monnier le Cadet : L'art de Toucher le Clavecin dans son propre caractêre - c.1745Dornel Antoine : le Tour du Clavier - 1745Forqueray Antoine : Pièces de Viole avec la Basse Continüe - 1747Anonyme : (Méthode d'accompagnement) - s.d.Volume - 4 :Alembert Jean Le Rond d' : Elemens de musique - 1752Blainville Charles Henri de : Essay sur un troisième mode - 1751Corrette Michel : Le maître de Clavecin - 1753Laporte Claude de : Traité théorique et pratique - 1753Geminiani Francesco Saverio : L'art de bien accompagner - 1754Dubugrarre : Méthode plus courte et plus facile - 1754 - Volume - 5 :Tapray Jean : Abrège de l'accompagnement - 1755Labbet Antoine Joseph et Leris Antoine de : Sentiment d'un Harmoniphile - 1756Clement Charles François : Essai sur l'accompagnement - 1758Gianotti Pietro : Le guide du compositeur - 1759Rameau Jean-Philippe : Code de musique pratique - 1760Bethisy Jean-Laurent de : Exposition de la théorie et de la pratique - 1764Roussier Pierre-Joseph : Traité des accords et de leur succession - 1764Le Boeuf : Traité d'harmonie et règles d'accompagnement - 1766Garnier Honoré : Nouvelle méthode pour l'accompagnement - 1767Dubreuil Jean-Jacques : Manuel harmonique - 1767Biferi Francesco Fils : Traité de musique abrégé, divisé en trois parties - 1770Simon Simon : Théorie pratique d'accompagnement - s.d.Gougelet Madame : Méthode ou abrégé des règles - 1771Volume - 6 :Roussier Pierre-Joseph : L'harmonie pratique - 1775Corrette Michel : Prototipes contenant des leçons d'accompagnement - 1775Anonyme : Abrégé des règles de composition - 1777Bemetzrieder Antoine : Nouvelles leçons de clavecin ou instructions générales - 1782Rodolphe Jean-Joseph : Théorie d'accompagnement - c.1785Gournay B.C. : Lettre à M. l'abbé Roussier - 1785Langle Honoré-François-Marie : Traité de la basse sous le chant - 1797Froestler B. : Traité d'harmonie et de modulation - 1800Anonyme : Principes de l'accompagnement - s.d.Anonyme : Règles d'accompagnement - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Basse Continue / 1696 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

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