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CLARINET
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B Flat Bass Clarinet And Piano March Of A Marionette
$6.99
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Solo Ensemble (Rubank). Size 9x12 inches. Published by Hal Leonard.
Instrumentation :
Bass Clarinet
Publisher :
Hal Leonard
Song List
:
Funeral March Of A Marionette
Seller information:
Sheetmusicplus
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USA
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Ludwig van Beethoven: Piano quintet E flat major op. 16 (version for Wind Instruments) for Oboe, Clarinet, Horn, Bassoon and Piano
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Wolfgang Amadeus Mozart: Quintet for Piano, Oboe, Clarinet, Horn and Bassoon E flat major KV 452
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Carl Stamitz: Double Concerto In B Flat: Chamber Ensemble: Instrumental Work
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Capriccio, Op. 14 (WEISSENBORN JULIUS)
Bass Clarinet, Piano
Metropolis Music Publishers
Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is kn...
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Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E). German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E)./ Répertoire / Clarinette Basse et Piano
27.19 EUR - Sold by LMI-partitions
(Seller in french langage)
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Romance, Op. 51 (SAINT-SAENS CAMILLE)
Bass Clarinet, Piano
Metropolis Music Publishers
Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in ...
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Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano
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Simon Bainbridge: Two Trios (Parts): Ensemble: Parts
Bass Flute, Trumpet, Viola, Bass Clarinet, Cello and Piano
Novello & Co Ltd.
Two Trios arranged for Bass Flute Trumpet (B Flat) Viola Bass Clarinet Cello...
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Two Trios arranged for Bass Flute Trumpet (B Flat) Viola Bass Clarinet Cello and Piano.
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Part
Clarinette (Clarinette De Basset) Et Orchestre
Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...
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In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Instrumental
Clarinet and Piano
[Reduction]
Barenreiter
Transposed version into B-flat major for Bb Clarinet & Piano-In late 1791 Mozart...
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Transposed version into B-flat major for Bb Clarinet & Piano-In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Part
Clarinette (Clarinette De Basset) Et Orchestre
Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...
(+)
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
6.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Parts
Clarinette (Clarinette De Basset) Et Orchestre
Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...
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In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
24.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Part
Clarinette (Clarinette De Basset) Et Orchestre
Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...
(+)
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
6.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Part
Clarinette (Clarinette De Basset) Et Orchestre
Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...
(+)
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
6.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Instrumental
Clarinet and Piano
[Sheet music]
Barenreiter
Clarinet and Piano-In this clarinet & piano reduction:Urtext solo clarinet partR...
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Clarinet and Piano-In this clarinet & piano reduction:Urtext solo clarinet partReconstructed basset-clarinet partPreface with suggestions for the embellishment of the first movement fermatas from an early 19th century sourceIn late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important worksin the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x 16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
19.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Study Score
Clarinet, Orchestra
Barenreiter
In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? a...
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In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x 16.5cm(TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
14.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Score
Clarinet, Orchestra
[Score]
Barenreiter
for Clarinet and Orchestra-In late 1791 Mozart wrote his famous work the Concert...
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for Clarinet and Orchestra-In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Instrumental
Clarinet and Piano
[Reduction]
Boosey and Hawkes
arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra w...
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arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in A with Piano reduction by Ernest Roth and Clarinet arrangement by Frederick J. Thurston.
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Wolfgang Amadeus Mozart: Clarinet Concerto K.622: Clarinet: Instrumental Work
Clarinet and Piano
Boosey and Hawkes
The Concerto for Clarinet and Orchestra was written in October 1791 about two m...
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The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in B-Flat as arranged by Ernest Roth and revised by Frederick J. Thurston.
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Wolfgang Amadeus Mozart: Clarinet Quintet KV 581: Clarinet Ensemble:
Clarinet and Piano
-
Intermediate/advanced
Peters
Sometimes referred to as the Stadler Quintet Clarinet Quintet KV 581 is Mozart...
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Sometimes referred to as the Stadler Quintet Clarinet Quintet KV 581 is Mozart's only completed Clarinet Quintet and was written in 1789 for the clarinetist Anton Stadler. This idyllic flowing piece was originally written for basset Clarinet but is almost always played on a Clarinet in A or B-flat. It remains to this day one of the composer's most admired works. The work is arranged here for Clarinet and Piano.
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Haydn J. - Missa In Augustiis Nelson Mass Hob.xxii:11 - Reduction Chant, Piano
Choral SATB
SATB, Piano
Barenreiter
Klavierauszug nach dem Urtext der Haydn-Gesamtausgabe Edition : Piano Reduction...
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Klavierauszug nach dem Urtext der Haydn-Gesamtausgabe Edition : Piano Reduction/Vocal Score Editor : Thomas, Günter Binding : paperbound Instrumentation : Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Flute, 2 Oboe, 2 Clarinet (b flat), Bassoon, 2 Horn, 3 Trumpet, Kettledrum, Strings, Basso continuo
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Simon Bainbridge: Two Trios (Piano Score): Ensemble: Score
Piano Trio: mixed chamber instrumentation
[Sheet music]
Novello & Co Ltd.
Two Trios arranged for Bass Flute Trumpet (B Flat) Viola Bass Clarinet Cello...
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Two Trios arranged for Bass Flute Trumpet (B Flat) Viola Bass Clarinet Cello and Piano.
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Brian Elias: The Judas Tree: Orchestra: Score
Chester
A ballet in five movements for orchestra was commissioned by The Royal Opera Hou...
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A ballet in five movements for orchestra was commissioned by The Royal Opera House for Sir Kenneth MacMillan and The Royal Ballet. The first performance was given at The Royal Opera House on 19th March 1992.Scoring 4 FLUTES;2 OBOES; COR ANGLAIS; 2 CLARINETS IN BFLAT(2ND DOUBLING CLARINET IN E FLAT); BASS CLARINET IN B FLAT; 2 BASSOONS; CONTRA BASSOON; 4 HORNS IN F; 4 TRUMPETS IN C; 2 TROMBONES; 1 BASS TROMBONE; TUBA; HARP; CELESTA; TIMPANI; SOPRANOSTEEL PAN; PERCUSSION; STRINGS.The duration of this work is 34 minutes Conductor's score piano score and orchestral parts are available on hire.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K....
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Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Evis Sammoutis: Xylographies: Mixed Ensemble: Score
University Of York Music Press
Evis Sammoutis ' â Xylographies For Large Ensemble. Flute (=Pic...
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Evis Sammoutis ' â Xylographies For Large Ensemble. Flute (=Piccolo=Alto Flute) Oboe (=English Horn) Clarinet In B Flat (=Bass Clarinet) Bassoon Horn Trumpet In B Flat Tenor Trombone Percussion (One Player: 2 Timpani 4 Woodblocks 2 Bongos Tam-Tam Wind Chimes Snare Drum 2 Suspended Cymbals Vibraphone And Crotales (Extension Of Vibraphone)) Piano Violin I Violin Ii Viola Violoncello Double Bass (Five Strings). Written For Klangforum Wien. Duration: 9'
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Parts
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...
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Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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