SKU: BT.DHP-1216337-070
ISBN 9789043161510. English-German-French-Dutch.
Classical Miniatures for Wind Quartet consists of five short pieces from the classical repertoire arranged at a moderate level of difficulty for four-part wind ensemble in variable instrumentation. The selection ranges fromthe Renaissance to the Romantic period and includes upbeat, allegro pieces as well as more contemplative works. This collection from renowned arranger Werner Heckmann has something for every occasion—and every taste.Classical Miniatures for Wind Quartet bevat vijf korte, klassieke werken, gearrangeerd in een gemiddelde moeilijkheidsgraad voor vierstemmig blazersensemble in een variabele bezetting. De selectie varieert van renaissancetot romantiek en omvat naast een aantal levendige stukken ook wat ernstige muziek. Deze verzameling van de gerenommeerde arrangeur Werner Heckmann heeft dan ook voor iedere gelegenheid en elke smaak iets te bieden.Fünf kurze Werke des klassischen Repertoires in mittelschweren Arrangements für vierstimmiges Bläserensemble in variabler Besetzung das sind die Classical Miniatures for Wind Quartet. Die Auswahl reicht von derRenaissance bis zur Romantik und umfasst fröhliche Stücke im Allegro-Tempo wie auch besinnlichere Titel. Somit hat die vom renommierten Arrangeur Werner Heckmann vorgelegte Sammlung für jeden Anlass und Geschmack etwas zu bieten.Voici cinq œuvres brèves du répertoire classique dans des arrangements de niveau intermédiaire pour ensemble vents quatre parties et instrumentation variable, rassemblées sous le titre de Classical Miniatures for WindQuartet. Cette sélection s’étend de la Renaissance la période romantique et comprend la fois des pièces Allegro au caractère gai et d’autres plus méditatives. Présentée par le célèbre arrangeur Werner Heckmann,cette collection offre de quoi satisfaire tous les go ts et pour toutes les occasions.
SKU: BR.MR-1551
ISBN 9790004482445. 9 x 12 inches.
Hidden away in Gabrieli's Sacrae Symphoniae of 1597, among forty-five vocal compositions, lie sixteen works that make up one of the first great monuments of instrumental ensemble music; fourteen canzoni and two sonatas that surpass any of their genre at that time, and that were only rarely matched in the following decades, most often by Gabrieli himself. Gabrieli must be credited with many firsts in regard to the development of the canzona and sonata: he was the first to write for more than eight parts, and first to deploy his forces polychorally. He was first to contrast polyphonic and homophonic writing, and duple and triple meter, within the same piece, and was a pioneer in the use of tone colour - and specified instrumentation - for dramatic musical effect. Egon Kenton, in his Life and Works of Giovanni Gabrieli (American Institute of Musicology, 1967) sees as well the seeds of the concerto grosso and the solo concerto in Gabrieli's use of tutti and solo writing and his setting off of soloistic upper parts against frankly accompanimental lower parts. lt would not stretch the point to add that Gabrieli fleshed out his many innovations with musical materials of a high order, and that he handled his materials with consummate skill.
SKU: BR.MR-1542
ISBN 9790004482353. 9 x 12 inches.
