My First Chopin

This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller's works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century 'world music'. / Piano

Edited By Franco Concina. FIRST STEPS ON MY PIANO is a collection of easy transcriptions for piano beginners, each volume dealing with a specific repertoire with an international appeal. Contents: Adagio (Albinoni) - Adagio (Beethoven) - Alla turca (Mozart) - Andante (Mozart) - Aria (Bach) - Bolero (Ravel) - Hungarian Dance No. 5 (Brahms) - Jesus bleibet meine Freude (Bach) - Largo (Händel) - Lullaby (Brahms) - Minuet (Boccherini) - Morning (Grieg) - Ode To Joy (Beethoven) - Romance No. 2 (Beethoven) - Serenade (Schubert) - Tristesse (Chopin) / Niveau : Facile / Date parution : 1905-07-03/ Recueil / Piano

This first edition of a series introduces world-known composers to students with moderate skills. / Piano

Par CHOPIN FREDERIC. The Complete Chopin ? A New Critical Edition from Edition Peters is firmly established as the most important ongoing scholarly edition of Chopin\'s music and is a must for any discerning pianist. The world?s foremost Chopin editors, under Editor-in-chief John Rink, bring their unrivalled collective knowledge to imbue the project with unique authority, drawing upon the latest international scholarship. The Complete Chopin prioritizes the needs of the practical pianist and provides a beautifully presented performing text of each work based on a single principal source together with important variants, along with thorough critical commentaries and illuminating prefatory essays in English, French and German. Chopin\'s early Nocturne in E-flat major is one of his most popular works. First published in 1832, it has a charming, vocally-inspired melody in the treble with a serenade-like accompaniment in the left hand. Edited by leading Chopin scholar, Christophe Grabowksi, this volume presents two versions of the Nocturne: one based on the most definitive impression of the French first edition released during Chopin?s lifetime, the second a pioneering compilation of all the variants to have flowed from Chopin?s pen after the work was first completed. This second text allows pianists to create their own versions of the Nocturne by combining variants as they wish, thereby drawing inspiration directly from Chopin\'s boundless imagination. Edited by leading Chopin scholar, Christophe Grabowksi, as part of the Edition Peters series The Complete Chopin (series editors: John Rink, Jean-Jacques Eigeldinger, Jim Samson, Christophe Grabowski). Ground-breaking format, presenting both an Urtext reading and a version with all variants attributable to Chopin, allowing pianists to create their own version. / Date parution : 2022-07-28/ Répertoire / Piano

Par CHOPIN FREDERIC. The Complete Chopin ? A New Critical Edition from Edition Peters is firmly established as the most important ongoing scholarly edition of Chopin?s music and is a must for any discerning pianist. The world?s foremost Chopin editors, under Editor-in-chief John Rink, bring their unrivalled collective knowledge to imbue the project with unique authority, drawing upon the latest international scholarship. The Complete Chopin prioritizes the needs of the practical pianist and provides a beautifully presented performing text of each work based on a single principal source together with important variants, along with thorough critical commentaries and illuminating prefatory essays in English, French and German. Chopin?s etudes occupy a central position in piano literature. Prized by generations of the greatest pianists as the supreme examples in the genre, their reputation rests on their not only challenging specific aspects of a pianist?s technique, but also for being great music, transcending the genre of mere ?study?. In this edition of opus 10 (the earlier of Chopin?s two sets of studies, ending with the famous \'Revolutionary\' etude), pianist and musicologist Roy Howat presents a new edition which addresses many of the misunderstandings created by a very poorly engraved first French edition (containing errors which were then carried over to the German and English editions) ? an edition which nevertheless included many important revisions made at proof stage. Using this first French edition as a primary source, Howat produces an Urtext edition which, while recording noteworthy variants from a variety of sources, is not a ?conflated? version, but a coherent performing edition in its own right, ideal for all who aspire to play these cornerstones of piano repertoire in an informed way. / Date parution : 2022-09-07/ Recueil / Piano

Edited From The Sources And Provided With Fingerings And Notes On Interpretation By Christian Ubber. Par CHOPIN FREDERIC. The polonaises are regarded as one of the most important genres in the compositional oeuvre of Frédéric Chopin, some of them even as some of his most popular compositions. Their spectrum ranges from early works which can even be played by advanced beginners (e.g. Polonaise in B flat major) to demanding concert literature. The new edition of Wiener Urtext Edition is based on all relevant sources: autographs, copyist's copies, engraver's copies, first editions, as well as copies of Chopin's pupils used in their lessons. The edition's preferred main sources are each of the last published first editions which not only contain the last revisions but also provide comfortable, more transparent performance instructions. This is illustrated by the famous Polonaise in A major Op. 40/1 which is presented in the versions of the German and French first editions. Of some early polonaises second versions are included./ Répertoire / Piano

Edited from the sources by Christian Ubber-Regarded as the highlight among Chopin's polonaises the great Polonaise in A flat major Op. 53 has also become known as 'octave polonaise' because of the distinctive octave passages in the middle section. As was customary at that time the work was published in a German English and French first edition each. There also exists an autograph which served as an engraver's copy for the German first edition. Some personal copies of Chopin's pupils occasionally contain entries of the composer thus providing additional information e.g. original fingerings. Unfortunately all three first editions contain a different not always reliabletext. The new edition of Wiener Urtext Edition is based substantially on the autograph and the – to a large extent – carefully revised German first edition yet also takes some variants of the French first edition into account which give the impression of a last-hand version. The problems with regard to the sources and transmission are explained in detail in the preface and the critical notes. Variants containing a specific component with regard to the performance practice are commented on in the notes on interpretation.