Fingerstyle Jazz

Par HOWARD MORGEN. Fingerstyle jazz interprétations de dix de votre favori de chants de Noël par ' Guitar Player ' fingerstyle chroniqueur, interprète et clinicien Howard Morgen. Dans la notation et tablature. / Niveau : Intermédiaire à Avancé / Christmas - Solos / Tablatures / Guitare Tablatures Classique et Fingerpick

Media : Book/CD SetAuthor : by Lenny Breau and John KnowlesLevel : Intermediate-AdvancedDate published : 6/11/1997Style : JazzType : SolosDescription : The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. The first part of this text/CD contains Lenny's guitar workshop dealing with Building the Blues; Three Against Two, and Harmonics at Work. Section 2 presents three great Lenny Breau solos (5 O'Clock Bells; Little Blues, and Freight Train). Written in notation and tablature. Contains Lenny's master class on fingerstyle jazz guitar. ***** 3 songs from book are not on CD.

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

Par CHRISTIANSEN COREY. Ce livre est rempli avec des arrangements de grande fingerstyle de standards de jazz. Chaque morceau est présenté en notation standard et onglet pour une lecture facile. Ces solos jouables fonctionnent grands fingerstyle joueurs souhaitant élargir leur répertoire avec des airs familiers. Parfait pour les concerts ou de plaisir. / Niveau : Intermédiaire / Jazz - Solos / Recueil / Guitare

Par JIM NICHOLS. Jim Nichols est une partie de la scène de la guitare jazz depuis plus de quatre décennies. Il a joué avec des artistes tels que Joe Pass, Toots Thielemans, Buddy Montgomery, Chet Atkins, Art Pepper, Julio Iglesias, Hubert Laws, Della Reese, Martin Taylor, Kenny Rankin et beaucoup d'autres. La musique de Jim a amené aux étapes du Carnegie Hall, le Tonight Show et le théâtre Olympia à Paris. En juin 1997, Jim était un artiste vedette à la 18e Festival annuel de Django Reinhardt. Dans cette 94-minute DVD Jim partage ses réflexions sur la guitare Jazz de Fingerstyle. Il est un maître de ce style. Une brochure disponible pour téléchargement contient la notation et tablature pour exercices 26-45 plus le solo ' Blues de John '. / Niveau : Intermédiaire / Jazz - Solos / Accessoire / Guitare

Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almieda and Joe Pass have set a very high standard for solo fingerstyle jazz guitar and it is from this vantage point that the solo flights of Taylor Crook Nichols Baker and Mann take wing. Each player has developed a distinctly different approach to interpreting and writing jazz for solo guitar by listening intently to numerous other musicians and composers - pianists horn players bassists and singers as well as many guitarists in jazz blues and other styles. What distinguishes them from more traditional jazz guitarists (who more or less function in a linear voice in an ensemble) is their abilityto play (or imply) all aspects of music - rhythm chords bass and melody - without accompaniment. Their performances not only demonstrate their technical brilliance and imagination they are a testament to the enduring power and beauty of jazz guitar in its current evolution as a major instrumental force in American music.Martin Taylor: Shining Stockings My funny Valentine Just Squeeze Me Tommy Crook: Melody Of Birdland All The Things You Are It Had To Be You Wave Jim Nichols: Can't Take That Away From Me East Of The Sun Taste Of Honey Here's That Rainy Day Duck Baker: Back Home in Indiana Forty Ton Parachute Out Of The Past Seven Point One Woody Mann: Mr. Guitar Uptown Tales Gypsy Girl Cat Burglar

Acoustic Guitar Private Lessons-Learn the art of fingerstyle jazz guitar with these 12 insightful lessons. With chapters aimed at building chord vocabulary separating bass and melody voices and improvisation in the style of jazz guitar greats like WesMontgomery and Joe Pass this book is your guide to building and playing great solo guitar arrangements of songs from the classic jazz-standard repertoire. Complete with jazz interpretations of traditional songs. Lessons includeaudio downloads standard notation and tablature for all examples and songs and much more.

This second lesson in Duck Baker's Fingerstyle Jazz Guitar series focuses on Bop to Modern jazz compositions. Duck Baker's understanding of the jazz tradition and improvisation makes this lesson especially challenging informative and exciting. A detailed 24 page tab/music PDF booklet is included.

Par LINSKY JEFF. Ce livre et DVD package réunit Mel Bay artiste série vidéo de Jeff Linsky, Latin guitare Jazz, avec musique pour toutes les pièces en notation et tablature. Il y a quelques transcriptions directes, mais il y a aussi des arrangements des pièces et analyse de style du Linsky, ses techniques et ses approches à certains problèmes musicales. Jeff Linsky est un des meilleurs guitaristes sur la scène du jazz contemporaine. Il est bien respectées pour son improvisation solos de guitare polyphonique et pour son plaisir et animées compositions. Just Jazz Guitar Magazine a commenté, ' dans cette collection des Linsky originaux, vous entendrez beaucoup d'imagination, d'inventivité mélodique et harmonique et de joie pure. Capacité de Jeff pour créer des mélodies mémorables et improvisation éblouissante est une joie de vivre. ' / Niveau : Intermédiaire à Avancé / Jazz - Transcribed Solos / Tablatures / Guitare Tablatures

Pat Donohue is recognised worldwide as a virtuoso fingerstyle jazz guitarist with a genre-blending fusion of techniques. The overall theme of these lessons is to show the roots of classic Jazz; leading on to how to arrange a jazzcomposition and then how to improvise around the arrangement using various techniques. In this second lesson Donohue builds on the skills developed in Volume one and introduces three more classic arrangements. An exhaustivelesson the DVD holds archival footage of the featured songs including Fats Waller performing ‘Ain’t Misbehavin’ in 1941. A 24 page PDF booklet of the music accompanies these 78 detailed and practical minutes of Jazz classicswhich will aid and improve your playing.

Pat Donohue is recognised worldwide as a virtuoso fingerstyle jazz guitarist with a genre-blending fusion of techniques which makes him the perfect teacher for these jazz classics. The overall theme of these lessons is to showthe roots of classic Jazz; leading on to how to arrange a jazz composition and then how to improvise around the arrangement using various techniques. In the first lesson with the help of three great Jazz compositions Patdescribes the arrangements in detail and then guides you towards improvising over them. An exhaustive lesson the DVD holds archival footage of the featured songs including Duke Ellington performing Stormy Weather in1943. A 24 page PDF booklet of the music accompanies these 81 detailed and practical minutes of Jazz classics which will aid and improve your playing.

With Online Audio-Written during the 1970s the etudes featured in The Art Of Two-Line Improvisation were composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint harmony and chordmelody improvisation for the jazz Guitar.The right and left hand fingerings presented in this book were developed as techniques needed to improvise jazz in two lines. Wyble uses very standard jazzGuitar chord shapes in these etudes; however these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Wyble fromthe rest of the fingerstyle jazz Guitar world.It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating newsounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. The Art Of Two-Line Improvisation is written in notation and tablature. This bookincludes access to online audio.

The evolution of Fingerstyle jazz Guitar continues today with Martin Yalor Tomy Crook Jim Nichols Duck Baker and Woody Mann. Each player has developed a distinctly different approach to interpreting and writing jazz solo Guitar by listening intently to numerous other musicians and composers - Pianists Horn players Bassists and singers as well as many Guitarists in jazz blues and other styles. What distinguishes them from more traditional jazz Guitarists (who more or less function as a linear voice in an ensemble) is their ability to play (or imply) all aspects of the music - rhythm chords bass and melody - without accompaniment. Records by Charlie Byrd Lenny Breau George Van Eps Laurindo Almmieda and Joe Pass have set a very high standard for solo fingerstyle jazz Guitar and it is from this vantage point that the solo flights of Taylor Crooks Nichols Baker and Mann take wing. Their performances not only demonstrate their technical brilliance and imagination they are a testament to the enduring power and beauty of jazz Guitar in its current evolution as a major instrumental force in American music.