Encore!, Book 2

Notice Le titre de l'oeuvre est emprunté au poème de Charles Baudelaire Le Voyage. Je ne commente pas Baudelaire mais, plus ou moins souterrainement, le poème a aussi servi d'engrais à la composition. Et puis, et puis encore ? parcourt cinq étapes : Choeur à choeur, Double I, Tiento, Double II, Molto lento. Chacune d'elles se termine par une respiration calibrée et une double barre qui disent clairement sa place de maillon dans la continuité de l'ensemble. L'interprète joue toutes les étapes, ou quelques-unes seulement groupées alors selon l'agencement choisi dans la liste exhaustive que voici : - I-III, I-V, I-III-V, I-II-V, I-IV-V, - II-III, II-V, II-III-V, II-IV-V, II-III-IV-V, - III-V, III-IV-V, - IV-V. Lorsque dans l'un de ces groupements - qui par leur direction conservent tous quelque chose de l'avancée de l'oeuvre - deux étapes se suivent comme elles le font dans le déroulement complet de la partition, il convient, à la fin de la première des deux étapes, de respecter l'ordre de grandeur de la respiration. S'il y a discontinuité par rapport à l'original, la nature de l'enchaînement est plus librement à la discrétion de l'interprète. Choeur à choeur, Tiento et Molto lento peuvent, quant à eux, être joués individuellement. Et puis, et puis encore ? est écrit de manière à pouvoir être joué sur un orgue d'un ou deux claviers ne dépassant pas l'Ut 5, avec ou sans octave courte, et sans aucun usage du pédalier. Choeur à choeur : sur deux claviers, ou sur un seul avec changement de registration - Double I et Double II : sur un seul clavier, ou sur deux accouplés - Tiento : sur un seul clavier avec jeux coupés, ou sur deux. La main gauche de Tiento ne monte jamais au-dessus du Si 2, pour permettre la participation des cornets descendant jusqu'au do. La liaison entre un accord et un silence attire l'attention sur l'exactitude de la durée de l'accord. Les trilles et batteries, ainsi que les groupes de doubles et triples croches se jouent sans appui initial ni ralenti terminal. Une altération est valable pour la mesure entière. Néanmoins, des altérations de précaution ont été parfois ajoutées. Jean-Pierre Leguay

Complete Set-This wonderful collection of Woodwind Quintet Encores was originally arranged for the Chicago Symphony Woodwind Quintet whose members included: Ralph Johnson Robert Mayer Jerome Stowall Philip Farkas and Wilbur Simpson. Several of these selections were recorded by the Chicago Symphony Woodwind Quintet album entitled Encore! (Audiophile AP17). Absolutely perfect for concert or contest! Includes: Humoresque (Tchaikowsky) · The Girl with the Flaxen Hair (Debussy) · Capriccio (Haydn) · Diary of a Fly (Bartók) · Scarf Dance (Chaminade) · In Autumn (MacDowell) · Scherzo in E Minor (Mendelssohn) · Polka (Shostakovich) · Norwegian Dance (Grieg) · Gopak (Moussorgsky) · FuneralMarch of the Marionette (Gounod) · Tritsch-Tratsch Polka (J. Strauss).

Arranged by Henry Aaron This wonderful collection of Woodwind Quintet Encores was originally arranged for the Chicago Symphony Woodwind Quintet whose members included: RalphJohnson Robert Mayer Jerome Stowall Philip Farkas and Wilbur Simpson. Serveral of these selections were recorded by the Chicago Symphony Woodwind Quintet album entitled 'ENCORE!' (Audiophile AP17). Absolutely perfect forconcert or contest. Includes: HUMERSQUE by Tchaikowsky * GIRL WITH THE FLAXEN HAIR by Debussy * CAPRICCIO by Haydn * DIARY OF A FLY by Bartok * SCARF DANCE by Chaminade * IN AUTUMN by MacDowell * SCHERZO IN E MINOR byMendelssohn * POLKA by Shostakovich * NORWEGIAN DANCE by Grieg * GOPAK by Moussorgsky * FUNERAL MARCH OF THE MARIONETTE by Gounod * TRITCH-TRATSCH POLKA by J. Strauss.

This wonderful collection of Woodwind Quintet Encores was originally arranged for the Chicago Symphony Woodwind Quintet whose members included: Ralph Johnson Robert Mayer Jerome Stowall Philip Farkas and Wilbur Simpson. Several of these selections were recorded by the Chicago Symphony Woodwind Quintet album entitled 'ENCORE!' Audiophile AP17). Absolutely perfect for concert or contest. Includes: HUMERSQUE by Tchaikovsky · GIRL WITH THE FLAXEN HAIR by Debussy · CAPRICCIO by Haydn · DIARY OF A FLY by Bartok · SCARF DANCE by Chaminade · IN AUTUMN by MacDowell · SCHERZO IN E MINOR by Mendelssohn · POLKA by Shostakovich · NORWEGIAN DANCE by Grieg · GOPAK by Moussorgsky ·FUNERAL MARCH OF THE MARIONETTE by Gounod · TRITCH-TRATSCH POLKA by J. Strauss.

Ten International Violin Encores is an exciting collection of original encores by Aaron Minsky exploring musical traditions from across the globe. First published to worldwide acclaim as Ten International Cello Encores these compelling pieces are now available to violinists in this adaptation. Suitable for intermediate to advanced players these vibrant and dynamic pieces are perfectly suited to concert performance as encores small sets or as a suite and will be welcomed by all students and recitalists looking for fresh new music for solo violin.Unique entertaining pieces with an international flavourEncores inspiredby destinations around the world including Africa Asia Mexico and moreA variety of contemporary styles including jazz heavy metal and LatinTechnical challenges such as guitar-style strumming left-hand pizzicato ricochet bowing and percussive effectsUseful fingering and bowing suggestions

for Saxophone. Par . It is often the case that at the end of a concert a soloist is requested to perform an additional item not listed in the programme, in other words an encore. In general the piece that is chosen is short and emphasises the expressive qualities of the instrument as well as the musical ability of the soloist. In this collection you will find a series of works that are suitable as encore pieces due to their duration and technical content. On the MP3 audio tracks available online you will find a complete recording of each piece which you can use as a guide before performing the solo part with the piano accompaniment. / Date parution : 2024-01-06/ Recueil / Saxophone Alto et Piano

Au nom d'une femme (Hélène Segara) Chatelet les Halles (Florent Pagny) Encore (Michel Fugain) J'en rêve encore (Gérald de Palmas) Jardin d'hivers (Henri Salvador) La voix des sages (Yannick Noah) Le petit bonhomme en mousse (Patrick Sebastien) Seul (Garou) Tourner les serviettes (Patrick Sebastien) Up and down (hymne des lofteurs)

Ce recueil vous propose 10 chansons de Francis Cabrel arrangées pour la guitare acoustique en solfège et tablatures. Une rencontre avec l'artiste, les paroles des chansons et des photos vous attendent dans le livret central. Livre + CD Existe aussi dans le collection : Georges Brassens, Jean-Jacques Goldman et Téléphone. Petite Marie, Encore et encore, Je l’aime à mourir, Il faudra leur dire, La corrida, Je m’ennuie de chez moi, Les murs de poussière, Les chemins de traverse, Question d’équilibre, La dame de Haute-Savoie, L’encre de tes yeux, Carte postale, Sarbacane, Samedi soir sur la terre

Encore! is both the perfect encore to round off any Clarinet recital or can be played as a stand alone show-piece. Also particularly suitable for festivals and competitions. The writing is very melodic and flamboyant and the work is a sure audience pleaser. Commissioned by Nigel Hinson.Difficulty: Grade 8

This organ collection commemorates musical great Fred Bock. It is appropriately named not only for Fred's accomplishments and contributions to the sacred organ world but also because Fred's own organ collection was named Encore. Featuring many of Fred's closest friends this unprecedented memorial includes original organ compositions in tribute to Fred by Fred Swann Diane Bish Mark Thallender and many others plus stories and personal remembrances.

Piano, Voix, Guitare Tablature / J?avais un rêve à faire; Ami; Je voulais rester libre; Mais je l?ai croisé un matin; Dans le regard des autres; Oh ! Lady Lucille; Tout feu; toute femme; Est-ce que tu me veux encore; Oh ! quand le masque tombe; Ne m?oublie pas; Aime-moi; Je t?emmène chercher les anges; A Lorada.

Arrangeur: Matt Johnston. Par HERBERT VICTOR. L'Encore is a short vignette originally composed for Flute, Clarinet (in A) and orchestra accompaniment. For this edition with piano reduction, to transpose the A Clarinet part for B-flat Clarinet would put the clarinet in an awkward key, so instead, included in the volume are additional transposed parts for the flute and piano. Thus, the clarinetist will always play off the clarinet part provided, however, depending on the instrument used, the flute and piano will need to play on the properly corresponding part, either in D Major or E-flat Major./ Répertoire / Flûte Traversière, Clarinette et Piano

Venezuelan composer Beatriz Bilbao offers us Encore Un Mystere for mixed choir a cappella. The poem belongs to the Philosophical Sonnets of the Count of Saint Germain a renowned spiritual and philosophical guru. In a basically tonal harmonic movement the texture of this work elaborates in a profound simplicity throughout three clearly defined sections. The core exploration of the idea of nothing so eloquently expressed in the text is explored at the third and final section where the voices freely express sounds of murmurs whispers breaths etc. while the dynamic contour moves from mezzo-piano to nothing. A beautiful piece to program in fall and spring concerts for collegeand community choirs. Medium in difficulty.